London Calling release day!

Today is the official release day of London Calling, the box set of my 1920s London Border Magic series! It comprises Lost in Time, Shadows on the Border & The Hunted and the Hind.

To celebrate I have a giveaway! Roll up, roll up! And read all about it!

London Calling Box Set

The London Calling Box Set

Queer British Lovecraftian historical romantic suspense set in 1920s London.

Lew Tyler is dragged from 2016 to 1920 by an accident with border magic whilst he’s searching for his missing friend. He’s struggling to get to grips with life a century before he was born.  Detective Alec Carter is trying to solve gruesome murders in his patch of London, weighed down with exhaustion and a jaded attitude to most of his fellow humans after four years of war. In the middle of a murder investigation that involves wild magic, mysterious creatures and illegal sexual desire, will Alec and Lew work out who is safe to trust?

Sergeant Will Grant, Alec’s right-hand man, is drawn to the mysterious Fenn. Is Fenn a man or a woman? Does Will care? And Fenn…Fenn has a secret. They live beyond the border between 1920s London and the magical Outlands and they need to get home. Are they prepared to achieve that by double crossing Alec, Will and Lew?

Two couples hold the fabric of reality in their hands. Will it make them or break them?

WIN!

To win a copies of the London Calling audiobooks, Lost in Time, Shadows on the Border & The Hunted and the Hind, pop on over to the Audiobook Draw and throw your hat in the ring! Id’ be really grateful if you could share it on social media once you’ve entered if you could bear to…you’ll get more chances to win and more people will see it! (You can also listen to excerpt and buy them here)

Lost in Time,. Shadows on the Border & The Hunted and the Hind audiobook covers

Read an Excerpt

Carter on his doorstep when he got home again was just taking the piss. All Lew wanted to do was climb into his bed and sleep and pretend he was in his comfortable flat-share in 2016 and could wake up and listen to his iPod.
He didn’t even bother to greet Carter this time, just wordlessly locked up the bike and opened the door into the flat so he could come inside. He was glowering again. Lew wished he could say it didn’t suit him. “Come in. Glowering doesn’t suit you.”
Carter grunted wordlessly and suddenly Lew had had enough of it.
“No, honestly. It makes your face all scrunched up—” he demonstrated, “—and I’m sure it’s bad for you. Wrinkles or something.” He couldn’t seem to shut up. Poking a bear would probably have been safer. He wanted to get through to him, though, he wanted to make him growl. The other day and being punched in the face had at least proved Carter had some emotion in there somewhere; he couldn’t feel anything from him, most of the time. He chucked his biking goggles onto the small settee and turned to the kitchen cupboard. “Do you want a drink? I’m having a drink. I’ve had a shit day so far...a shit week, in fact.” He paused, considering, “...maybe even a shitty two years. And so, I’m going to have a drink. You’re welcome to join me.”
He clattered the bottle and a couple of glasses out of the cupboard and smashed them unsteadily down on the counter top. He felt unsteady all over, actually, as if he’d already drunk too much. Adrenaline, and lack of sleep, probably.
He pulled the cork out of the bottle and started to slop spirit into the glasses. Then, all of a sudden, Carter moved to stand close behind him, still not speaking. He hadn’t been expecting it and it made him even more mentally off balance.
He could feel the warmth of the other man’s body through the back of his shirt, although they weren’t touching. He was boxed in by his arms, either side of him, hands flat on the counter. It was shockingly intimate, although Lew didn’t think Carter meant it to be. He meant it to be intimidating. The otherman said, softly, “Tell me. Tell me. Tell me what’s going on. Why have I got more dead men turning up with the same wounds as your friend Fornham?”
Bloody hell. More of them. That was very, very bad. “Get off me.” Lew spoke equally quietly.
There was a pause for a second. “No,” said Carter.
“You don’t know what you’re messing with. Get off me.” Again, that pause.
“No.” His voice was rougher this time.
Lew noticed Carter’s knuckles were white where he was holding the countertop either side of the whisky bottle and the glasses. He shivered.
Suddenly he could feel things coming off Carter after all: the want and the fear and the desperate sense of disgust at himself. The anger and the confusion he felt toward Lew because he wanted Lew and yet he didn’t trust him, with this or with anything, and it was all against his better judgement. The emotions hit him like a wall coming up out of the dark all at once and completely floored him; and he gasped.
Slowly, he pushed the bottle away from him—always with the drink when Carter was around, he absently thought—and turned around, careful not to touch him. They were nearly of a height—he didn’t have to tilt his head much to see that Carter’s eyes were green. Lashes long and dark. He didn’t pull back. It was mid-afternoon and his beard was coming through.
Lew swallowed. “I don’t want to lie to you.”
It came out rougher than he had intended and Carter’s eyes dropped to his mouth.
“Then don’t!” He pulled back angrily and turned away, hands shoving fiercely through his hair. “Tell me what’s going on!”
“Carter...Alistair...” He couldn’t bear the wave of confused anger and emotion coming off the man and he stepped forward and put his hand on his arm, turning him back toward him.
“Alec...”
Carter jerked back as if he’d been burned.

