Nell Iris: Santa in Sweden

Today I have a post from my friend Nell Iris for you–and I need to apologise to both Nell and you, because it should have gone up yesterday and I forgot. Nell Iris, everyone…with The Santa Emergency.

Merry Christmas to everyone who celebrates, and happy random day in December for everyone else. A huge thanks to Ally who’s always so kind and generous and invites me when I have a new book to talk about.❤️ And I do have a new book to talk about: The Santa Emergency. It’s out today, and it’s perfect if you wanna buy yourself a little gift. And speaking of gifts, I’m here to talk about the Swedish Santa, and I’m kicking it off with a poem.

Midwinter’s nightly frost is hard,
Brightly the stars are beaming;
Fast asleep is the lonely yard,
All, at midnight, are dreaming.

Clear is the moon, and the snow-drifts shine,
Glistening white, on fir and pine,
Covers on rooflets making.
None but the Tomte is waking.

Poem by Swedish poet Viktor Rydberg, originally published in 1881, translated to English

Traditionally, the Swedish Santa, or tomten, wasn’t a jolly fella with a white beard who gave kids presents at Christmas. No, he was short and old and dressed in plain wadmal, gray clothing. He was the protector of the farms, he was rumored to be ill-tempered, and a sure way of angering him was to disrespect the farm or mistreat the animals. He was offended by rudeness and didn’t like changes, so it was important to follow traditions. When angered, his retributions ranged from small pranks all the way to maiming and killing the animals he was protecting.

But at the end of the 19th century, the image of tomten changed, thanks to the poem above, and the illustration that accompanied it. Swedish painter, artist and illustrator, Jenny Nyström got the assignment to illustrate the poem, and it led to a long and successful career. She’s often referred to as the mother of Santa in Sweden, and with pictures like these it’s not difficult to understand why.

These days, our Swedish Santa looks a lot like jolly old Santa Claus, but there are a few differences:

• Tomten lives in a nearby forest, not at the North Pole,
• he has a family,
• he doesn’t come down the chimney at night, but knocks on the front door,
• he delivers presents directly to the children on Christmas Eve before the children go to bed, just like the yule goat did;
• before he hands over presents he asks, Finns det några snälla barn här? (Are there any good children here?),
• he normally walks with his sack, but if he rides in a sleigh it is drawn by reindeer across the snow – they don’t fly,
• he likes a bowl of porridge, not a mince pie and a glass of sherry

(list borrowed from here)

Since we’re all grown-ups, we know Santa isn’t real, but since the presents are hand delivered in Sweden, we need someone to play Santa for us, wearing masks like these. When I was a kid, my beloved uncle always went to the store to “buy a newspaper” every time Santa arrived. When my daughter was little, her uncle went to visit his friend who lived next door to “say hi” and sadly it collided with Santa’s appearance every year. One year, the last year she believed in Santa, she confided to us before Christmas that she was pretty sure that Santa wasn’t real, that it was in fact her uncle. And since we were mean and devious parents, we asked someone else to be Santa that year, and our daughter was very confused. 😁

Kristian in The Santa Emergency was tasked last minute to host his family’s Christmas celebrations, and he pulled it together nicely. With one tiny little problem: he forgot to ask someone to come play Santa. So when it’s less than an hour before Santa is supposed to knock on his door, he rushes over to his new neighbor with a plea. I have a Santa emergency and I desperately need your help.

The Santa Emergency: "I don't even know how to be Santa!"
"Of course you do! Everyone knows how to be Santa. All you have to do is be jolly and say ho-ho-ho."

The Santa Emergency

I have a Santa emergency and I desperately need your help.

Sigge isn’t exactly a grinch when it comes to Christmas, but he’s not a fan of the holiday either. So when his new neighbor Kristian shows up in a panic, begging him to help by donning a Santa suit, Sigge’s gut reaction is to say no. But Kristian is cute and funny, rendering Sigge powerless against his heartfelt plea—especially after a promise of spending more time together—so he agrees.

