m/m suspense – Page 4

character sketch: Alec Carter

Alistair Carter, one of the two main protagonists from Lost in Time and Shadows on the Border, is a Detective Inspector with the Metropolitan Police. I imagine him as looking quite like the chap on the left on the cover of Shadows, although with a raincoat and a Homberg hat.

He’s in his mid-thirties at the start of Lost in Time in 1919, which means he was born in the late 1880s, to quite a well off middle class family who were pretty upset when he joined the police instead of becoming a solicitor or another professional. He was in the Military Police in the war and served on the Western Front. Afterwards, he came back and took up his old job with the department and works out of the Poplar area of London, at Wapping Police Station, on the Thames. He was promoted to Detective Inspector when he came back from the army and is quiet and insightful and good at working out what people mean from what they don’t say.

His brief, abortive marriage to Kitty has left him with a big empty house next to Hamstead Heath and a lot of guilt. He married a woman because it was expected of him and he could have made it work if they’d become friends, but she was really only interested in being a trophy wife and by the time she died, although he was devastated, there was also an element of relief because he was so unhappy.

He’s cross most of the time for reasons he can’t really put his finger on. Unsettled in his skin. And that only gets worse when he meets Lew Tyler during the course of a murder investigation. He isn’t unused to finding men attractive and has had liaisons before and one particular person he was very drawn to, but no-one as strongly as Lew.

Alec is probably my favorite character from the two books. He’s grumpy and defensive and not at all in touch with his emotions. It makes him really interesting to write.

research rabbit-holes for june

The last few weeks’ research rabbit-holes have been pretty varied. I’m still flailing around in the Himalayas and in eighteenth century India for Flowers of Time and on top of that I’m still fact-checking for Inheritance of Shadows. This is the stack of reading I took away on holiday last week.

It turns out that Rob in Inheritance needs to know about Trench Code, which I didn’t even know was a thing until I started researching codes used by the British in World War One. I’m reading Secret Warriors by Taylor Downing to get some background on Rob’s career in Signals. Or… was he involved with something more Intelligence-led? I’m also reading A Country Twelvemonth by Fred Archer to give me a chronological background to the farming year in the 1920s and I may give Cider with Rosie by Laurie Lee another read – I haven’t touched it since it was one of the set texts for my O-levels in 1986. Although I enjoyed it before then, deconstructing it for an exam completely soured me to it.

The pile also includes a couple of books about Kew and Marian North, who was a Victorian plant collector and illustrator. Edie in Flowers of Time is inspired by her, although Edie predates Marian by a century.

Tabs open in my browser this morning include Keeping Clean in the Eighteenth Century, Ladakh, the index to Lady’s Magazine, a google search for images of deserted forts of the Himalayas, a page about the monastery of Phugtal Gompta, the abstract of an article about eighteenth century circulating libraries, and (still) the article about the eighteenth century seed trade, because I keep going back to it to absorb a bit more.

That’s it for this time!

works in progress: progressing, and that’s about all

I’ve done a load over the last month, but not much of it actual writing.

Because of the shenanigans with MailChimp pricing levels, I’ve ported my newsletter over to MailerLite, which I think will be a good thing long term, but was a pain in the neck to do at the time. And I’ve done the same for Mr AL, who has a much more complex set-up than I do, so it took ages. That done, I’ve also set myself up a proper Ko-fi page that will act as a sort of combination of things I blog here and exclusive content that first goes out to newsletter subscribers.

I’ve also committed to doing some posts for the Queeromance Ink Blog, about author-life in general rather than more bookish things. This involves me sitting down and actually writing them, but they’re coming together in my head.

Which brings me to actual writing! Inheritance of Shadows has another three thousand words, which went out yesterday – newsletter usually goes out on the first Tuesday of the month, barring disaster. If you’d like to get the monthly installments of Matty and Rob’s adventures, just hop on here. You will also be able to follow on Ko-fi as a supporter if you’d rather do it that way. I’m reading Secret Warriors: key scientists, code-breakers and propagandists of the great war by Taylor Downing as background, because Rob needs to know some stuff and I need to know the stuff before he can know the stuff. It’s fascinating.

