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the green book & some not-spells

Border Magic and the Green Book

All of the Border Magic books (previously the Lost in Time books) are based around The Green Book. It’s featured to a greater or lesser extent in every book in the series and I am starting to see it as a main character who has it’s own timeline. I’m not entirely sure what it contains myself, but it seems like there’s one spell (except they’re not spells, let’s be clear, they’re just instructions!) for each story so far.

Deleted Snippet, The Flowers of Time: The Green Book
The Flowers of Time, now in Audible. "Jones was written perfectly. As a non-binary person I felt seen, and may have shed a tear once or twice". "I loved Flowers. It's sweet and sexy, but also fascinating...and creepy."

As Jones got further and further in to the Green Book (she began to capitalize it in her own mind when thinking about it), she became more and more convinced that her father had believed it to be at least based in fact, if not completely factual.

Some of it she couldn’t translate. It was written in a myriad of different languages and hands. Some of the pages were even printed and had clearly been bound in between other pages retrospectively. The enterprise looked as if it had started out as someone’s journal and then perhaps passed through a few different owners who had continued the work before coming in to her own hands. If Pater had found it in the library at Penel Orleiu, god knew how long it had been there. They’d come out to India in the mid-fifties and Jones had been four when they left England, that much she knew. So he had probably had it a few years before that. It could be forty years old. Or a hundred. She didn’t think it was much older than that, from the gold-tooling on the binding and the way the leather and paper were aged. But it was difficult to tell.

Some of the ink was a faded brown color, clearly not very good quality. And some of it was very clear. One page was written in a very pretty green. It wasn’t a cohesive work at all.

So far, we know the book is bound in green leather with gold tooling and it’s written in lots of different languages with a mixture different handwriting and print, some of it on odd bits of paper that have been shoved in higgledy-piggledy. No-one has been able to work out where or when it originated, least of all me. However, this is what we do know:

  • 1611: The book is known to be in Baden. Piece inserted by an unknown elderly traveller who mentions the Himalayas. They talk about pulling power from the border to make magic. (reference: The Flowers of Time)
  • 1730s to 1779: The book is known to be with Franklin Jones. Franklin finds it in the library in his country house, Penel Orlieu. It probably arrived there in a job-lot of books bought by his Grandfather around 1690. He takes it to India with him in the mid 1750s. (reference: The Flowers of Time)
  • 1779: Jones finds the book among her father’s things. (The Flowers of Time)
  • 1848: Jones leaves it in her cousin’s library at Penel House in London. (The Flowers of Time)
  • 1890 to 1920s: The book is at Webber’s Farm in Somerset, with Arthur, Matty & Rob. (Inheritance of Shadows and Bradfield Trilogy – coming soon!)
  • 2016: Mira finds the book in a second-hand shop in London. The book is left behind at her flat when she and Lew go back to 1919. (Lost in Time)

I have a few more stories for it yet, so this time-line will no doubt expand. Because I write in a bit of a random fashion, the stories start off at one point and I have a fairly firm idea of what’s going to happen; and then the characters all hare off in a different direction with me racing to catch up.

The book seems to have life of its own in much the same manner as my human characters do, and functions as a thread running through all the stories. Because my universe has the possibility of time-travel, that makes the whole thing more complicated. It wouldn’t surprise me if the book turns out to have been made in 2051 and then jettisoned back to the sixteenth century. Or created in 1496 and then jumped a hundred years for some reason.

I see the magic in the universe as very unknown and unpredictable. It’s our own world with a hidden layer beneath, if you like. And there’s always a price to pay if you use it; if you’re lucky, and not a nice person, you can sometimes get someone else to pay the price. If not, you get ingested by a magical squid or sucked in to a vortex of rabid mice or eaten by a guinea pig. (WARNING: These are not real examples).

I like the fact that the reader probably knows more about how the magical bits of the universe work than the characters. Each book is self-contained (except Lost in Time, which has a HFN and sort of runs on in to Shadows on the Border for a proper HEA, because it was my first novel and I wasn’t quite sure how it was all going to work). The central story is always the development of a relationship between two people discovering more about the concept of the Border and pulling energy from it to make magical things happen or stop them.

The characters in the love story change. But behind everything lurks the Border and the magic, and the book.

Writing in an old book.
Breaking a Cord – Inheritance of Shadows

Gather your power

See your target as a fish on a line

Pull sharply

Like a fish on a line you may have to fight it

Play out the line as with a fish in the river

Power splashing like sunlit water

Until held steady,

You can grasp your target with your hands

And strike to exsanguinate

Connect to the Source – Flowers of Time

Power is everywhere. We all have power. It is in all of god’s creatures and creations. To work, you must find a source of power. A person, an animal, a place. And you must draw from it. But the best source is the shimmering border.

 

Find a place where you can sense the shimmer. Reach out. Pull from it. You will take the power for yourself and can use it as you please. The instructions in this book I have assembled over the course of my life will help you.

 

As you pull you will hear the wailing creatures who live in the shimmer. You must not pull so much power they can find you and break out. They are not of this world. They are bloodthirsty and deadly. They travel from place to place in our world in an unknowable way, opening gates in to it from their own.

 

I write these instructions here now in Baden as an old man, retired here for my health, in this, the Year Of Our Lord sixteen hundred and eleven. I spent many years traveling in the mountains of Little Tibet in my youth. There are the means to gather great riches there if a man is prepared to search in the ruins and the caves.

 

For those prepared to face the peril, there is unlimited power to be taken and used to make one great.

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