The instant connection deepens as they share mulled wine and conversation as easy as breathing. But is it just holiday magic swirling in the air, or is it something real? Something that will last into the new year and beyond? 

M/M Contemporary / 13 816 words

Buy The Santa Emergency: JMS Books :: Amazon :: Books2Read

About Nell

Nell Iris is a romantic at heart who believes everyone deserves a happy ending. She’s a bonafide bookworm (learned to read long before she started school), wouldn’t dream of going anywhere without something to read (not even the ladies room), loves music (and singing along at the top of her voice but she’s no Celine Dion), and is a real Star Trek nerd (Make it so). She loves words, bullet journals, poetry, wine, coffee-flavored kisses, and fika (a Swedish cultural thing involving coffee and pastry!)

Nell believes passionately in equality for all regardless of race, gender or sexuality, and wants to make the world a better, less hateful, place.

Nell is a bisexual Swedish woman married to the love of her life, a proud mama of a grown daughter, and is approaching 50 faster than she’d like. She lives in the south of Sweden where she spends her days thinking up stories about people falling in love. After dreaming about being a writer for most of her life, she finally was in a place where she could pursue her dream and released her first book in 2017.

Nell Iris writes gay romance, prefers sweet over angsty, short over long, and quirky characters over alpha males.

Find Nell on social media:

Newsletter :: Webpage/blog :: Twitter :: Instagram :: Facebook Page :: Facebook Profile :: Goodreads :: Bookbub

Excerpt from The Santa Emergency

Cover: The Santa Emergency

“My mom broke her leg two weeks ago. We always do Christmas at her house, and she wanted us to this year, too, despite her injury. But she’s not the kind of person to sit idly by and let other people do all the work, especially since she doesn’t let anyone into her kitchen. She’d insist on business as usual, and she’d exhaust herself and risk re-injuring her leg. So my sister came up with the idea of Christmas at my house since I’m the only one in the family besides Mom living in a house and not an apartment.” He rolls his eyes. “Because Santa would surely strike us down with a mighty hammer if we celebrated Christmas in an apartment, right? I know I’m mixing my metaphors, but I’m trying to say that I’m sure the world wouldn’t end. I love my sister to death, but she has the weirdest ideas.”

He speaks with his whole body; he gestures with his hands and his face is lively and animated, and I can easily read every emotion as he experiences them, even after only being in his presence for a few minutes. All that makes him even more irresistible. In a society where everything is about hiding the truth behind a pretty surface, meeting someone open is refreshing.

“Anyway,” he says, “that gave me two whole weeks to unpack my stuff and plan a party. Dammit, Sigge, I’m a copywriter, not a party planner!”

Holy crap. He’s paraphrasing Star Trek, too? Is he perfect?

“But I did all right. The food, the decorations, everything is perfect. Or you know…everything except that I forgot to convince someone to come play Santa. When my sister found out, she lectured me in her scariest hissing voice until I was overcome with the urge to run away from my own house. She said I must not love my nieces and nephews since I forgot about a Santa. Her blame game is on point.” He grimaces.

“I’d say.”

“It’s Christmas Eve, and Santa always comes after Donald Duck is over. I can’t believe I forgot. The kids reach meltdown level if someone needs to go to the bathroom after the TV is turned off, so I have exactly—” he looks at his watch and gasps “—thirty-five minutes until my sister declares me the worst uncle ever. You must help me. Pretty please with sugar on top.”

His eyes are wide and pleading, his eyebrows slumping sadly, and I swear I can detect a hint of a tremble in his lower lip. I reach out and ease the cup out of his hands and pour more mulled wine into it before handing it back to him. “Drink this.”

He nods and tosses it back like it’s a shot, and I hope he doesn’t choke on the almonds or burns his tongue. “Thank you,” he says, then slumps back on the couch, the corners of his mouth drawn down, his lower lip pouting a little.

