Jackson Marsh: Researching and Portraying a Deaf Character in Victorian Fiction

This week we welcome Jackson Marsh to talk about his lead character in the Larkspur Mysteries. Welcome, Jackson! Take it away…

Hi, I’m Jackson Marsh, author of the 11-part Clearwater Mystery series set between the years 1888 and 1890. I am now writing the follow-on series, the Larkspur Mysteries, and one of my main characters is deaf. I’m here to tell you why I chose to write a deaf lead character, what research I did to help create him, and how I write him into the romantic, MM mysteries.

Joe Tanner, drawn by Dalston

Why Write a Lead Character who is Deaf?

My interest in the deaf world began several years ago when I worked as the composer for a deaf/hearing children’s theatre company. Recently, I was watching ‘The Amazing Race’ and found myself fascinated by the team of Luke Adams and his mother, Marj O’Donnell. Seeing Luke, who is deaf, compete in the race and work his way through triumphs and frustrations is what (and who) gave me the idea to create Joe Tanner, my 19-year-old, deaf-from-birth character in the Larkspur Series. I’ve since written to Luke and thanked him for his inspiration—it was the first time I had ever written fan mail.

Most stories I had read that featured a deaf character had him/her portrayed as a victim. Someone to be helped by others, someone to be pitied, and, particularly in historical fiction, someone who was stupid. My mission was to reverse those misconceptions, and create a young, gay, deaf man who would not only be heroic but would also become educated. Joe’s story starts with an abusive father, takes him to seven years in a workhouse, and on to become one of the Clearwater men at the Larkspur Academy. It is a story of survival through MM love.

What Research was Involved?

For Joe’s initial story, ‘Guardians of the Poor’, I had two main areas to research. Firstly, and easiest, was the history of the Hackney Workhouse in London, and life in workhouses in the late 19th century. Books, online research, the National Newspaper Archives… I was able to use my usual resources, as well as my memory, as I had visited the actual buildings many years ago when I lived nearby.

Secondly, more challenging but infinitely more practical, was learning sign language. I researched the history of British Sign Language (BSL) as best as I could and used that to inform Joe’s wider world. Joe is a deaf character who speaks, but because he’s never heard words, he can only imitate lip movements, and that’s why people think he is, in Victorian wordage, an imbecile. However, he signs, and so that I could understand what that entails, I took a course in basic BSL. My husband joined me, and now we can communicate in sign if we choose to. It’s great fun talking about people without them knowing what you’re signing. Seriously, though, it gave me a massive insight into how to write Joe’s thought process.

How do I Write a Deaf Character?

It’s not only Joe’s thought process that I needed to consider when writing ‘Guardians of the Poor’ and the books that follow. Joe is the hero in book two of the series, ‘Keepers of the Past’, and as half of the narrative is from his point of view, I had to be in his head for much of the time. Sign language is constructed differently to spoken languages, and if I wrote purely as Joe would have thought and signed, it would be hard to read. For example, his dialogue would be, ‘You me go London when? Before me London rubbish, now, so-so.’ (When are we going to London? I used to hate the place, but now, it’s alright.) 

Another consideration was understanding how Joe would have thought. When hearing people think or read, we hear the words in our head, but what if you’ve never heard words? What then? Joe, like many deaf-from-birth people, thinks visually. Again, I had to cheat to a certain extent, because otherwise the text would be impossible to read. It would be a jumble of memories and images that would only make sense to Joe.

More importantly, behaviour was a consideration, and for that, I remembered Luke’s frustrations on The Amazing Race, his, to us, over reactions, his use of body language for emphasis, other people’s reactions, and his heroism through daily adversity. All those trains have informed the character of Joe Tanner.

One day, I’d love to speak, sorry, sign with Luke, and give him a copy of the books, as a thank you for the inspiration. He’s become a bit of a hero of mine, and Joe can be yours if you follow the Larkspur Mystery Series.

The Larkspur Mysteries : The Clearwater Mysteries

Guardians of the Poor: The Larkspur Mysteries Book 1

The greatest gift one man may give another is his trust.”

Barbary Fleet, 1890.

Standing stones, messages written in symbols, and the language of the deaf. It falls to Lord Clearwater to unlock the mystery of Dalston Blaze and his deaf friend, Joe Tanner, two young men arrested for committing ‘unnatural offences’ at the Hackney workhouse.

Dalston hopes for a prison sentence. It’s the only way to save his life. Instead, he is bailed to the Larkspur Academy on Lord Clearwater’s Cornish estate, where there is only one rule: honesty above all else. For Dalston, this means confronting his past, learning to trust, and admitting his secrets. Joe is the key, but Joe is missing, and his location is locked deep inside a memory seen in sign language, and clouded by eighteen years of workhouse life.

