Ally – Page 20 – A. L. Lester

Interview: Iyana Jenna

Today Iyana Jenna is visiting the blog to talk about her new seasonal short story.

Welcome, Iyana! Why are you visiting today!

Yeah, I released my short story, Santa’s Reindeer, on October 7. It is a YA MM Christmas romance about a young Reindeer shapeshifter.

What started you writing?

I began writing because I didn’t find what I wanted to read. At that someone I asked about it told me, “So, why don’t you write the story? You know what you want, so go ahead.”

Where do you write?

I used to write on my way to the office on my cellphone. Due to the pandemic, I have to write anywhere at home. But still on my cellphone.

What do you like to read?

It depends on my mood. Sometimes I like action stories, sometimes espionage, other times something that can make cry my eyes out.

What are the three books you’d take to a desert island? Why would you choose them?

A Matter of Honour by Jeffrey Archer

The Alchemist by Paulo Coelho

The Lord of the Rings by JRR Tolkien

Because of these books I started writing.

Writing is an intrinsically solo occupation. Do you belong to any groups or associations, either online or in the ‘real’ world? How does that work for you?

I happen to agree that writing is a solo occupation. I don’t belong to any writing groups because I believe that you will jinx it if you talk or tell someone else about your story before you finish writing it.

What do you like to do when you’re not writing?

I have lots of cats, like, more than 10. Besides that I spend my time watching my favorite TV series. Some of them are Succession, Seal Team, SWAT, Titans, Roswell, etc.

Tell me a little bit about your most recent release. What gave you the idea for it? How long did it take to write? What did you enjoy about writing it? What did you hate?

It is a story about the youngest reindeer shapeshifter. But it’s a very short story so it didn’t take a long time to write it. It was written quite a long time ago so I kind of forget what inspired me. What I like about it is just that story is sweet and clean.

Santa’s Reindeer

Tyler gets left behind by the group. He makes a mistake of landing on earth when Santa is delivering a package. He is enticed by the sparkly stuff at a window. He has seen things like that when he was with Santa going places but never got a chance to watch closer. Now he does.

Excerpt

The night was getting dark and the snow was falling harder and thicker. Tyler tightened the thin blanket he’d snatched from a clothesline earlier this afternoon around his body. It didn’t help much. The best it could do was keep his dignity.

He looked around the town. It wasn’t as lively as several hours before. Not many people were still on the streets—which was completely understandable judging from the weather and cold temperature—and not for the first time Tyler regretted his own stupidity. He wanted to blame those sparkling lights coming from the stores and the streets’ Christmas decorations, but that wouldn’t be fair. Those lights had always been there every time he stopped by the town, which was only his second time this year. Yeah, what did you expect? He was just thirteen. The youngest Santa allowed a boy to come along was twelve.

Buy Santa’s Reindeer

Find Iyana

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Thanks again, Ally!

Ouija Boards in the post-WW1 period

The plot of The Quid Pro Quo features a Ouija Board session that causes stuff to happen. I thought I knew all about them, but when I came to do a bit of research into what my 1920s characters would have known and thought about them, it turns out I didn’t know as much as I thought.

Vintage Ouija Boards (downloadable from etsy)

Ouija boards are an ancient way of contacting spirits, appropriated and twisted by the western world from another culture that uses them responsibly as part of their spiritual practice, right?

(Imagine a gong ringing here, if you would)

Wrong! Wrong in all the ways!

The roots of the Ouija Board lie in the mid-Western state of Ohio in the 1880s. Their use wasn’t at all incompatible with Christianity and grew out of the interest in Spiritualism that swept across the US after the Fox Sisters in New York State became a national sensation in the 1840s. After the Civil War, the US was in collective mourning for a long time. Having an easier way to talk to the spirits of loved ones rather than being dependent on a medium was presumably how the concept of a board and planchette arrangement originally came about.

In the 1890s the idea was picked up by a couple of smart businessmen, who set up the Kennard Novelty Company in Maryland to manufacture a ‘talking board’ as a parlour game. The name Ouija came from the sister-in-law of one of them, Helen Peters. She was a medium and the name came to her during a session with the ‘talking board’ itself. The spirit she was speaking with told her it meant ‘good luck’. However…at the time of the communication, Peters said she was wearing a locket with the picture and name of the novelist Ouida*. Make of that what you will!

Interest in both Spiritualism and the Ouija waxed and waned over the next two or three decades. Then in short order the world was hit by 1914-1918 world war and the 1918 influenza pandemic. Millions of people died and there was an explosion of interest in the ostensible comforts offered by talking to the dead.

So, at the time my story is set, talking to dead people and to a lesser extent communicating with spirits and angels and entities was a perfectly respectable occupation. Arthur Conan Doyle was a great believer in Spiritualism and Queen Victoria is said to have held several seances to attempt to contact Prince Albert. The Ouija Board even featured in this 1920 Norman Rockwell picture on the front of The Saturday Evening Post. The ladies in The Quid Pro Quo are divided between being fully invested in the process as a method of contacting their beloved dead; and finding it all rather inappropriate and ridiculous. But no-one is really worried about it in the sense that we are now, when we tend to associate Ouija Boards with demonic forces.