Buy London Calling
London Calling Box Set

Liz Faraim: Stitches and Sepsis

OWL logo

Liz Faraim is here today as part of her OWL blogtour for Stitches and Sepsis, the second in her brilliant Vivian Chastain series. Welcome back, Liz!

You can read her visit to talk about Canopy, the first in series here!

Liz Faraim

Howdy. My name is Liz Faraim. I am the author of the Vivian Chastain series. I thought I’d take a moment to answer some questions that I get asked a lot. Enjoy!

  • What’s the weirdest thing you’ve ever done in the name of research?

While researching Stitches and Sepsis I had to do extensive research on how sepsis impacts the body and what types of medical intervention might happen while hospitalized with it. I spent many hours watching videos on how to insert and remove foley catheters, nasogastric feeding tubes, and IVs. Also, don’t do an internet search for images of septic wounds (or do?).

  • Have you ever taken a trip to research a story? Tell me about it.

Yes! I have hiked every single one of the trails that I write about, I have ridden my motorcycle on every one of the routes described in the series, and I have run every jogging route too. I like to write about places I can describe in detail, which is why Vivian stays mostly in northern California.

  • What do you do when you get writer’s block?

Writer’s block hits me every time I reach the midpoint and end of each manuscript. Breaking the writer’s block sometimes means taking a writing break for a few weeks to re-read familiar novels or just wallow in self-loathing before getting back to the keyboard.

  • Do you use a pseudonym? If so, why? If not, why not?

Yes, I use a pseudonym. I chose to do this because I work in a very conservative and heavily scrutinized field for my day job, and for me to feel truly free to write what I want to write, I need to do it under a different name.

  • If you could tell your younger writing self anything, what would it be?

Liz, just as you assumed, not everybody is going to like your work (including family). But do it anyway. You don’t have to please everyone. Write what you want, because someone out there will connect with it.

  • Do you ever base your characters on real people? If so, what are the pitfalls you’ve run into doing so?

Yes, I have based a few characters on people I have come into contact with over the years. The only pitfall I have run in to so far is that the person I based the character Bear on (who plays a much larger role in book three) passed away before my books were published. Bear was my best friend, and we used to do writing exercises where we’d each write an excerpt and pass the story back and forth, continually adding to it. I know she would be so proud of me for finally getting published. I just wish she had lived long enough to read about herself in my books.

  • How long on average does it take you to write a book?

It depends! Whatever project I happen to be working on during National Novel Writing Month gets wrapped up in about six to eight weeks. If I am writing any other time of the year it takes about six months. I balance a demanding day job and solo parenting, so I don’t have much time to dedicate solely to writing.

  • What do you do if you get a brilliant idea at a bad time?

This happens all the time! I have random notes stored in my phone, on sticky notes on my desk, and scribbled on note pads. One thing I have to get better about is giving more context when I make a note for myself, because the current sticky note on my desk just says “gloves,” “daffodils” and “foghorn.” I think I know what I was trying to say, but who knows!

Liz has a prize draw as part of the Stitches and Sepsis launch! Win a $20 giftcard!

Stitches and Sepsis
Cover, Stitches and Sepsis by Liz Faraim

Contemporary, thriller, ff, lesbian, polyamory, poly, Dom/sub relationship, multiple partners, ex-military, bartender, LGBTQ, queer, thriller, new release, announcement

Adrenaline addicted veteran, Vivian Chastain, confronts the man who has been following her for days, only to find he has a message of dire consequence for her. Spurred into action by his news, she barrels head on into a tumultuous and violent series of events. Stoic and stubborn, Vivian lands in the hospital, fighting for her life.

During Vivian’s lengthy recovery, her partner is released from jail and the two reconnect, stoking up the flames of their toxic union all while Vivian dives into a blossoming relationship with a new love interest who offers fulfillment and love, if only Vivian can figure out how to allow it all in.

Still on the mend, she learns that the coast is not clear as former threats return and continue to endanger her. While she cannot rest easy; friends, her work crew, and customers at the night club where she tends bar provide her with much needed fun, comradery, and support.