“What do you need from me?” I ask.

“I need you to be Santa.”

I blink. I really should’ve seen that one coming, but I didn’t. “Huh?”

“I need a Santa or the kiddos will be heartbroken. You’re my only hope.”

“I can’t be your only hope. What if I hadn’t been at home?”

“I would have been seriously fucked. Everyone I know is knee-deep in their own celebrations. I could probably convince my best friend Anton to do it because he’s too nice for his own good, but he’s a new dad and I don’t want to tear him away from his baby girl on her first Christmas.”

“I don’t even know how to be Santa.”

“Of course, you do. Everyone knows how to be Santa. All you have to do is be jolly, say ho-ho-ho, and ask if there are any good children in the house. Then you give presents to the kids whether they say yes or no. But if my sister says she deserves a gift, don’t believe her. She doesn’t. Not after the lecture she gave me.”

Of course, I know how a Santa behaves. In theory. There was no Santa when I was a kid, rarely any presents, so all encounters I’ve had with him come from TV and movies. I know it’s not like he’s asking me to do an in-depth interpretation of a complex character, but my instinct is to say no. I have little experience with kids, I’m awkward around people, and I don’t do Christmas.

“Oh.” He sits up straight. “Are you…religious? I mean…did I offend your religious beliefs with my request? If so, I’m sorry; I didn’t think before barging into your home. I mean, you haven’t decorated, and—”

“Kristian, please.”

He snaps his mouth shut and looks at me with his eyes full of concern.

“I’m not religious. That’s not why I’m hesitating.” It’s because you’re cute and I don’t want to look like a fool in front of you, my brain adds, but luckily I’m able to stop the words from spilling out of my mouth.

“Whew.” He relaxes his stiff posture “I don’t want to get off on the wrong foot with my new neighbors. And you’re really cute.” His eyes widen and he sucks his lips into his mouth as though he’s trying to stuff back the words from whence they came.

Cute? He thinks I’m cute? No one’s ever called me cute before. Scary or intimidating, yes. Even hot. But not cute. “Thank you,” I say, unable to fight a smile taking over my face.

“Thank you?”

“Yes. I’m…uh…flattered you think so.” Flattered is an understatement, but I don’t want to tell him about the tickle in my belly caused by his words.

“Flattered?”

I nod.

“Okay.” He looks at me from under fluttering eyelashes, a content smile playing at the corners of his mouth.

“Okay.”

A quick glance at his chunky watch snaps his focus back to where it belongs. “So…Santa?”

Buy The Santa Emergency: JMS Books :: Amazon :: Books2Read

Am Reading

This week, a touching YA by Suki Fleet with a young homeless man who finds his way to security, the return of Catherine Lundoff’s menopausal-werewolves and another lovely ray romance by R. Cooper in the Familiar Spirits collection.

Foxes by Suki Fleet

Cover: Foxes by Suki Fleet

Suki Fleet is a relatively new author to me. This is a YA story set in London. It’s told from the POV of Danny, a young homeless man. He is looking for the person who murdered his best friend Dashiel.

Dashiel was a rent boy and was very wary of certain men he called ‘sharks‘. In the course of his travels he meets Mickey, a young American who’s selling himself on the streets. He falls hard for Mickey. I love the way Danny’s spectrum issues are framed in this book. ‘He needs to keep his world small in order to survive‘ is a perfect description of someone who becomes overwhelmed by input.

There’s a well drawn supporting cast, from Flower Lady, who gives Danny food and flowers and medical care; to Milo, the disabled army veteran who shares Danny’s derelict swimming pool home; to Diana, a cafe owner who helps young homeless people. They young people who are working the streets are well characterised and realistic. Oh and there are foxes…real life foxes. The contrast between them, surviving around the periphery of human society and Danny and his friends is not a co-incidence, obviously. This is an emotional story told in an almost stream-of-consciousness way from Danny’s POV. I really recommend it.

