Historical – Page 9 – A. L. Lester

Guest Post: Ellie Thomas, Artistic Inspiration

Thank you so much, Ally, for having me as your guest today! I’m Ellie Thomas and I write Historical Gay Romance. In this blog, I’ll be chatting about my latest story with JMS Books, released on July 10th. It’s a Hot Flash entitled A Roll of the Dice. It can be uncanny how inspiration comes out of the blue from an unexpected source. The idea for this tale started when watching an excellent three-part tv documentary on the story of Welsh art – of all things!

I love all things eighteenth century and especially writing about that period of history. So, when the programme focused on artists of that particular time, I was completely rapt. I heard for the first time about the landscape artist Richard Wilson (1713-82), who was one of the first of his peers to popularise the landscape genre. I was not only fascinated by his story and his artwork, but it also got my imagination whirring.

In the same way, my main character Joshua has Jones as a surname in honour of the Welsh artist Thomas Jones (1742-1803). Like his namesake, Joshua studies in London under the great Richard Wilson. While writing about Joshua’s experiences, I couldn’t resist including a real-life humorous anecdote about students misbehaving in class which Thomas Jones had recorded in his diaries.

So, as I had sketched in the artistic backdrop for my story, my next task was to devise my characters. When the story started unfolding in my mind, I happened to come across an article on influential black composers and musicians in Europe in the eighteenth century, including the Chevalier de St. Georges (1745-1799) who was dubbed ‘The Black Mozart’. This inspired me to make Joshua both an aspiring artist and a man of colour.

Many artists at that time, including Richard Wilson and Thomas Jones, were drawn to London to study, exhibit and establish their names in artistic circles, so that city seemed the ideal setting. In my story, Joshua leaves his home city of Bristol in the West of England to stay with relatives in London to try to make his mark on the art world.

Towards the end of the eighteenth century, although a major city and growing fast, London was not endless urban sprawl familiar to us now, but could still be crossed on foot. This relatively short distance made me consider in which specific districts to place my characters and how to arrange their first meeting.

Since the Royal Academy of Art in London was based in Old Slaughter’s Coffee House in St. Martin’s Lane in those very early days, that got me thinking about nearby Whitehall and the St. James’ Palace area, lined with exclusive masculine gambling and drinking clubs which were a core of political power and influence at the time.

These qualities embody the character of Frank, Joshua’s love interest, who moves easily amongst influential diplomatic circles. As Joshua funds his daytime art studies by working as a waiter in a gambling club by night, this seemed an ideal meeting point for my couple. In such an intensely male, hot-house situation, I could easily imagine how a spark of mutual attraction could flare into romance.

A Roll of the Dice

Joshua Jones is in London to pursue his dream of becoming an artist. As a young black man from a modest background, he works hard to pay for his painting classes, both as a fencing master’s assistant, then as a waiter in an exclusive gaming club, which his uncle manages.

During the London Season when the club as at its busiest, the last thing Joshua expects is to find romance. But when mesmerising older man, Frank Bartlett, is determined to seduce him, how can he resist? Joshua now finds he has another problem. How can he stop himself falling for the object of his desire?

Buy A Roll of the Dice

Read an Extract from A Roll of the Dice

As they sat by the fireplace, Joshua looked around him with interest, noting the shelves of books and the writing desk piled high with correspondence. Pouring them both a glass of wine, Frank sat back and smiled at Joshua’s observation.

“Does my home meet with your approval?” Frank asked.

Joshua grinned. “I was expecting more of a palace,” he replied, which make Frank laugh, revealing that strong column of his throat that made Joshua catch his breath.

“I’m sorry to disappoint you,” Frank said, smiling.

“Oh, I wouldn’t say I was disappointed,” Joshua said with a tinge of flirtation, knowing he was playing with fire. Frank glanced at him with a knowing flickering glimmer that set Joshua’s pulses racing. He was achingly aware that the consideration and snatched conversations of previous evenings would escalate in this intimate setting.

“If you are in the mood,” Frank said silkily, reaching for a pack of cards and moving a nearby side table between them, “I thought we might play a game.”

Joshua almost blurted out that he did not gamble, when he suddenly realised that the stakes were far riskier, or rather risqué, than money. “Pick a card,” Frank invited him. Breathlessly, Joshua did so and putting it down on the table, he saw he had selected the Ten of Hearts. Frank followed suit, placing down the Two of Spades. “I lose,” he said, smiling as he shrugged off his coat.