Vivian wrestles with her temper, her penchant for physical violence, and her overwhelming emotional baggage. Struggles from within and without threaten her existence, and in the moment when death is just a breath away, Vivian’s brother shows up and changes everything.

Warnings: This book contains sexually explicit content which is only suitable for mature readers, graphic violence, self-harm, references to PTSD, domestic abuse, animal abuse, homophobic slurs, sexual assault (reference to past), death of a secondary character

Buy Stitches & Sepsis

Meet Liz

Liz has a full plate between balancing a day job, parenting, writing, and finding some semblance of a social life. In past lives she has been a soldier, a bartender, a shoe salesperson, an assistant museum curator, and even a driving instructor. She focuses her writing on strong, queer, female leads who don’t back down.

Liz transplanted to California from New York over thirty years ago, and now lives in the East Bay. She enjoys exploring nature with her wife and son.

Website : Facebook : Twitter : Goodreads : QueeRomance Ink

Banner. Stitches and Sepsis by Liz Faraim

Ofelia Grand: The Egg Hunt

Happy Easter, everyone, and thank you Ally for letting me drop by. I’m in the middle of re-publishing a number of old stories. And two days ago, The Egg Hunt was released.

The Egg Hunt is an Easter story that takes place in Nortown. The thing with Nortown is that almost everyone there is a lumberjack. When I first started writing these stories, it was to make fun of all the clichés. Don’t get me wrong, I care for my characters and their hardships, but I played a lot on stereotypes.

The Egg Hunt was first released in 2016, and the M/M genre has developed since. There weren’t a lot of vampire daddies or Mpreg stories back then – they existed, but not to the extent they do now. And this was before the Amazon top lists were overflowing with the ‘I shagged my step daddy’ stories. And, to each their own, but I want to say thank heavens because I could never write those kinds of books. So instead, I wrote grumpy, toppy lumberjacks with ‘oh, so responsive’ bottoms.

Now, The Egg Hunt isn’t as stereotypical as the other stories taking place in Nortown, but it has the attributes. Tom is a closeted lumberjack, and Jason is a bartender from ‘the city’.

Jason is in Nortown to visit a friend, but their dogs fight, so he gets to stay with Tom instead. At first, Tom isn’t pleased, but soon he realises it’s quite nice to not have to spend the holiday on his own.

Do you have any special Easter traditions? When I was a kid, Mum always boiled a crazy number of eggs on the morning of Easter Eve – in Sweden you celebrate all holidays on the eve. On Christmas, we open the gifts on Christmas eve. Anyway, Mum made eggs, and the entire family gathered and painted them. Then we ate them.

I remember being a little sad when I had to destroy an egg I was especially pleased with.

Mum had also hidden carton eggs filled with candy all over the house. And she had, and still has, lots of small porcelain eggs she filled with sweets of different kinds. The entire Easter weekend, we were on a constant sugar high LOL.

In Nortown, the inhabitants of the town get together for an egg hunt in the forest.

Available now, The Egg Hunt. "What should I expect at this egg hunt? Tom gave him a quick glance. "You know how egg hunts work, right? We're here to help Jen prepare, hide eggs for people to find, and then in a couple of hours, everyone will show up. Kids, pets, adults--most of Nortown's population will stroll into the woods and search for eggs." Tom laughed.

Excerpt:

Jason hurried past Tom between the trees. Even though he’d helped hide the eggs, it was hard to find any now. He stopped by a fallen, moss-covered trunk, where he was almost certain he’d hidden three small chocolate eggs, but he couldn’t spot a single one. Someone might have made it there before him, he guessed, but he didn’t think so. Everyone had started at the same time.

He heard Tom snigger behind him.

“Did you take them?” Jason gave him a mock glare, which quickly morphed into a smile. It was almost as if he were being pulled towards him.

“I might have hidden them elsewhere, but then again, so might Jen.”

“You moved my eggs?”

“Of course! I couldn’t let you win.” Tom reached for him but stopped himself and stepped back. Jason fought a sigh. He wanted Tom to touch him. It was stupid, but he wanted to be close to Tom, wanted to smell him, to laugh with him.

“Oh, lookie here.” Tom stretched up between two branches and took down a real egg that had been coloured purple. “Now if you find one, we can have that egg tapping.”

Jason huffed and continued farther into the woods. He would find an egg, and he would win the egg-tapping thing. An unguarded feeling of freedom shot through him as he searched both on the ground and up in the trees for colourful eggs. He didn’t really care if he won—the insight should’ve been shocking; Jason always wanted to win. He still wanted to find an egg and play the stupid game with Tom, but only to see his warm eyes sparkle.

