So, The Fog of War is out next month and I thought it was probably time for another post about how the magic system works–that seems to be one of the main questions that comes up when I do Q&A’s about the series. Basically, my process can be summed up if you visualise me sitting on the floor in a room full of kittens, with different coloured balls of wool all heaped up around me and letting the kittens do their thing. And if the kittens are also crazed on catnip then it’s even more accurate.
When I started writing the series, I dabbled with making one of the MCs a shifter. I thought he might be a centaur. And then the whole thing fell apart when he turned out to be living in a small flat above a laundry in 1920s London and it just wasn’t practical. I mean. Think of the floors! He turned out to be a magician, effectively, although he’d loathe the word. No-one who uses magic with good intent in my world actually calls it that.
I have to confess, the kitten thing didn’t really happen. Although it should have. Because kittens! And I didn’t sit down and plan out the system before I started. It just evolved as the books went on. I knew I wanted my people to be able to pull energy from somewhere. And I knew there needed to be a price, because if you have unlimited magical energy available you’re all-powerful and where’s the fun in characters that are all-powerful?
The system works on the principle that there’s power everywhere. It’s called kias. Everyone has some as part of their life-force, some people more, some less. And there’s a source of it in a thing called the border or the shimmer. Some of my characters know this, some don’t. And some of them know that the shimmer doesn’t just exist in isolation. It’s a border between our world and another one. The other one is where people like Fenn (Shadows on the Border & The Hunted and the Hind) and Linn (Inheritance of Shadows) live. They’re sort-of-elves and are magic-users as a matter of course. Fenn and Linn work for a group called the Ternants, who are responsible for maintaining the border between the two worlds. There are definitely other groups who are working to break it down.
We don’t know a lot more about any of the not-quite-elves as yet, pretty much because I’m making it up as a I go along. (Let’s hear a big “YAY!” for discovery writing!). There will be more in forthcoming books, but at the moment I’m enjoying writing about the reactions of characters who live in our own world and touch the magic to a greater or lesser extent and finding out how they each embrace or reject it.
If you know anything about reiki and similar energy practices you will see similarities between those and how my magic system works. Healthy people have healthy energy and sick people have low or wobbly energy. It’s possibly to help people’s health by balancing their energies up. I have taken that further by allowing my magic users, or workers, to pull energy in to themselves (from other people, from their surroundings, from the shimmer, from charged objects) to manipulate both kias and physical matter. Small things like lights in the palm of your hand, and big things, like opening a gate in the energy border between the worlds.
If you’re a responsible person you try and keep the overall energy system balanced and don’t steal kias from people or pull so much from the shimmer that you make it weak and allow nasty things like carnas or hollows to push their way through. If you’re an irresponsible person you do just that. And sometimes you can set up a line or a cord linking you to someone else that is a constant drain on their energy and constantly replenishes yours.
The magic system is really very simple. It works on the basis that energy follows thought. The irony of the green book being that it’s supposed to be a ‘book of spells’ or a book of instructions to make the magic work for you…but actually you don’t need to do any of that ritual stuff. You just need to pull the kias toward you, form your intention and hold it strongly in your mind…and if you are powerful enough and have enough kias available, pow! it happens.
If you’re trying to do things that are selfish or greedy, or badly thought out, the potential for the kias to spring back at you and sproink you on the nose like a stretched elastic band is enormous. My main characters tend to realise this, earlier or later in the stories. Sometimes after being sproinked.
As the series has gone on the system has developed and I’ve found myself using a sort of retroactive kitten-method to make interesting plot happen. I tend to write very messy first drafts that mean I have to go back and do an enormous amount of pruning to make things fit together logically. Having to make sure that the magic works as well is another layer of complication and having energy-follows-thought as it’s base principle makes it both simple and very complicated. It allows an awful lot of wiggle-room, which means there’s an awful lot of ways to mess it up! But most things I write seems to have the paranormal in there somewhere and my worlds don’t seem complete to me without it.