Fashion Museum, Bath

Firstly apologies for the lateness of this post. However, I’ve been collecting blog material! We’ve been on holiday near Bath and we went to the Fashion Museum earlier in the week. I was primarily focused on looking at clothing from the 1770s and 1780s for Edie and for Jones.

The trouble with collections of historical clothing is that you only get the really expensive things or the things their owners didn’t like much that survive. And you don’t get a great deal of working people’s clothing, because they literally wore it until it had holes and then it got cut down and repurposed. Clothing was so much more expensive and energy-intensive than it is today. Everything was woven and sewn by hand.

These gowns and petticoats from the 1770s and 1780s are much more Edie’s sort of thing than Jones’, although I do imagine Jones stuffed in to the one with the blue quilted petticoats when she was visiting her aunt in England. And perhaps the one with the yellow gown and stomacher for more formal occasions. I can definitely see Edie in the pale pink effort with all the embroidery on the front when she first meets Jones at the ball. (High waists a la Jane Austen only came in around about 1794 as far as I can make out).

Once the pair of them are travelling, they revert to much simpler clothes. I imagine Jones wearing something like this… it’s based on a working man’s coat from about 1780, made of wool.

I am still in debate with myself over whether Jones would wear local clothing once she gets home to the mountains. I think she might need to stay in western garb because I am not confident enough to write about regional clothing without getting it wrong and that seems disrespectful.

Edie doesn’t feel right going for breeches, however comfortable they might be. So she compromises by wearing ‘stays’ or ‘bodies’ (which is what she calls them) that lower class women, who had no help getting dressed, wore. They lace up the front rather than the back, so you can do them yourself. This is really interesting little video of a working woman getting dressed.

The little things… how you deal with menstruation, what pins you use in your hair, how often you change your stockings… those are all things that tend not to get referenced in contemporary texts because it was all such normal stuff that you didn’t need to. Everyone knew about it. There’s a good blog post about Georgian personal hygiene by the Word Wenches and I think I may have mentioned Madame Isis’ blog before.

Next week I am back to regular scheduling and I am interviewing Naomi Aoki!


PS: As we came out of the museum and went to find the old fashioned sweetshop, we fell over a coach and four. Netflix are filming the Bridgerton series of books by Julia Quinn.

research rabbit hole: historical lamps

As you know, I self-id as a complete and utter history nerd and I regularly get sucked down research rabbit holes. I find that I get stuck on how something would work so fixedly that I can’t move on with the story until I’ve worked it out in my own head. A lot of this doesn’t make it in to the book, because it’s simply not necessary for the plot for everyone else to know how corn was harvested in 1920, or what precise underwear working women wore in the mid-eighteenth century, or, in this particular case, what lanterns someone would have used to explore a cave system in the Himalayas in 1780.

This stuffed me for lighting solutions, because advances in oil lamp technology didn’t actually happen until 1780, with the invention of the Argand Lamp by, wait for it, Aime Argand.

Jones and Edith were therefore left with either a candle lantern or a more primitive oil lantern for their explorations. I have allowed them a few candles brought with them from home. But the lighting in the region was primarily from oil lamps, usually using clarified butter or vegetable oil. So I thought that Jones, being very well prepared, would probably have an oil lantern and a candle in her pocket for emergencies. Oil lanterns can have more than one wick for additional light – this YouTube video is a really worthwhile watch.

After watching that, I made myself a little lamp with olive oil and a bit of cotton string supported out of it with some wire, in a glass jar. It gave enough light to hang out and chat, but not really enough to read by unless you were right next to it. I guess more wicks in the jar would make a difference.

My next project is to take the cream off our fortnightly milk delivery, make butter, clarify the butter and see how I get on with that.

One thing that shouldn’t be underestimated is the very real risk of fire with all of these open light sources. There’s a reason that there were stiff penalties for having an open flame below decks on a ship. Horn lanterns, with scraped thin panels of animal horn to protect the flame, served a double purpose – to protect the flame from being blow out, but to also slow down fire if the lamp was dropped or toppled over.

Don’t try this at home without something close by to extinguish flames if something goes wrong!

 

reading round-up: June

I’ve read lots and lots of lovely books this month, including:

Detour by Reesa Herberth and Michelle Moore

I go through phases where I don’t read contemporary romance at all; and when I do. they have to have *something* there to hold my interest. This did, all the way through. Two people with pretty severe issues, working them out with each other whilst driving across the US. Sweet, thoughtful, tender. It was lovely.