If Dalston remains silent, the immoral workhouse master and his sadistic schoolteacher will continue to inflict pain and suffering on all inmates of the Hackney workhouse. If he tells the truth, he and Joe will die.

The Guardians of the Poor is a combination of mystery, adventure and male romance, set in 1890. It draws on first-hand accounts of workhouse life at the time, and is the first of a new series of mysteries set in the Clearwater world.

The Larkspur Mysteries

Beginning in 1890, The Larkspur Mysteries follow on from The Clearwater Mysteries series of 11 novels. It’s not necessary to have read the Clearwater books before you embark on the Larkspur series. However, if you enjoy mystery, romance, adventure and a mix of historical fact and fiction, then begin the journey with ‘Deviant Desire.’ (Or the non-mystery prequel, ‘Banyak & Fecks.’)

Lord Clearwater has created a unique academy for disadvantaged young men. The Larkspur Academy is, ‘A non-academic institution with the aim to provide deserving men the opportunity to expand talent, horizons and knowledge for the betterment of the underprivileged and general society.’ It’s not a school. There are no lessons, no teachers, no schoolboys and no rules. The series exists in the established Clearwater world of the late 1800’s where homosexuality is a crime everywhere but on Clearwater’s country estate in Cornwall.

The series is ongoing. Each story involves male bonding, bromance, friendship and love. Mystery, adventure and a little comedy play their parts, and every story is inspired by true events from the past.

Buy The Guardians of the Poor

About Jackson

Jackson Marsh was born in 2017 as the pen name for James Collins so I could publish my new gay fiction independently from my other writing work.

I was born on the south coast of England during a blizzard in 1963, but now like to warm thing up with MM romance novels, gay mysteries and some occasional erotica. In 2007 I was awarded an EGPA award for my erotic short stories, and I have won three Best Screenplay awards for my film scripts. I am a diverse writer with thrillers, comedies and horror stories under my James belt, and now romance and mystery under my Jackson belt.

Although I spend most of my time researching and writing, I do have other interests. It’s a strange collection of playing the piano, building classic horror model kits and, when I can, travel. Past interests, which I still follow but no longer pursue so much, include rock climbing, musical theatre and genealogy. That’s probably why my books tend to involve characters who are musicians, writers, mystery-solvers and rock climbers; there’s a bit of me in each one of them.

I live on a Greek island with my husband, and we have been here since 2002.

You can keep up to date with my monthly newsletter and be the first to know about my publications. The isn’t one of those newsletters that simply advertise other people’s books for sale, it’s more personal than that, and you can unsubscribe anytime.

Jackson Marsh Amazon : Jackson Marsh website : Jackson Marsh Facebook

Garrick Jones: Wheelchair

Today I have an insightful piece from Garrick Jones about the research behind his book Wheelchair. I need to give you content warnings for mentions of sexual violence, PTSD and kink.

Garrick is an Australian author who’s books about gay men are all story driven; spies, detectives, murders and epic dramas. Read more about him at his website! Over to you, Garrick!

Wheelchair was an unusual story for me to write on two counts. The first is that it’s my first contemporary novel, and secondly there’s a lot of undisguised personal history woven into the characters.

While the second thing isn’t that unusual, as most writers project parts of themselves into their books, some of the events of Simon’s, Obadiah’s and Marvin’s lives are indeed actual experiences of my own. I live with OCD and PTSD as a result of childhood abuse. It’s formed the man I am, and I’ve faced obstacles in everything I do and have done over the course of my life while trying to cope with the small frightened child that still jumps up in the back of my mind, just when I’m feeling good about myself, and scares the pants off me. However, I’m proud of who I’ve become and always think I’m one of the lucky ones to have been able to face my demons and even stare one or two of them down.

Writing parts of this story took a great deal of research before I even started. I interviewed 27 men, both virtually (the brave ones by voice chat or video chat), by email and even old-fashioned snail mail. I created a new email address specifically for the research and deactivated it once I had my responses, which have also been deleted. No names were ever given or asked for, although they knew mine, obviously.

I joined a chat group of gay boxers, another of gay wrestlers into humiliation play, and yet another formed of ex State policemen, Federal policemen, first responders and counsellors who were all either bisexual or gay.

Much of what I learned was too cathartic to use in the book, but I did discover quite a few common denominators, which I used to formulate my characters and their stories. The one thing in common was that men’s sexuality is fluid at the best, rarely defined into strict behaviours, but dependent on situation and levels of need, or sexual arousal. Some of the men who were into the most extreme forms of sex play also shared moments of tenderness and intimacy, what the general population might define as “vanilla”, romantic sexual activity.