So…what changed? Well, in 1973, The Exorcist was released. It completely shifted the way the Ouija was perceived and they are now viewed in pop culture as something that can really harm people, either psychologically or by summoning evil spirits, depending on ones viewpoint.

You can read more about the history of the Ouija Board here at The Smithsonian Magazine . The Quid Pro Quo is coming out on 20th November.

*I hadn’t come across Ouida before. She’s amazing!

Am Reading

This week, a climate-driven dystopia by Premee Mohamed, a spooky gay romance by Isabelle Adler and a murder mystery with a background gay romance by C. S. Poe.

The Annual Migration of Clouds by Premee Mohamed

Wonderful novella set in a world ravaged by climate breakdown. Millions have died. Those remaining scrape out an existence in the remaining cities, spinning fibre out of reclaimed plastic bags, getting their protein from eggs twice a week, scavenging through what once was in the Back Then, about eighty years ago, as far as I could work out. A percentage of people are infected with Cad, a sort of symbiote that can manipulate its host in a limited sort of way…through fear or excessive caution to improve survival. Our hero is Reid, a young woman who has been contacted by one of the domes, centres where knowledge and tech is supposed to have survived. She’s offered a place at the University. But it’s days travel away. And no-one ever comes back.

I’ve read Premee Mohamed’s Apple Tree Throne and loved both her writing and storytelling. Similarly this…it’s delicate and thoughtful and the worldbuilding and attention to detail is beautiful. Reid’s world is completely believable. The shadow of ours hangs over it–its a howl against what we’ve already done to our descendants as well as a fantastic story. It’s a beautiful dystopia, with hope. Recommend.

The House on Druid Lake by Isabelle Adler

This is kind of a cosy mystery and also a Halloween story, which I find counter-intuitive but turns out not to be at all. Oliver’s a bit of a mess–his last relationship was abusive and he’s moved from Florida to Baltimore for a new job and a fresh start. He moves into a flat in an interesting old house, sight unseen except for the photos in the listing on the internet. The very attractive landlord is a bit odd as are the rest of the tenants. It was such a set-up…creaky old house, mysterious tenants…I loved it and immediately began working out what particular kind of entity each person was. The house turns out to be the target of an unscrupulous developer and Oliver and his new landlord have to outwit them. Nym, the landlord, has his own secrets and hang-ups and I found their relationship development satisfying and well-rounded. There are some pleasingly inexplicable little bits…I don’t like my magic systems to be spoon-fed to me and they were little loose threads independent of the main story that gave me things to ponder on once I’d finished. It’s a very happy book and I recommend it. Also, I love the cover!

Madison Square Murders by C. S. Poe

This is the opener of a new series by C. S. Poe. Everett is a desperately unhappy cold case detective who’s marriage is on the rocks, in part because a traumatic brain injury means he has memory issues. He can’t remember small things–he has to write everything down. Big things, he can’t forget.

A body found in the roots of a tree in the eponymous Madison Square Park begins a professional partnership with facial reconstruction artist Ira that soon turns into something more. Ira makes his interest in Everett clear, not realising he’s married. Both the emotional plot and the murder plot are complex and very well drawn. I love Poe’s stories and the way her characters often have disabilities they are living with as best they can. Disabled people live fulfilling lives centred around things other than dealing with their disability; and her writing embraces this. I’m looking forward to the next in the Memento Mori series.

Elizabeth Noble: The Vampire Guard

Let’s welcome Elizabeth Noble to the blog today with the age-old truth ‘Vampires are cool!’ She’s here to talk about The Vampire Guard series and its myth and background.

The Vampire Guard Book 1 -- Codename Jackrabbit by Elizabeth Noble

Thank you, A. L. Lester, for having me in Lester Tower today! (You are most welcome, any time!)

Vampires are cool. And they make awesome spies!

Since vampires live very long lives, that offers many avenues of character exploration. That’s my favorite thing about vampires. The characters have accumulated different skills over the decades and that really broadens what sort of story can be told.

Since, in this world, the vampires heal extremely quickly they’re almost super-hero like. They’re capable of surviving where a human might be killed. Then there’s the fact of their superior hearing, speed and strength.

The Vampire Guard is a spin-off from a paranormal romance/urban fantasy series, The Sleepless City, I wrote with Anne Barwell. As we developed our series we wanted our vampires, and werewolves, to be different.

The Vampire Guard Book 1 -- Quarry -- by Elizabeth Noble

These vampires don’t hunt humans and all vampires begin life as a human so as a group it’s in their best interest to preserve humans. One purpose of The Vampire Guard is to protect humanity and those who can’t protect themselves. While some of the characters are centuries old, they’ve adapted to changing times, some are proud of that ability! A poor farmer from the 1700s becomes a mercenary, musician then a detective with a degree in law. A boy born to nobility lives a life as a pirate, fur trapper then art thief! Another was a rabbi and Nazi resistance fighter, and yet another a humble seamstress turned international diplomate and spy. The list goes on! The Vampire Guard is multi-cultural and international and each character’s name and attitude matches their culture and time of origin.

