booktrailer: the flowers of time

I’m quite proud of this, actually!

The Flowers of Time has been a long time coming. I first started mulling the idea of writing about plant-collectors a couple of years ago when I read a newspaper article about Europeans stomping round the world in the nineteenth and early twentieth centuries ‘discovering’ new plants. I knew I wanted Ella Fortune (from Lost in Time) to have her own book and it seemed like the kind of thing she might do in the 1920s after she’d finished being an ambulance driver in France and started a newspaper. Initially I thought this might be it.

However…when I started writing, the characters didn’t want to be in the twentieth century at all, they wanted to be in the 1780s. This was a completely new era for me and cost me a lot of research-time. I relied heavily on ‘Inglorious Empire: What the British Did to India‘ by Shashi Tharoor for background, plus ‘She-Merchants, Buccaneers and Gentlewomen: British women in India 1600 – 1900‘ by Katie Hickman about women in India and ‘The Honourable Company: a History of the English East India Company‘ by John Keay. I recommend these three as giving a reasonable overview of the pre-British Empire period. I also did a lot of reading about the Victorian flower-painter Marianne North ‘A Vision Of Eden: The Life And Work Of Marianne North‘ and found ‘Among the Tibetans‘ by Isabella Bird illuminating.

So then. Having dealt with the change in time-period, I started out with Jones, who I knew was non-binary and Edie, who’s sexuality can best be described as ‘pragmatic’. And as their journey over the mountains progressed it became clear that Jones was probably demi/gray asexual, as well. And then the paranormal intruded, which I find it often does once I start writing. And by the time I got to the end, I was in a real twist about how they were going to get their happy ending and be able to come back to England as a couple and both be settled in their own skin.

Anyway. Here it is. I hope you enjoy it. You can buy it here.

the flowers of time

The Flowers of Time will be published by JMS Books at the end of February! Pre-order here! Or listen to me read an excerpt!

A non-binary explorer and a determined lady botanist make the long journey over the high Himalayan passes to Little Tibet, collecting flowers and exploring ruins on the way. Will Jones discover the root of the mysterious deaths of her parents? Will she confide in Edie and allow her to help in the quest? It’s a trip fraught with dangers for both of them, not least those of the heart.

Jones is determined to find out what caused the unexpected death of her father whilst they were exploring ancient ruins in the Himalayas. She’s never been interested in the idea of the marriage bed, but along with a stack of books and coded journals he’s left her with the promise she’ll travel back to England for the first time since childhood and try being the lady she’s never been.

Edie and her brother are leaving soon on a journey to the Himalayas to document and collect plants for the new Kew Gardens when she befriends Miss Jones in London. She’s never left England before and is delighted to learn that the lady will be returning to the mountains she calls home at the same time they are planning their travels. When they meet again in Srinagar, Edie is surprised to find that here the Miss Jones of the London salons is ‘just Jones’ the explorer, clad in breeches and boots and unconcerned with the proprieties Edie has been brought up to respect.

A non-binary explorer and a determined botanist make the long journey over the high mountain passes to Little Tibet, collecting flowers and exploring ruins on the way. Will Jones discover the root of the mysterious deaths of her parents? Will she confide in Edie and allow her to help in the quest? It’s a trip fraught with perils for both of them, not least those of the heart.

flowers of time is out to beta

So! The Flowers of Time has gone off for beta readers to run their eyes over and I’m left working on the blurb. This is the bit I hate the most. I don’t think I’m alone in that, but so far it’s a bit of a struggle.

Jones is determined to find out what caused the unexpected death of her father whilst they were exploring ancient ruins in the Himalayas. She’s never been interested in the idea of the marriage bed, but along with a stack of books and coded journals he’s left her with the promise she’ll travel back to England for the first time since childhood and try being the lady she’s never been.

Edie and her brother are leaving soon on a journey to the Himalayas to document and collect plants for the new Kew Gardens when she befriends Miss Jones in London. She’s never left England before and is delighted to learn that the lady will be returning to the mountains she calls home at the same time they are planning their travels. When they meet again in Srinegar, Edie is surprised to find that here the Miss Jones of the London salons is ‘just Jones’ the explorer, clad in breeches and boots and unconcerned with the proprieties Edie has been brought up to respect.