I decided not to research heterosexual men with the same sexual psychopathologies, because I didn’t intend this book to be an explanation or to be a gay apologist narrative. The combination of same-sex attraction and arousal through sports, such as boxing and wrestling, is not as rare as might be believed. How it manifests itself in sexual roles is not always clear. Many times, interviewees have reported the need to be dominated sexually after winning the match or having subjugated their opponent. Power-bottoming seems also to be a theme, aggressive sexual behaviour and even self-harm while being penetrated is also quite frequent. One could make value judgments about the need to reinforce masculinity by hyped up testosterone acting out, but as I’m not a psychologist, it’s not my place to come to any conclusions.

However, I did try to weave some of those stories into the book. By far, the most difficult character arc was that of Obadiah, who was based on a number of men who reported having sex with other men when either being semi-inebriated to facilitate their activities, or adhering to strict rules about what they did. The new “no-homo” tag is alive and kicking in suburbia. I was astonished at the number of men, especially in the police force/first responder group, who informed me that before officially deciding on their sexuality, they’d engage in fairly no-holds barred sexual activity with either mates, or in pick up places, as long as there was no kissing—something most of them defined as crossing the line. Two senior policemen in particular were very fond of taking on all comers with their faces covered in parks at night-time. I found the risky behaviour almost unbelievable and may have dismissed the first interviewee’s report as fanciful, had it not been a recurring theme from others.

Among the boxing/wrestling crowd there was another common theme: voyeurism and exhibitionism. Rarely were the boxing matches or wrestling engagements in private between two people. There was often public sexual behaviour for onlookers who were quite frequently encouraged to either participate or form groups of their own after the matches. A large proportion of those who boxed or wrestled were also into wearing Lycra underneath their business suits or work clothes and collected used jock straps, wrestling singlets and boxing shorts, which are sold for large amounts in private chat rooms.

The universal theme among all those I interviewed was the need for intimacy. Many of the men either had regular partners—who oddly enough did not share the same fetishes—or they wished for an emotional relationship. I was quite often moved to read about or hear about the moments of connection once the fighting and the fucking was over. Frequently there were descriptions of intimate physical touching, stroking, kissing and even what we might label as “love talk”, even between relative strangers.

I tried not to reach any conclusions while writing this story. My main aim was to depict the struggles of the daily life of someone like Simon, who suffers from OCD driven anxiety. He’s not an extreme example, but fairly typical of many people who try to manage their life, day by day, minute by minute, negotiating compulsive behaviours, yet continuing to hold full time jobs and lead fulfilling lives. There are others of course who are imprisoned within their compulsions.

Every single man with a fetish had something we might describe as a need to “scratch the itch”. In every case, the men mentioned they couldn’t function easily without assuaging the “need” when it came upon them. Since the internet, clubs and meetings have been easier to arrange. However, some of the older men told amusing stories of networking through gyms, fitness clubs, body-building societies and other places ex-servicemen and former policemen met. It’s also to those place that the “civilian” members of society gravitated to meet others of the same ilk and hopefully find an outlet for their needs.

Not one man I corresponded with, or spoke to, thought their activities were at all strange or unusual, no matter far along the spectrum of humiliation play, or beating, or fighting, or other rough and tumbles. About half the contingent did not identify as being members of the gay community; they simply saw themselves as “blokes” (mostly the word they used) who simply liked to get down and dirty with other “blokes”.

Only two respondents revealed there’d been some childhood incident(s) which had triggered the need for humiliation, but neither had been prepared to discuss what those events were, neither did I press the issue. Most of the rest of them, who were prepared to answer the question either gave a “I dunno” or prevaricated with their answer.

I do hope you enjoy the underlying story of Simon, both from the chapters written in first person point of view as the narrative of how he feels and goes about his life, and also from those close to him, in alternate chapters, written from their perspective to illustrate how they see him and his behaviours.

We who suffer from OCD and PTSD often feel our actions and motivations are misunderstood. Perhaps this story is a novel in which I’ve been able to show both sides of the story. As Simon says, talking about his take on intimate relationships, right at the end of the book:

No doubt it wasn’t everyone’s idea of what a relationship should be. But I wasn’t everybody, neither was Obadiah or Dixie nor was anyone else—if I’d learned one thing, that was it.

Love, whatever that was, came in many shapes, forms, and colours.

Wheelchair

You can never judge an academic book by its cover. Simon Dyson, a quiet assistant professor, is a man of hidden depths. To the world he presents as a harmless, innocuous, shy and retiring intellectual. However, the man who lurks behind that public persona is far more interesting … and dangerous … and driven.

‘Wheelchair’ is a slow-burn contemporary psychological crime thriller about a man who suffers from both OCD and PTSD, a man who is unwittingly caught up in a cross-border war between rival crime gangs—a conflict that almost leads to his death, and more than once.

It’s a study of compulsion and of disability, and of the many faces of emotional dependence and sexual compulsion. It’s about how some men cannot just love or make love because their hearts or their bodies lead them to it, but who can only connect emotionally and physically through self-imposed rituals which involve struggle or self-abasement.

:: Buy Wheelchair : Garrick’s Website ::