Joshua’s eyes widened. “I think I like this game,” he said, picking the next card. As it was his turn to select a lower card, he chose to remove his neckcloth as slowly as possible, his adversary glued to his every movement. Then Frank lost his waistcoat, his large body visible under his linen shirt which made Joshua’s mouth go dry. He gulped his wine before picking the next card. They chose an equal number and in accord, both removed their shirts. Joshua could not take his eyes from that massive chest and brawny torso and Frank seemed equally breathless at the sight of Joshua’s lithe and sinewy brown body.

“Perhaps we should take this into the bedroom?” Frank suggested, rising and holding out his hand. Joshua followed willingly and as soon as the bedroom door was shut behind them, they were in each other’s arms.

Buy A Roll of the Dice

Meet Ellie

Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance.

Ellie also writes historical erotic romance as L. E. Thomas.

Website : Facebook

#AmReading

This week, three gay romances with lots of suspense. Hard Line by Sidney Bell, Box 1663 by Alex Sorel and Hell and Gone by Tal Bauer.

Hard Line by Sidney Bell

Can I say first that I love all three books in this trilogy? This was the first one I read and it did stand alone; but obviously you’ll have more backstory if you start with Loose Cannon. This one is my favourite out of the three though. It’s about two misfits who are struggling to come to terms with themselves. Tobias is weighed down with his family obligations and has no head-space to work out what he really wants from life. Sullivan has shut down the part of his life that is open to relationships because he got burned really badly by someone who was frankly an arse to him about his kink. Combine the two likeable, well drawn characters with the realistic dom/sub relationship and a rollicking suspense plot and I couldn’t put the book down. The kink was really well done—on a par with Alexis Hall’s For Real. It’s a comfort re-read for me.

Box 1663 by Alex Sorel

This was rec’d me by a friend and I’m so pleased they did. It’s a WW2 gay romance set at Las Alamos, among the team building the nuclear bomb. A spy plot provides all the tension you could want. The romance is between an army photographer and a British scientist. The photographer, Nick, pursues Ian, the scientist. He’s lovely. He’s clearly head over heels in love with the man and Ian is carrying a whole load of angst and back-story that make it extremely hard for him to respond, even though he returns Nick’s feelings. I felt that the historical background was extremely well researched and I even went looking for photos of Oppenheimer and co so I could fill in the gaps in my internal narrative! I read the whole book in one sitting and I’ll definitely re-read.

Hell and Gone by Tal Bauer

Another reliably re-readable (is that too alliterative?) contemporary who-dunnit-with-romance from Tal Bauer. This time our hero is a stock detective—a career I didn’t know existed!—who is sent into the Crazy Mountains of Montana to track down the person rustling cattle and now, killing people. Everett is drawn to Lawrence, the ranch manager who has been pushing for an investigation. But there’s a thundercloud of questions hanging over Lawrence’s head—his past, his relationship with the dead man he found hanging on his property, and where he’s getting his extra money from. The tension is beautifully spun out both with the investigation and the development of the relationship. Definitely a re-read.

That’s the lot for this time!

Why the 1920s?

Sylvia Marks is coming soon! A 1920s lesbian romance. With magic and suspense. And tea. The first of a new trilogy set in the Border Magic universe.

It may have come to your attention by now that I like to write in the 1920s! So, what inspired me to do that and why do I keep coming back to it?

My first foray into the decade was Lost in Time, and that was a sort of incidental kind of period piece. I began writing as the hundred year anniversary of World War One was marked and I was doing a lot of thinking about my grandparents. My father’s father was the only survivor of a tank crew; and my mother’s great-uncle was a runner between the trenches who was killed before he hit twenty.

I began thinking about how our experiences a hundred years later contrast with the experiences of that earlier generation. Those thoughts grew into Lost in Time, with Lew from 2016 bringing his modern lens to bear on the 1919 world he found himself in.

At that point in my writing I really didn’t have a plan. I discovery-wrote Lost in Time without any idea of what I was doing—I was just telling the story. It’s a happy-for-now rather than a happy-ever-after and Shadows on the Border was a natural extension that allowed me to explore the happy-for-now a bit more; and then I ended up needing a resolution for Will and Fenn, so The Hunted and the Hind came about. Once I began the story in book one, I just had to carry on until I got to the end. And of course, people’s stories don’t end when they begin a relationship, quite the opposite. That’s always something I’ve found difficult in my writing and my reading too.

In the meantime I was writing a serial for my newsletter subscribers. I had written a short-story called The Gate, set in 1919 as an introduction to the world before Lost in Time was published. It was short and full of paranormal stuff, but the relationship resolution was very tentative and I wanted to know what happened afterwards. That became Inheritance of Shadows. That’s a rural story, with a lot inspired by the old farmers I remember as a child—the ones who’s names are on the local war memorials as serving in the First World War.

These four books concentrate on men and the male experience of the war and what happens afterwards, when you come home.

With The Fog of War I’ve done various things a bit differently.