Flowers of Time has had another few thousand words, but I’m still sidetracked by Katie Hickman’s She-Merchants, Buccaneers and Gentlewomen and feel like I need to get that under my belt before I write any more. I’m writing completely outside both my historical period and my geographical area and I don’t want to mess either up.

This month promises to be more of the same, hopefully with less opportunities for prevarication. Watch this space!

character sketch: Lew Tyler

This is the first in a series of occasional character sketches I’m going to do.

Lew Tyler is one of the main characters in both Lost In Time and Shadows On The Border, books one and two of the Lost In Time series. I think he’s probably going to pop in and out of future stories as well.

Lew was born in the UK in 1983 and when we first meet him at the beginning of Lost In Time, he has just been jettisoned back in time from 2016 to 1919.

One of the things I wanted to do with the story is contrast the experience of someone age thirty-three in 2016 with the experience of someone of a similar age in 1919, and I was quite happy with how that worked out.

Lew is a rather reluctant magician who can manipulate the fabric of time and space and the void between the worlds. He gets sucked back through time as part of his search for his friend Mira, who Lew assumes is missing because she over-reached her magical abilities. Lew tried to use his own magic to track her and ended up in London just after World War One. It took him a while to find his feet – he was very lucky – and he ended up with two jobs that overlap – a journalist and photographer at a small weekly London paper and as a police crime-scene photographer. This allows him to poke around London quite easily in his search for his friend and his unexpected bequest of a motorbike early on in the book helps that a lot too.

He’s not actually a very good or knowledgeable magician. He and Mira met in foster care after his parents died when he was in his early teens. Although his father was a magic user, Lew didn’t have enough time with him and neither he nor Mira have had any kind of mentoring or training. They’re flying blind and that’s why things have gone wrong.

Lew is a kind and open person. But he’s also scared of people finding out his secrets – both that he’s from the future and that he’s gay – and he feels very alone at the start of the books. As the series goes on, he settles in to himself, but I can’t say too much more about that without spoilers!

What does he look like? He’s five foot ten, with high boned cheeks, long-ish fair hair that he tries to keep slicked back from his face, but that usually falls in to his eyes. He’s sinewy rather than built. He’s got dark brown eyes that are shot through with lighter hazel and when he’s pulling power, the hazel bits take on a golden colour. He’s quite empathic, probably because of the magic, and finds it difficult to filter out other people’s emotions unless he’s concentrating hard. That can be helpful if he’s working magic, but a nuisance the rest of the time.

I really like the overall feel of the artwork JMS has done for the series. I feel that that they give a good feel for the characters and the world. In my head, Lew is the man at the back hiding under the rather large hat.

Shadows On The Border

Sequel to Lost In Time

Shadows On The Border, #2 in the Lost In Time Universe, is now available from JMS Books and all major booksellers. You can find the right format for your eReader on the Queeromance Ink page, including Kindle, ePub, B&N and Google Play.

Newspaper reporter Lew Tyler and his lover, Detective Alec Carter, are working out the parameters of their new relationship. Meanwhile, time traveler Lew is trying to decide whether he wants to stay in the 1920s or find a way to get back to 2016, and Alec doesn’t know if he can bear the vulnerability of being in love with someone who uses such dangerous magic.

Fenn is a Hunter from the Outlands, come through the Border to search for the murderous Creature and its offspring at the behest of the Ternants, who maintain the balance between Fenn’s world and ours. Fenn strikes a bond with Sergeant Will Grant, Alec’s second in command, who is keen to learn more about his own magical abilities. As time goes on, Will grows keen to learn more about Fenn, as well.