Blood Moon by Catherine Lundoff

Cover: Blood Moon by Catherine Lundoff

This is the sequel to Silver Moon, also colloquially known as ‘that brilliant book with menopausal werewolves’. It’s just as good as the first, with a nice solid murder-mystery wrapped around a tentative lesbian romance, and a central premise of middle aged women saving their community. That the inner circle of their community happen to be werewolves called by the residual magic in the valley to protect the town when they hit menopause just makes it perfect.

I love the colourful background in these books. The way Becca worries about her day to day interactions with the rest of the pack, how she doesn’t like all of them but realises they have to work together regardless and how the older retired ladies live in what’s essentially a rest-home for elderly werewolves and also take art class. There’s a richly characterised supporting cast, excellent baddies and very good trans representation. I recommend!

Nothing More Certain by R Cooper

Cover: Nothing More Certain by R. Cooper

Emery has come home to live alone in his big empty house and take care of the cemetery. He’s been avoiding his school friend Ezra for a year since he returned. Ezra’s waiting for him. This is another R Cooper book I got tied up in and lost sleep over. Her prose is wonderful, sort of emotional and flowing…and this story is very closely tied in to the land and life and death and growing things, which suits it perfectly. Its a lovely read.

Jackson Marsh: Researching and Portraying a Deaf Character in Victorian Fiction

This week we welcome Jackson Marsh to talk about his lead character in the Larkspur Mysteries. Welcome, Jackson! Take it away…

Hi, I’m Jackson Marsh, author of the 11-part Clearwater Mystery series set between the years 1888 and 1890. I am now writing the follow-on series, the Larkspur Mysteries, and one of my main characters is deaf. I’m here to tell you why I chose to write a deaf lead character, what research I did to help create him, and how I write him into the romantic, MM mysteries.

Joe Tanner, drawn by Dalston

Why Write a Lead Character who is Deaf?

My interest in the deaf world began several years ago when I worked as the composer for a deaf/hearing children’s theatre company. Recently, I was watching ‘The Amazing Race’ and found myself fascinated by the team of Luke Adams and his mother, Marj O’Donnell. Seeing Luke, who is deaf, compete in the race and work his way through triumphs and frustrations is what (and who) gave me the idea to create Joe Tanner, my 19-year-old, deaf-from-birth character in the Larkspur Series. I’ve since written to Luke and thanked him for his inspiration—it was the first time I had ever written fan mail.

Most stories I had read that featured a deaf character had him/her portrayed as a victim. Someone to be helped by others, someone to be pitied, and, particularly in historical fiction, someone who was stupid. My mission was to reverse those misconceptions, and create a young, gay, deaf man who would not only be heroic but would also become educated. Joe’s story starts with an abusive father, takes him to seven years in a workhouse, and on to become one of the Clearwater men at the Larkspur Academy. It is a story of survival through MM love.

What Research was Involved?

For Joe’s initial story, ‘Guardians of the Poor’, I had two main areas to research. Firstly, and easiest, was the history of the Hackney Workhouse in London, and life in workhouses in the late 19th century. Books, online research, the National Newspaper Archives… I was able to use my usual resources, as well as my memory, as I had visited the actual buildings many years ago when I lived nearby.

Secondly, more challenging but infinitely more practical, was learning sign language. I researched the history of British Sign Language (BSL) as best as I could and used that to inform Joe’s wider world. Joe is a deaf character who speaks, but because he’s never heard words, he can only imitate lip movements, and that’s why people think he is, in Victorian wordage, an imbecile. However, he signs, and so that I could understand what that entails, I took a course in basic BSL. My husband joined me, and now we can communicate in sign if we choose to. It’s great fun talking about people without them knowing what you’re signing. Seriously, though, it gave me a massive insight into how to write Joe’s thought process.