A non-binary explorer and a determined botanist make the long journey over the high mountains passes to Little Tibet, collecting flowers and exploring ruins on the way. Will Jones discover the root of the mysterious deaths of her parents? Will she confide in Edie and allow her to help in the quest? It’s a trip fraught with dangers for both of them, not least those of the heart.

My issue now is what to work on next!

Fashion Museum, Bath

Firstly apologies for the lateness of this post. However, I’ve been collecting blog material! We’ve been on holiday near Bath and we went to the Fashion Museum earlier in the week. I was primarily focused on looking at clothing from the 1770s and 1780s for Edie and for Jones.

The trouble with collections of historical clothing is that you only get the really expensive things or the things their owners didn’t like much that survive. And you don’t get a great deal of working people’s clothing, because they literally wore it until it had holes and then it got cut down and repurposed. Clothing was so much more expensive and energy-intensive than it is today. Everything was woven and sewn by hand.

These gowns and petticoats from the 1770s and 1780s are much more Edie’s sort of thing than Jones’, although I do imagine Jones stuffed in to the one with the blue quilted petticoats when she was visiting her aunt in England. And perhaps the one with the yellow gown and stomacher for more formal occasions. I can definitely see Edie in the pale pink effort with all the embroidery on the front when she first meets Jones at the ball. (High waists a la Jane Austen only came in around about 1794 as far as I can make out).

Once the pair of them are travelling, they revert to much simpler clothes. I imagine Jones wearing something like this… it’s based on a working man’s coat from about 1780, made of wool.

I am still in debate with myself over whether Jones would wear local clothing once she gets home to the mountains. I think she might need to stay in western garb because I am not confident enough to write about regional clothing without getting it wrong and that seems disrespectful.

Edie doesn’t feel right going for breeches, however comfortable they might be. So she compromises by wearing ‘stays’ or ‘bodies’ (which is what she calls them) that lower class women, who had no help getting dressed, wore. They lace up the front rather than the back, so you can do them yourself. This is really interesting little video of a working woman getting dressed.

The little things… how you deal with menstruation, what pins you use in your hair, how often you change your stockings… those are all things that tend not to get referenced in contemporary texts because it was all such normal stuff that you didn’t need to. Everyone knew about it. There’s a good blog post about Georgian personal hygiene by the Word Wenches and I think I may have mentioned Madame Isis’ blog before.

Next week I am back to regular scheduling and I am interviewing Naomi Aoki!


PS: As we came out of the museum and went to find the old fashioned sweetshop, we fell over a coach and four. Netflix are filming the Bridgerton series of books by Julia Quinn.

research rabbit hole: historical lamps

As you know, I self-id as a complete and utter history nerd and I regularly get sucked down research rabbit holes. I find that I get stuck on how something would work so fixedly that I can’t move on with the story until I’ve worked it out in my own head. A lot of this doesn’t make it in to the book, because it’s simply not necessary for the plot for everyone else to know how corn was harvested in 1920, or what precise underwear working women wore in the mid-eighteenth century, or, in this particular case, what lanterns someone would have used to explore a cave system in the Himalayas in 1780.

This stuffed me for lighting solutions, because advances in oil lamp technology didn’t actually happen until 1780, with the invention of the Argand Lamp by, wait for it, Aime Argand.

Jones and Edith were therefore left with either a candle lantern or a more primitive oil lantern for their explorations. I have allowed them a few candles brought with them from home. But the lighting in the region was primarily from oil lamps, usually using clarified butter or vegetable oil. So I thought that Jones, being very well prepared, would probably have an oil lantern and a candle in her pocket for emergencies. Oil lanterns can have more than one wick for additional light – this YouTube video is a really worthwhile watch.

After watching that, I made myself a little lamp with olive oil and a bit of cotton string supported out of it with some wire, in a glass jar. It gave enough light to hang out and chat, but not really enough to read by unless you were right next to it. I guess more wicks in the jar would make a difference.

My next project is to take the cream off our fortnightly milk delivery, make butter, clarify the butter and see how I get on with that.

One thing that shouldn’t be underestimated is the very real risk of fire with all of these open light sources. There’s a reason that there were stiff penalties for having an open flame below decks on a ship. Horn lanterns, with scraped thin panels of animal horn to protect the flame, served a double purpose – to protect the flame from being blow out, but to also slow down fire if the lamp was dropped or toppled over.

Don’t try this at home without something close by to extinguish flames if something goes wrong!