The Consuming Fire by John Scalzi

Second in the Interdependency series. Really interesting universe, fantastic plot, as always amazing characterisation. I particularly like the sweary bi morally-grey, unashamedly sexy Kiva Lagos.

5th Gender by G. L. Carriger

Really sweet gay tentacle-haired purple skinned chap in exile from his home planet falls for human detective on a space station. They solve a murder on a space ship. Lovely romance, but the draw is the world-building. Brilliant.

Secret Warriors by Taylor Downing

I read this as research for my post-WW1 work, looking for references to Trench Code. It didn’t have much in it about that, but it’s an absolutely fascinating look at the behind-the-scenes skullduggery of the First World War. I found the bits about propaganda most interesting.

Catalysts by Kris Ripper

I’m re-reading this whole series – it’s so GOOD. Poly, kinky, queer. Angst. Tenderness. People being people. I love it.

Hard recommend.

The Seventh of December by Garrick Jones

An astonishingly detailed and historically accurate love story between two men in WW2.

SOE, MI6, the Blitz, parachuting in to France, unarmed combat, virtuoso violin playing, blackmail involving Princes of the Realm, sexy Yanks and chaps dancing together in evening dress.

I understand it’s the first in a series and I am now biting my nails waiting for more.

That’s all for this month!

research rabbit-holes for june

The last few weeks’ research rabbit-holes have been pretty varied. I’m still flailing around in the Himalayas and in eighteenth century India for Flowers of Time and on top of that I’m still fact-checking for Inheritance of Shadows.  This is the stack of reading I took away on holiday last week.

It turns out that Rob in Inheritance needs to know about Trench Code, which I didn’t even know was a thing until I started researching codes used by the British in World War One. I’m reading Secret Warriors by Taylor Downing to get some background on Rob’s career in Signals. Or… was he involved with something more Intelligence-led? I’m also reading A Country Twelvemonth by Fred Archer to give me a chronological background to the farming year in the 1920s and I may give Cider with Rosie by Laurie Lee another read – I haven’t touched it since it was one of the set texts for my O-levels in 1986. Although I enjoyed it before then, deconstructing it for an exam completely soured me to it.

The pile also includes a couple of books about Kew and Marian North, who was a Victorian plant collector and illustrator. Edie in Flowers of Time is inspired by her, although Edie predates Marian by a century.

Tabs open in my browser this morning include Keeping Clean in the Eighteenth Century, Ladakh, the index to Lady’s Magazine, a google search for images of deserted forts of the Himalayas, a page about the monastery of Phugtal Gompta, the abstract of an article about eighteenth century circulating libraries, and (still) the article about the eighteenth century seed trade, because I keep going back to it to absorb a bit more.

That’s it for this time!

works in progress: progressing, and that’s about all

I’ve done a load over the last month, but not much of it actual writing.

Because of the shenanigans with MailChimp pricing levels, I’ve ported my newsletter over to MailerLite, which I think will be a good thing long term, but was a pain in the neck to do at the time. And I’ve done the same for Mr AL, who has a much more complex set-up than I do, so it took ages. That done, I’ve also set myself up a proper Ko-fi page that will act as a sort of combination of things I blog here and exclusive content that first goes out to newsletter subscribers.

I’ve also committed to doing some posts for the Queeromance Ink Blog, about author-life in general rather than more bookish things. This involves me sitting down and actually writing them, but they’re coming together in my head.

Which brings me to actual writing! Inheritance of Shadows has another three thousand words, which went out yesterday – newsletter usually goes out on the first Tuesday of the month, barring disaster. If you’d like to get the monthly installments of Matty and Rob’s adventures, just hop on here. You will also be able to follow on Ko-fi as a supporter if you’d rather do it that way. I’m reading Secret Warriors: key scientists, code-breakers and propagandists of the great war by Taylor Downing as background, because Rob needs to know some stuff and I need to know the stuff before he can know the stuff. It’s fascinating.

Flowers of Time has had another few thousand words, but I’m still sidetracked by Katie Hickman’s She-Merchants, Buccaneers and Gentlewomen and feel like I need to get that under my belt before I write any more. I’m writing completely outside both my historical period and my geographical area and I don’t want to mess either up.

This month promises to be more of the same, hopefully with less opportunities for prevarication. Watch this space!