How do I Write a Deaf Character?

It’s not only Joe’s thought process that I needed to consider when writing ‘Guardians of the Poor’ and the books that follow. Joe is the hero in book two of the series, ‘Keepers of the Past’, and as half of the narrative is from his point of view, I had to be in his head for much of the time. Sign language is constructed differently to spoken languages, and if I wrote purely as Joe would have thought and signed, it would be hard to read. For example, his dialogue would be, ‘You me go London when? Before me London rubbish, now, so-so.’ (When are we going to London? I used to hate the place, but now, it’s alright.) 

Another consideration was understanding how Joe would have thought. When hearing people think or read, we hear the words in our head, but what if you’ve never heard words? What then? Joe, like many deaf-from-birth people, thinks visually. Again, I had to cheat to a certain extent, because otherwise the text would be impossible to read. It would be a jumble of memories and images that would only make sense to Joe.

More importantly, behaviour was a consideration, and for that, I remembered Luke’s frustrations on The Amazing Race, his, to us, over reactions, his use of body language for emphasis, other people’s reactions, and his heroism through daily adversity. All those trains have informed the character of Joe Tanner.

One day, I’d love to speak, sorry, sign with Luke, and give him a copy of the books, as a thank you for the inspiration. He’s become a bit of a hero of mine, and Joe can be yours if you follow the Larkspur Mystery Series.

The Larkspur Mysteries : The Clearwater Mysteries

Guardians of the Poor: The Larkspur Mysteries Book 1

The greatest gift one man may give another is his trust.”

Barbary Fleet, 1890.

Standing stones, messages written in symbols, and the language of the deaf. It falls to Lord Clearwater to unlock the mystery of Dalston Blaze and his deaf friend, Joe Tanner, two young men arrested for committing ‘unnatural offences’ at the Hackney workhouse.

Dalston hopes for a prison sentence. It’s the only way to save his life. Instead, he is bailed to the Larkspur Academy on Lord Clearwater’s Cornish estate, where there is only one rule: honesty above all else. For Dalston, this means confronting his past, learning to trust, and admitting his secrets. Joe is the key, but Joe is missing, and his location is locked deep inside a memory seen in sign language, and clouded by eighteen years of workhouse life.

If Dalston remains silent, the immoral workhouse master and his sadistic schoolteacher will continue to inflict pain and suffering on all inmates of the Hackney workhouse. If he tells the truth, he and Joe will die.

The Guardians of the Poor is a combination of mystery, adventure and male romance, set in 1890. It draws on first-hand accounts of workhouse life at the time, and is the first of a new series of mysteries set in the Clearwater world.

The Larkspur Mysteries

Beginning in 1890, The Larkspur Mysteries follow on from The Clearwater Mysteries series of 11 novels. It’s not necessary to have read the Clearwater books before you embark on the Larkspur series. However, if you enjoy mystery, romance, adventure and a mix of historical fact and fiction, then begin the journey with ‘Deviant Desire.’ (Or the non-mystery prequel, ‘Banyak & Fecks.’)

Lord Clearwater has created a unique academy for disadvantaged young men. The Larkspur Academy is, ‘A non-academic institution with the aim to provide deserving men the opportunity to expand talent, horizons and knowledge for the betterment of the underprivileged and general society.’ It’s not a school. There are no lessons, no teachers, no schoolboys and no rules. The series exists in the established Clearwater world of the late 1800’s where homosexuality is a crime everywhere but on Clearwater’s country estate in Cornwall.

The series is ongoing. Each story involves male bonding, bromance, friendship and love. Mystery, adventure and a little comedy play their parts, and every story is inspired by true events from the past.

Buy The Guardians of the Poor

About Jackson

Jackson Marsh was born in 2017 as the pen name for James Collins so I could publish my new gay fiction independently from my other writing work.