Fenn has their own painful secret, and when they appear to have betrayed the team and goes missing in London, Will is devastated. He has to choose between following his heart or following his duty.

Moving through the contrasting rich and poor areas of post-First World War London from West End hotels to the London docklands, the men need to work together to capture the Creature … and choose who – and what — is important enough to hold on to and what they may need to give up to make that happen.

Read an excerpt:

That cloud of gold around Fenn and Mira … that was what Lew experienced all the time? It was both marvelous and terrifying. He knew, intellectually, that the only reason Mira was alive after being savaged by the Creature when it escaped in the winter was because she had been able, in some way, to Pull magic from the Border to heal herself enough to survive. It was completely another thing to actually watch it happening.

Her skin had changed under his eyes from an unhealthy grayish tinge to the radiant brown of a healthy woman. That was the thing that had been the most amazing and terrifying to watch. He was sure that other things had happened as well — it was supposed to be a healing for her damaged voice, after all — but that was the visual marker he had taken away.

Alec was terrified.

If Fenn could do that, if Lew and Grant could do that, what else could they do? Over the last few months, Alec’s main fear had become losing Lew. But over the last week, he had also had moments of being scared of him as well as for him. His emotions were all mixed up and it wasn’t a comfortable feeling.

It seemed to Alec as if all the Workers surrounding him were in the dark about the limits and boundaries of the magic they used so blithely. Alec felt like a man trapped in a darkened room with dangerous things moving around him that he was unable to see to protect himself from. And the people he cared about could see the danger. But they didn’t perceive it as the danger it was.

Alec couldn’t convince them there even was a danger. They saw it as a formula … so long as you didn’t Pull too much from The Border, you were safe. So long as you didn’t attract a Creature, you were safe. So long as you didn’t put a foot outside the complex and vague rules you had been taught by rote so long ago that you didn’t even remember what they were for, you were safe.

Alec was angry. He was angry with himself, for not being able to see what the others could see. Were their lives always lit up like the hospital room had been downstairs just now? Why wasn’t Alec’s world lit up like that all the time? How come none of them had told him how beautiful it could be? Why should Alec be missing out on that when the people he cared about could share it? Just with each other. Not with him.

And he was angry with Lew. Lew had all this power. All these abilities. Why should he want to stay with Alec? When he could use all that beautiful golden magic to travel back to his own time, to a place where he wouldn’t have to hide that he wanted to be with a man?

Alec was angry with Grant. Grant had been his friend since Alec had come home from France in ‘18. They’d had an immediate bond. But Grant had failed to tell him that this other, ephemeral world of magic existed. And now Grant seemed to be obsessed with Fenn … this fey, liminal creature who was able to act as a focus for all this power that flowed through the people Alec loved. And whose motives Alec didn’t understand and didn’t trust.

He allowed Max to steer him out of Miss Fonteyne’s room and to his office upstairs. It was a largish, comfortable room that doubled as a consulting room. Max guided him all the way with a hand in the small of his back, not allowing him to stop, opening the door with one hand whilst the other grasped Alec’s elbow and then steered him to one of the armchairs around a low table.

The room smelled of smoke — Max had a predilection for obnoxious cigars — and there was a brandy decanter and cut-crystal glasses on the table. As Alec sank in to the low chair, Max let go of him and reached for the brandy bottle. He didn’t bother to ask who wanted any, just filled five glasses with two fingers each and passed them out.

Alec watched as Fenn slumped into the armchair she had chosen. She tilted her head back and closed her eyes. Alec’s perception shifted. One minute there was the woman Alec usually saw Fenn as, sprawled in the chair, at rest. The next, a tall, elegant man with strong features and long lashes that fell against his cheek sat in the seat opposite. Alec blinked and the feminine Fenn he recognized was back again. He turned his gaze away and looked at Lew.

You can find the right format for your eReader on the Queeromance Ink page, including Kindle, ePub, B&N and Google Play.

For Lost In Time, #1 in the series, click here.