Firstly, it’s a book about women. Dr Sylvia Marks is a minor character in Inheritance of Shadows. I loved her when I wrote her and so did my editor, who encouraged me to write more about her. I think she was envisaging a kind of village doctor solves cosy mysteries kind of series, but it appears that I am congenitally unable to write long stories that don’t contain some sort of paranormal shenanigans. So here we are.

I began reading around women doctors and how they contributed to the war effort and I came across Dr Elsie Inglis and the Scottish Women’s Hospitals and Dr Flora Murray and Dr Louisa Garrett Anderson, who ran the Endell Street Military Hospital. The institutions were staffed almost entirely by women and additionally, Flora Murray and Louisa Garrett Anderson were together as a couple.

I then remembered my grandmother telling me about a local lady doctor who would visit her mother in the pre- and post- World War One years and hitch her skirts up and sit on the kitchen table, smoking and chatting. I have a friend who is part of that family and I asked if her husband could remember anything about her. She passed on that he remembered her from family gatherings in the 1960s and she was a tough old bird who smoked like a chimney. My friend, who is, handily, an archivist, also mentioned she had wind of another lady doctor who served in France but then came home and gave up the profession, got married and had children.

It was all grist to my mill.

Plus, the snappy dialogue and the Dorothy L. Sayers vibe I can bring to it makes it fun to write. I read a lot of 1920s and 1920s detective novels…The Toff, Miss Marple, Miss Fisher…what’s not to like?

So to answer my own question, I began with one idea and it’s all snowballed from there. I keep finding more and more interesting snippets from the 1920s that I want to explore.

The Fog of War will be published by JMS Books on 16th August 2021.

Taking Stock: Deleted Scene

Here’s a deleted scene I found from Taking Stock. It’s Patsy Walker, who runs the Post Office, talking to HER friend Sally, who’s Laurie’s housekeeper. It’s whilst he’s in hospital recovering from his stroke. I took it out because it didn’t move the story along at all.

Book cover of Taking Stock — Taking Stock

“He’s going to be a handful,” Patsy Walker said to her friend Sally Beelock as she filled the tea-pot. “You’ll have trouble with him.”

Sally pulled a face. “You don’t need to tell me that,” she said. “He’s already talking about coming home and the stupid idiot can’t even stand up without help yet.”

“He’s improving though, yes?” Patsy asked.

“Yes, definitely. And it’s only been a week. They say that he needs to keep trying to move everything, his arm, his fingers, his leg, and the more he does that the more it’ll help.” She sighed. “They don’t know if it’ll all come back properly, but they say there’s a good chance.”

Patsy passed her a mug of tea and sat down opposite her at the kitchen table where she could see in to the shop. There weren’t any customers at the moment, but the early autumn day was warm and she had the outside door propped open as usual, which meant the bell wouldn’t ring if anyone came in.

“How are you managing?” she asked Sally. “It must have been a shock. He’s only what, thirty?”

“Thirty-three,” Sally said absently. “Yes. I thought it was curtains for him to be honest, Pat. Jimmy came down to get me at Carsters once the ambulance had gone. He didn’t tell me much, just said I should get into the hospital. Apparently he was unconscious, pretty much.”

Patsy patted her hand. “Well, he’s going to be fine, love. You’ll see. Look at Roger Chedzoy. He had a stroke four years ago and you’d never really know to look at him now.”

“He’s sixty-three though,” Sally said. “I mean, there’s never a good age, is there? But Laurie’s so young.”

Patsy nodded. “And that means he’s got more fight in him and he’ll get over it quickly. You’ll see.”

Writing Gay Mysteries Set in the 1880s: Fact or Fiction?

I’m delighted to welcome Jackson Marsh to the blog today to talk about writing his ten book Victorian series, The Clearwater Mysteries. They are complex, engrossing books that dip deep into the history of the period. Take it away, Jackson!

In 1890, when my current work in progress is set, being gay in Britain was punishable by up to two years in prison with hard labour. This came about because the Labouchere Amendment to the 1885 Criminal Law Amendment Act made ‘gross indecency’ a crime. This law stood in various forms until 1967 (1980 in Scotland), which means being gay was criminal when my romantic historical series is set.

That was one of the reasons I wanted to write The Clearwater Mysteries. Throughout the eleven books, my main characters live under the pressure of being criminals simply because they were born gay. Their love must remain hidden because it is a ‘love that dare not speak its name’, as Lord Alfred Douglass famously wrote in his poem of 1892, ‘Two Loves.’ Forbidden love was one subject I wanted to explore, but there are many others.