I was born on the south coast of England during a blizzard in 1963, but now like to warm thing up with MM romance novels, gay mysteries and some occasional erotica. In 2007 I was awarded an EGPA award for my erotic short stories, and I have won three Best Screenplay awards for my film scripts. I am a diverse writer with thrillers, comedies and horror stories under my James belt, and now romance and mystery under my Jackson belt.

Although I spend most of my time researching and writing, I do have other interests. It’s a strange collection of playing the piano, building classic horror model kits and, when I can, travel. Past interests, which I still follow but no longer pursue so much, include rock climbing, musical theatre and genealogy. That’s probably why my books tend to involve characters who are musicians, writers, mystery-solvers and rock climbers; there’s a bit of me in each one of them.

I live on a Greek island with my husband, and we have been here since 2002.

You can keep up to date with my monthly newsletter and be the first to know about my publications. The isn’t one of those newsletters that simply advertise other people’s books for sale, it’s more personal than that, and you can unsubscribe anytime.

Jackson Marsh Amazon : Jackson Marsh website : Jackson Marsh Facebook

Interview: Debut author R. G. Hendrickson

This week we welcome debut author R. G. Hendrickson to the blog! Welcome, Richard! Thanks so much for visiting!

Thank you, Ally, for giving a newbie author like me an interview on your blog. It’s a thrill, and I really appreciate it.

Author headshot R. G. Hendrickson

Tell me a little bit about your most recent release. What gave you the idea for it?

Funny you should ask. I was just talking about this with an old friend.

When I told him about the book, he wrinkled his nose and said, “Eww. Why cavemen?” I get some of the frankest critiques from my friends, which is fine. I’ve known him since high school, a long time before I started writing. If he doesn’t like my book, I guess I’ll probably still like him anyway.

So, why cavemen? Perhaps not everyone’s cup of tea, I understand this, but MM romance must have existed in some fashion during the Stone Age. I thought it might be interesting to explore. Though different, it isn’t so far-fetched, really. I mean, after all, we have shifters, vampires, and Mpreg.

By the way, the main character in this story might be viewed as a reverse-vampire. His longevity comes from the unusual stem cells in his blood, and a doctor discovers that an infusion of these cells cures people and makes them young. This of course has serious implications for the Earth.

Let’s set aside the speculative fiction. I found that the Stone Age made a delightful setting for MM romance. It accommodated some favorite tropes, like fake dating and hurt/comfort. In addition, there’s a developing romance in the present, which might qualify as an age gap trope, though the older character appears much younger than his years.

So, why not a caveman? At the end of the day, it’s just a book and might be fun. If you happen to take a chance on reading it, please let me know what you think. Even if you don’t like it, I’m still your friend, like I’m still friends with my old high school buddy.

What started you writing?

It’s a strange compulsion. I’ve had it since childhood and only recently gave in, apart from dabbling a little over the years. Even when I wasn’t writing, there were always stories rattling around in my head. When I retired a little early and had some time on my hands, I found myself putting things on paper. It felt good getting it off my mind, refreshing.

I did study dramatic literature and script writing as an undergraduate, but I set aside playwriting in the interest of making a living. In the meantime, I came to like reading more than theatre or movies. I preferred reading novels and found that I enjoyed writing them, so far three, two of them published.

When I started the first book, I realized that I needed to learn the craft. There’s a big difference between a story floating around in my head and a novel on paper. So, I joined some writer groups, read excerpts, and got feedback. I also read a lot of novels and some books about writing, or I listened to recorded presentations.

With practice, I think I’m becoming a better storyteller. My goal next time is to write a book that my old high school friend will want to read. That, of course, might never happen, but I’m having fun trying.