Since these are espionage/thriller stories, The Vampire Guard employs high-tech tools during their missions. The characters use a combination of natural vampire (and werewolf) enhancements and technology to stay one step ahead of the bad guys. They don’t rely solely on their speed and acute hearing, however. At their disposal is cutting edge technology such as special holograph equipment allowing them to ‘see’ another vampire on camera. The Vampire Guard motto is Where legend and myth meet science and technology. Each book demonstrates that motto in different and exciting ways.

The Vampire Guard isn’t all vampires. Humans and werewolves have joined their ranks. A requirement for recruitment (you don’t join, you’re invited) is all the vampires are soulbonded. Since they can soulbond with humans and werewolves the skill set of the organization is tripled! This soulbonding makes each pair more than the sum of their parts and gives them powerful advantages as field operatives. It gives them abilities and attributes they might not otherwise have access to, such as empathically sensing their partner, or being impervious to vampire mind-control known as thrall.

In general, The Vampire Guard isn’t a romance, though there are couples, all established. The focus of the series is on a brotherhood of found family, friendships, and how four men come together and mesh as a team despite past histories, personal conflicts, and differing ideologies. Each member has unique skills: hacker, scientist, thief, soldier. They’re a well-oiled, snarky, and sometimes, deadly group of protectors and you’d better hope they never come for you!

Welcome to The Vampire Guard, where legend and myth meet science and technology...

Vampires and werewolves live long lives. The Sleepless City saga might have ended but the story continues…

Vampires make the best spies. Throw a smart-mouthed werewolf in with three vampires, mix well, and The Vampire Guard’s newest team is bound to become one of their greatest assets. Super spies with a full range of skills. Warrior, hacker, thief, and scientist. They get in, do the job and get out before the bad guys ever know what hit them.

They employ a combination of supernatural powers and cutting-edge technology to hunt down terrorists, thieves, biological weapons… and sometimes even their fellow vampires and werewolves. An eclectic organization comprised of individuals with diverse personalities, backgrounds, and abilities, this guard has bite—and they’re not afraid to use it.

Codename Jackrabbit (Book #1) – Quarry (Book #2) – The Series

British Accents now and then

One of the things I love about working with Callum Hale on my audiobooks is his ability to throw himself into pretty much any British accent and bring the character to life. To my British ear each of the people I’ve created sound exactly as I’ve envisaged them as he brings them off the page.

I asked him to make Rob, from Inheritance of Shadows ‘less ooh-arr’ and he toned the accent down so to me at least, Rob doesn’t sound so much like a heavy-handed son of the Somerset soil. And I wanted Will Grant in the 1920s London Trilogy to sound more like Lord Peter Wimsey. Callum obliged, perfectly. (These are my two favourite of all my characters, ever, incidentally).

The question I’m always asking myself about my writing though, is how right can I get it? I want the history in my books to be accurate, unless I’m deliberately twisting the universe out of true with magic. I think this is the same question historians have to ask themselves about looking at anything in the past. We are both looking at things through our own rose-tinted spectacles, coloured with our own experiences and social expectations. My characters in these books grew up in Victorian England. What did they really think about the Empire? What did they talk about in the pub? What did they really sound like? How did they really smell? We’re fudging it, the whole lot. Historians and archaeologists because of lack of data. And writers because of lack of data and because we don’t want our main characters to be unsympathetic to modern audiences.

Anyway…during one or other of my late-night sessions randomly browsing the web, I came across this programme about Edwardian accents. A regional English language specialist in Germany during the First World War, a real-life Professor Higgins, suddenly realised he had a huge pool of untapped research material in the German army’s British prisoners of war. In this documentary you can actually listen to their voices.

I was very interested in how the modern specialists in the programme say the regional accents of the past are broader in the recordings than they are now. It’s as if the rising tide of London-speak has swept the broad vowels of the regional accents back from the centre of the country, into the more remote west of England. So although to me, Rob sounds about right, a farm labourer from Somerset who’s self-educated and likes to read, to his contemporaries he’d probably have sounded out of place. You can listen to Callum’s reading of him here, in the first chapter of Inheritance of Shadows.

I think, listening to those long-ago voices in the programme, it’s important to remember these men were prisoners. That’s one of the filters we mustn’t discard. Were they doing this work in the language lab out of the kindness of their hearts? Because they were bored and wanted an occupation? Because they were threatened in to it? Because they were offered extra rations or privileges? Are these their actual accents? Or are they performative, a joke on the professor? They’re immensely touching, whatever their origin and I hope you enjoy it.

You can buy the 1920s London audiobooks at Authors Direct.

Lost in Time, Shadows on the Border, The Hunted and the Hind by A. L. Lester. Narrated by Callum Hale.