Inspired by Jack the Ripper

The idea for the Clearwater Mysteries began as a brain-spark. ‘What if Jack the Ripper killed rent boys?’ That idea set off ‘Deviant Desire’, the story of how, in 1888, one such street-rat renter rises from being a prostitute living in a rope house to living with a viscount. The love theme was ‘insta-love’, and it happens across the classes. The story developed based on actual events of the time (twisted to suit my world), and by the time I reached the end, I realised I hadn’t written a standalone novel as I intended, but the first in what was crying out to be a series. I have been writing the series for over two years now and am just finishing the 10^th mystery, which leaves the way open for another series set in the same world.

There’s More to Romance Novels than Love

I wasn’t only interested in writing a love story where a gay relationship crossed the class divide in Victorian Britain. I’d always wanted to write compelling mysteries, adventures and bromance, and The Clearwater Mysteries contain all those elements. Of my five main characters, four are gay, the other has had a bromance with one, and later, two more young, gay men join the ‘crew.’ The Clearwater world is a gay one for sure, and yet the word ‘gay’ didn’t even exist in that context at the time. The word ‘Homosexuality’ was only just starting to be used in the medical and psychology professions.

I realised that where Lord Clearwater and his friends were restricted by society, laws and expectations, so I was restricted by language, technology and experience. For example, it wasn’t until I’d published ‘Deviant Desire’ that I realised I couldn’t use the word ‘Okay’ because it didn’t come about until the 1930s. (I’ve since edited that, and other words, from the text.) That’s one of the things that irks me about historical fiction; authors not using time-appropriate language. I try not to write in a convoluted Victorian style unless it is how a character speaks, but there is no excuse for using words that people in 1890 would not have known. These days I’ve become adept at stopping myself and asking, ‘Can I use that word?’ The other day, I was working on ‘The Clearwater Inheritance’ when I typed the word ‘Paperwork.’ A quick check, and I discovered that word wasn’t used until 1940.

Fact + Fiction = Friction

Language is one thing; facts are another. Although ‘Deviant Desire’ is not about Jack the Ripper, what takes place is based on events of the time. I love mixing fact with fiction and using the combination to cause friction and drama between characters.

Through the series, we find ourselves backstage at the Royal Opera House, where an assassination is to take place. All the details of the stage, facilities and even the weight of the curtains are accurate. In ‘Fallen Splendour’, I use a Tennyson poem as the clue device, and one of my fictional characters meets the poet. Details about his house, appearance and works, are accurate. Later, we meet Sir Arthur Sullivan, Henry Irving and Bram Stoker and go to the Garrick Club and the Lyceum Theatre. We also break into the National Gallery as accurately as possible. The prequel, ‘Banyak & Fecks’ is the most accurately researched one of the lot, and was a joy to write.

So, there are constraints when writing historical fiction, but there is also a wealth of opportunity. All you have to do is be accurate with your language and research the hell out of everything. And that’s a fact.

The Clearwater Mysteries

The Clearwater Mysteries are an on-going series of Victorian mystery, romance and friendship set in an imaginary London of 1888-1891. The series starts with a non-mystery, historical bromance ‘Banyak & Fecks’ which should be read sometime before book nine. The 10^th mystery, ‘The Clearwater Inheritance’ is due for publication in early June.

The series is best read in order, starting with ‘Deviant Desire.’

The non-mystery prequel, ‘Banyak & Fecks’ should be read before books nine and ten.

Keep up to date with all Jackson’s news at www.jacksonmarsh.com or follow him on Facebook an Instagram

The Clearwater Inheritance

‘No one can take away your name.’

Archer Clearwater will lose his entire fortune unless he cracks a musical code.

If Archer’s insane brother dies, their distant cousin, the evil Count Movileşti, will inherit everything, and with the influenza pandemic threatening the brother’s asylum, the outlook is grave. The only thing that can ensure Archer’s future is a legal document left behind by his grandfather, but the clue to its location is hidden within two pieces of music. Archer has one; the other is in Movileşti’s collection at Castle Rasnov.

Archer dispatches two of his team to the Transylvanian castle, and two to the Clearwater Archives in London, leaving the rest to search every inch of his country house. The men face their pasts and decide their futures as loyalties are tested, and death stalks the corridors of Larkspur Hall. With Movileşti on his way to claim the inheritance, everyone has a vital part to play and everything to lose as they race against time.

Set during the 1890 Russian influenza pandemic, The Clearwater Inheritance is a mystery thriller that takes us from Cornwall to Transylvania, and from the cellars of Larkspur Hall to the Orient Express.

A mashup of romance, mystery and adventure, the tenth book ties up previous threads, answers questions, and sets the scene for the Clearwater future.

You can read an excerpt from The Clearwater Inheritance here on Jackson’s website or here on Amazon. All books available in Paperback, Kindle and KU.