Call Me Methuselah

Cover, Call me Methuselah

Since humanity’s first steps in the Stone Age, Methuselah has harbored an ancient secret. Cursed by the shaman to witness the end of days, he searches in vain for a home, place to place, clan to clan, yearning to belong. First in prehistoric Africa and lately disillusioned with love for a hundred years in the New World, he learns all too well to guard his heart and hide his story. That changes when a car crash lands him in the hospital with a fractured skull. Doctors discover strange stem cells in his blood, promising cures and a fountain of youth. Methuselah faces choices of life and death.

Forced on the run again, he comforts himself by reliving a happier time, when he and Arrow, his first love, raft across the paleo-lake Makgadikgadi, which rested in those days on the vast Kalahari. In their age-old journey, the cavemen lovers find a place to call home and learn what it means to belong.

While Arrow’s enlightened sensibilities get the two of them in trouble and challenge Methuselah’s judgment, their adventures in an untamed world bring them together. When Methuselah’s enduring youth reveals itself through the passing seasons, he and Arrow bravely face a dire reality.

From the distant past that lives inside Methuselah, Arrow’s spirit reaches out, providing guidance for our threatened times. He gives Methuselah the strength to do the right thing and the courage to live his true self in the modern world. Arrow’s memory opens Methuselah’s heart and renews for him a hope of redemption in the arms of a caring man today. If only Methuselah permits himself to love once more.

Scroll on down for an excerpt!

Buy Call Me Methuselah : Add on Goodreads

Excerpt from Call Me Methuselah

No blood nor gore in sight, I worried that the crocodile had eaten him already, tossed him in the air, and swallowed him whole. Relieved that I didn’t have to fight that monster, I dived down again near the bottom, where the crocodile might not follow me. Its big tail wagged above my head and passed me by.
As I turned to swim away, I found the drowned man sinking. All in one piece, he must have submerged before the crocodile arrived. His eyes were blank, and his many skinny braids floated and twisted like snakes around his head.
No time to waste, I grabbed his hair and pulled him along with me. His husky body nearly weightless underwater, I held on with one hand. My legs and the free arm enough for swimming, I towed him toward a safer shore, near the ledge from where I’d first spotted him that morning.
When I could hold my breath no longer, I surfaced and looked for the croc. No sign of it, maybe it returned to the beach. They didn’t like it here by this cliff with its deep water and jagged rocks. I slipped through the outcrops, as I’d done since a boy.
Losing my loincloth along the way, I struggled to shore with the stranger in tow. By his armpits, I dragged him out of the waves to dry gravel and avoided his eyes. They were open, unblinking, and vacant.
With both my hands, I felt his neck for signs of life, warm but motionless. His mouth was full of water, which trickled out. He was dead.
Remembering him gives me pause. Lately, I’ve pondered my own mortality. Hence, this memoir, I’m not ready.
More the reason for starting in a happier time, the beginning, long ago on that lake with my first love.
We were so much alike then, young and invincible. Only for me, invincibility was no youthful fantasy.
I’ve never stopped missing him. Not to complain, that wouldn’t be fair. It wasn’t me who had to die, and even while grieving, there’s joy in life.
Enough said. On with the story.
The dead man’s eyes bewildered me. I couldn’t bear to look at them or make myself look away. Though we were strangers, we’d faced a monster crocodile together and escaped it. Few friends could say that. As tears blurred my vision, I covered his face with my hands and brushed his eyelids closed.
Then I remembered the words of my father. A boy had drowned. His brother pushed the water out of him, and the boy came back.
Worth a try with this man, I pressed hard on his tight stomach, just below the ribs, and water sprayed from his mouth. Worried I’d hurt him, I checked his face for signs of pain. He showed no expression but peace, a haunting beauty, and over his lips more water flowed.
When I pressed again, he twitched. His eyes opened wide, and when he rolled on his side, lake water spewed out his mouth. Then, to my considerable relief, he coughed and took a deep loud breath. We gazed at each other in the eye and lingered there.
No, he doesn’t die that day, and I get to meet him after all. He’ll be the love of my life. I know this now, a long time later …

Buy Call Me Methuselah : Add on Goodreads

About R.G. Hendrickson

R.G. Hendrickson loves words for the feelings they evoke. Though relatively new to writing, he draws on experience from a long life and strong imagination.