“A-ha! Got one!” He picked up a red egg and ran towards Tom. As he dashed between the tree trunks to where he’d last seen him, he almost ran into a little girl who was trying to reach a large plastic egg filled with sweets that hung too high in the tree for her. “Here you go, darling.” He took it down for her and hurried along. Where the fuck had Tom gone? He’d been right behind him mere minutes ago.

He could hear voices and laughter everywhere, but not Tom’s.

The Egg Hunt

Ofelia Grand, The Egg Hunt

Jason has one rule when it comes to holidays — work his shift behind the bar and then find a willing body to distract himself with. One night is long enough to satisfy his needs and still walk away with his heart intact. It has worked out fine for most of his adult life, but this Easter, he’s trying something new. He’s leaving the city to visit his friend Aiden, who recently moved in with his boyfriend in the middle of nowhere, but one unfortunate incident leaves Jason without a place to sleep.

Tom doesn’t just not do relationships, he rarely does hook-ups, either, and never too close to home. Living on his own without attachments is easier than having the whole town knowing about him. As the holiday approaches, his lonely house grows even quieter than normal — at least until his friend Tristan dumps an arrogant bartender in his lap.

As soon as Jason lays eyes on the gruff lumberjack whose home he’ll be sharing, he knows who’ll warm his bed for the weekend and help chase away any pending holiday gloom. Too bad Tom doesn’t want to get with the program. As much as he wants to let Jason close, he won’t risk outing himself for a weekend fling. Will Jason trust Tom not to break his heart if he stays longer than a couple of days? Will Tom value their relationship higher than the town gossip?

Contemporary M/M Romance: 34.031 words

Buy The egg hunt:

JMS Books :: Amazon :: books2read.com/TheEggHunt

About Ofelia

Ofelia Gränd is Swedish, which often shines through in her stories. She likes to write about everyday people ending up in not-so-everyday situations, and hopefully also getting out of them. She writes romance, contemporary, paranormal, Sci-Fi and whatever else catches her fancy.

Her books are written for readers who want to take a break from their everyday life for an hour or two.

When Ofelia manages to tear herself from the screen and sneak away from her husband and children, she likes to take walks in the woods…if she’s lucky she finds her way back home again.

Find Ofelia on social media:

Blog :: Newsletter :: Instagram :: Facebook Page :: Facebook Profile :: Goodreads :: Bookbub :: Pinterest

Garrick Jones: Wheelchair

Today I have an insightful piece from Garrick Jones about the research behind his book Wheelchair. I need to give you content warnings for mentions of sexual violence, PTSD and kink.

Garrick is an Australian author who’s books about gay men are all story driven; spies, detectives, murders and epic dramas. Read more about him at his website! Over to you, Garrick!

Wheelchair was an unusual story for me to write on two counts. The first is that it’s my first contemporary novel, and secondly there’s a lot of undisguised personal history woven into the characters.

While the second thing isn’t that unusual, as most writers project parts of themselves into their books, some of the events of Simon’s, Obadiah’s and Marvin’s lives are indeed actual experiences of my own. I live with OCD and PTSD as a result of childhood abuse. It’s formed the man I am, and I’ve faced obstacles in everything I do and have done over the course of my life while trying to cope with the small frightened child that still jumps up in the back of my mind, just when I’m feeling good about myself, and scares the pants off me. However, I’m proud of who I’ve become and always think I’m one of the lucky ones to have been able to face my demons and even stare one or two of them down.

Writing parts of this story took a great deal of research before I even started. I interviewed 27 men, both virtually (the brave ones by voice chat or video chat), by email and even old-fashioned snail mail. I created a new email address specifically for the research and deactivated it once I had my responses, which have also been deleted. No names were ever given or asked for, although they knew mine, obviously.

I joined a chat group of gay boxers, another of gay wrestlers into humiliation play, and yet another formed of ex State policemen, Federal policemen, first responders and counsellors who were all either bisexual or gay.

Much of what I learned was too cathartic to use in the book, but I did discover quite a few common denominators, which I used to formulate my characters and their stories. The one thing in common was that men’s sexuality is fluid at the best, rarely defined into strict behaviours, but dependent on situation and levels of need, or sexual arousal. Some of the men who were into the most extreme forms of sex play also shared moments of tenderness and intimacy, what the general population might define as “vanilla”, romantic sexual activity.

