Taking Stock: Deleted Scene

Here’s a deleted scene I found from Taking Stock. It’s Patsy Walker, who runs the Post Office, talking to HER friend Sally, who’s Laurie’s housekeeper. It’s whilst he’s in hospital recovering from his stroke. I took it out because it didn’t move the story along at all.

Book cover of Taking Stock
Taking Stock

“He’s going to be a handful,” Patsy Walker said to her friend Sally Beelock as she filled the tea-pot. “You’ll have trouble with him.”

Sally pulled a face. “You don’t need to tell me that,” she said. “He’s already talking about coming home and the stupid idiot can’t even stand up without help yet.”

“He’s improving though, yes?” Patsy asked.

“Yes, definitely. And it’s only been a week. They say that he needs to keep trying to move everything, his arm, his fingers, his leg, and the more he does that the more it’ll help.” She sighed. “They don’t know if it’ll all come back properly, but they say there’s a good chance.”

Patsy passed her a mug of tea and sat down opposite her at the kitchen table where she could see in to the shop. There weren’t any customers at the moment, but the early autumn day was warm and  she had the outside door propped open as usual, which meant the bell wouldn’t ring if anyone came in.

“How are you managing?” she asked Sally. “It must have been a shock. He’s only what, thirty?”

“Thirty-three,” Sally said absently. “Yes. I thought it was curtains for him to be honest, Pat. Jimmy came down to get me at Carsters once  the ambulance had gone. He didn’t tell me much, just said I should get into the hospital. Apparently he was unconscious, pretty much.”

Patsy patted her hand. “Well, he’s going to be fine, love. You’ll see. Look at Roger Chedzoy. He had a stroke four years ago and you’d never really know to look at him now.”

“He’s sixty-three though,” Sally said. “I mean, there’s never a good age, is there? But Laurie’s so young.”

Patsy nodded. “And that means he’s got more fight in him and he’ll get over it quickly. You’ll see.”

Read more about the duology here — Taking Stock and Eight Acts.

Covers, Taking Stock and Eight Acts.

New Release: Eight Acts!

Right then, here we go! Eight Acts is out today!

I finished writing Taking Stock last summer and immediately wanted to find out more about how Percy and Adrian, who are secondary characters with quite large parts, got together. This is the result. It’s only a little novella, but I hope you enjoy it!

Eight Acts
Cover: Eight Acts by A. L. Lester

London in 1967 is swinging. It’s the summer of love and consensual gay sex in private has just been decriminalized. Percy and Adrian meet through friends and over the summer their relationship deepens and grows. What will happen in September when it’s time for Percy to go back to his every-day life as a boarding school teacher?

A 20k word stand-alone novella with cross-over characters from Taking Stock.

Buy Eight Acts

I’ve been bobbing around the internet with guest posts to talk about the story. You can read a bit more about the history of the criminalisation and decriminalisation in this blog post I wrote for my friend Nell Iris and I have more info and some references about the time period here, on my own website. I spoke to Ofelia Grand about how difficult writing guest posts is and Dani at LoveBytes has an exclusive excerpt. Finally there’s a ramble on the JMS blog about how the title came about.

Taking Stock in the NYT

I am so happy this morning that I have been doing more good-crying. Taking Stock has a wonderful write-up by Olivia Waite in the New York Times Book Review today. In case you don’t have a subscription or are over your free reads this month, she says…

Book cover of Taking Stock
Taking Stock

…small-town found-family solace is also the bedrock of our fourth and final romance, TAKING STOCK (JMS Books, 280 pp., e-book, $3.99), a queer 1970s romance by A. L. Lester set in rural England. Fans of Cat Sebastian and K. J. Charles will find this book quieter but no less pleasing. Phil is a stockbroker in disgrace after his ex-boyfriend frames him for insider trading; when he retreats to a country cottage he is soon smitten by Laurie, a former runaway turned farmer just beginning to put his life together after a stroke. It’s rare to see chronic disability handled with such precision in romance — the author’s own experience certainly informs the text — and this book is open about how Laurie’s frustration makes him vulnerable as he relearns the limits of his body’s capabilities. But it is no savior narrative: Phil’s own past has enough pain in it that it feels like any rescuing is entirely mutual. It’s a delicate story, clearly told. It’s restrained but earnest; the focus on farm life (spring-fed ponds and sheep shearing!), and on rebuilding and rebirth, offers an earthy kind of hope, for whenever you feel like the world is falling to pieces around you.

I can’t really articulate how chuffed I am by this. The other three books Olivia reviews are by authors I admire immensely and it’s wonderful, and rather shocking, to be written about on the same page as both them and Cat Sebastian and K. J. Charles. Thank you so much to everyone who has bought Taking Stock. I really hope you enjoy it.

Deleted Scene #2: Taking Stock

I had a lot of backstory about how Laurie’s friends dealt with his stroke that were from different POV’s and/or slowed it all down unbearably. Here, Sally, Laurie’s best friend, is talking to Patsy, who runs the Post Office.

Deleted Scene #2

“He’s going to be a handful,” Patsy Walker said to her friend Sally Beelock as she filled the tea-pot. “You’ll have trouble with him.”

Sally pulled a face. “You don’t need to tell me that,” she said. “He’s already talking about coming home and the stupid idiot can’t even stand up without help yet.”

“He’s improving though, yes?” Patsy asked.

“Yes, definitely. And it’s only been a week. They say that he needs to keep trying to move everything, his arm, his fingers, his leg, and the more he does that the more it’ll help.” She sighed. “They don’t know if it’ll all come back properly, but they say there’s a good chance.”

Patsy passed her a mug of tea and sat down opposite her at the kitchen table where she could see in to the shop. There weren’t any customers at the moment, but the early autumn day was warm and  she had the outside door propped open as usual, so the bell wouldn’t ring if anyone came in and she had to keep an eye out.

“How are you managing?” she asked Sally. “It must have been a shock. He’s only what, thirty?”

“Thirty-three,” Sally said absently. “Yes. I thought that was curtains for him to be honest, Pat. Jimmy came down to get me at Carsters once  the ambulance had gone. He didn’t tell me much, just said I should get into the hospital. Apparently he was unconscious, pretty much.”

Patsy patted her hand. “Well, he’s going to be fine, love. You’ll see. Look at Roger Chedzoy. He had a stroke four years ago and you’d never really know to look at him now.”

“He’s sixty-three though,” Sally said. “I mean, there’s never a good age, is there? But Laurie’s so young.”

Patsy nodded. “And that means he’s got more fight in him and he’ll get over it quickly. You’ll see.”

Buy Taking Stock

Come and chat to me!

As I may have mentioned in passing (SNORT), Taking Stock is out tomorrow. I am dropping in to chat to a few places over the next day or two, so please do come along and say hello!

8.20 to 8.40pm BST (15.20 EST): Bryce Winters’s Wildflowers. Bryce also has a release, today! So I’m popping in there for a bit to chat.

9 to 10pm BST (4pm EST) I’m at the Talking RoMMance with a British Accent group! I’m considering doing a reading. Maybe. If the kids have gone to bed. Perhaps.

Tomorrow the 19th, I’m at QueerRomanceInk from 9pm BST (4pm EST) for an hour for a chat. Sarcasm and prizes!

Plus, I have five copies of Inheritance of Shadows to give away to celebrate! Join up here!