In his MM romance, you’ll find quirky characters and fantasy/science fiction subplots.

If you take a chance on his book, he would love to hear your thoughts about it, whatever they are. He also enjoys receiving critiques from the writers group that he attends weekly online from his home in Las Vegas.

Follow R. G. Hendrickson on Goodreads

#Am Reading

This week a sweet, sapphic holiday romance set in Victorian Scotland by Meg Mardell, and two gay romances… Astounding! by Kim Fielding, and the audio of Shattered Glass by Dani Alexander.

A Highland Hogmanay by Meg Mardell

Cover: A Highland Hogmanay by Meg Mardell

I really enjoyed this sweet sapphic novella. It’s a Victorian Christmas delight, a seasonal hug with just a nip of whisky. The two main characters are Sharda, an heiress who is just beginning to realise she is her own person and doesn’t have to run around after her terrible relatives; and Finella, a woman who’s taken over her father’s job as the manager of a Scottish estate. The contrast between them is very marked at the beginning of the story. Sharda has never had any agency and has been content to drift along trapped in the web her family have woven around her in their hopes of getting access to her fortune. Finella has had entirely too much put upon her by her scapegrace employer and is constantly weighted down with the responsibility of looking after the castle, farms and people in her care.

Initially this is a case of mistaken identity; but the two women move through that to cement first a friendship and then a romance. I really liked both of them and wanted them to sort their misunderstanding out. They are well drawn, well rounded characters and the secondary characters are charming, particularly Finella’s brothers! The period detail is nicely researched and held up well for me. I felt there was enough dialect speech to give a flavour of the period and the location, but not so much it overwhelmed the pace of the story. Recommend for a comforting holiday read! (Also the cover! It’s gorgeous!)

Astounding! by Kim Fielding

Cover: Astounding by Kim Fielding

This is an homage to the golden age of science fiction magazines as well as a very satisfying, sweet love story. I don’t think I’ve ever read anything by Kim Fielding I haven’t loved, in particular her science-fiction and paranormal stories. This is no exception. The golden age of the science fiction magazines is over and Astounding! is dying. Carter, its founding editor, is a purposeless, broke and depressed borderline alcoholic. He writes a snippy rejection letter to a writer who persists in sending him terrible, terrible submissions and then in a fit of remorse drives to his house to apologise. The guy, John, is a) gorgeous and b) bonkers, as he claims to be an alien wanting to send a message via Astounding! to his people to come and take him home. They’re both lonely and they quickly make a connection despite Carter’s reservations. It’s a really satisfying read with the well-rounded, complex characters you’d expect from this author. There’s also a road-trip with Carter’s super-star-writer friend (who I pictured as a cross between George R. R. Martin and Arthur C. Clarke) and his husband, which is a delight. Recommend!

Shattered Glass by Dani Alexander  (audio)

Cover: Shattered Glass, Dani Alexander

This is another favorite I suddenly realised I could get the audio for with Whispersync. And again, one of those stories that definitely allowed me to pick up further detail and depth in the audio. Contemporary USA. Austin Glass is a rich boy playing at being a Detective. He’s very good at it and wants to segue into the FBI. He’s got a society marriage lined up, he tumbles through life without much touching him. The reason for that is…revealed as the story goes on. He finds himself unexpectedly attracted to a male witness/suspect in a people trafficking ring. This is not something he’s prepared for and once that thread gets pulled, all sorts of things in his life begin to unravel. That’s the main focus of the story, but the thriller plot is very respectable and kept me interested, with another two books clearly being set up in this one. These haven’t happened yet, but I still check occasionally to see whether they have because this one is so good.  The narration is great. Adds depth and clarity to the story and makes it really enjoyable.

That’s the lot for this time!