I decided not to research heterosexual men with the same sexual psychopathologies, because I didn’t intend this book to be an explanation or to be a gay apologist narrative. The combination of same-sex attraction and arousal through sports, such as boxing and wrestling, is not as rare as might be believed. How it manifests itself in sexual roles is not always clear. Many times, interviewees have reported the need to be dominated sexually after winning the match or having subjugated their opponent. Power-bottoming seems also to be a theme, aggressive sexual behaviour and even self-harm while being penetrated is also quite frequent. One could make value judgments about the need to reinforce masculinity by hyped up testosterone acting out, but as I’m not a psychologist, it’s not my place to come to any conclusions.

However, I did try to weave some of those stories into the book. By far, the most difficult character arc was that of Obadiah, who was based on a number of men who reported having sex with other men when either being semi-inebriated to facilitate their activities, or adhering to strict rules about what they did. The new “no-homo” tag is alive and kicking in suburbia. I was astonished at the number of men, especially in the police force/first responder group, who informed me that before officially deciding on their sexuality, they’d engage in fairly no-holds barred sexual activity with either mates, or in pick up places, as long as there was no kissing—something most of them defined as crossing the line. Two senior policemen in particular were very fond of taking on all comers with their faces covered in parks at night-time. I found the risky behaviour almost unbelievable and may have dismissed the first interviewee’s report as fanciful, had it not been a recurring theme from others.

Among the boxing/wrestling crowd there was another common theme: voyeurism and exhibitionism. Rarely were the boxing matches or wrestling engagements in private between two people. There was often public sexual behaviour for onlookers who were quite frequently encouraged to either participate or form groups of their own after the matches. A large proportion of those who boxed or wrestled were also into wearing Lycra underneath their business suits or work clothes and collected used jock straps, wrestling singlets and boxing shorts, which are sold for large amounts in private chat rooms.

The universal theme among all those I interviewed was the need for intimacy. Many of the men either had regular partners—who oddly enough did not share the same fetishes—or they wished for an emotional relationship. I was quite often moved to read about or hear about the moments of connection once the fighting and the fucking was over. Frequently there were descriptions of intimate physical touching, stroking, kissing and even what we might label as “love talk”, even between relative strangers.

I tried not to reach any conclusions while writing this story. My main aim was to depict the struggles of the daily life of someone like Simon, who suffers from OCD driven anxiety. He’s not an extreme example, but fairly typical of many people who try to manage their life, day by day, minute by minute, negotiating compulsive behaviours, yet continuing to hold full time jobs and lead fulfilling lives. There are others of course who are imprisoned within their compulsions.

Every single man with a fetish had something we might describe as a need to “scratch the itch”. In every case, the men mentioned they couldn’t function easily without assuaging the “need” when it came upon them. Since the internet, clubs and meetings have been easier to arrange. However, some of the older men told amusing stories of networking through gyms, fitness clubs, body-building societies and other places ex-servicemen and former policemen met. It’s also to those place that the “civilian” members of society gravitated to meet others of the same ilk and hopefully find an outlet for their needs.

Not one man I corresponded with, or spoke to, thought their activities were at all strange or unusual, no matter far along the spectrum of humiliation play, or beating, or fighting, or other rough and tumbles. About half the contingent did not identify as being members of the gay community; they simply saw themselves as “blokes” (mostly the word they used) who simply liked to get down and dirty with other “blokes”.

Only two respondents revealed there’d been some childhood incident(s) which had triggered the need for humiliation, but neither had been prepared to discuss what those events were, neither did I press the issue. Most of the rest of them, who were prepared to answer the question either gave a “I dunno” or prevaricated with their answer.

I do hope you enjoy the underlying story of Simon, both from the chapters written in first person point of view as the narrative of how he feels and goes about his life, and also from those close to him, in alternate chapters, written from their perspective to illustrate how they see him and his behaviours.

We who suffer from OCD and PTSD often feel our actions and motivations are misunderstood. Perhaps this story is a novel in which I’ve been able to show both sides of the story. As Simon says, talking about his take on intimate relationships, right at the end of the book:

No doubt it wasn’t everyone’s idea of what a relationship should be. But I wasn’t everybody, neither was Obadiah or Dixie nor was anyone else—if I’d learned one thing, that was it.

Love, whatever that was, came in many shapes, forms, and colours.

Wheelchair

You can never judge an academic book by its cover. Simon Dyson, a quiet assistant professor, is a man of hidden depths. To the world he presents as a harmless, innocuous, shy and retiring intellectual. However, the man who lurks behind that public persona is far more interesting … and dangerous … and driven.

‘Wheelchair’ is a slow-burn contemporary psychological crime thriller about a man who suffers from both OCD and PTSD, a man who is unwittingly caught up in a cross-border war between rival crime gangs—a conflict that almost leads to his death, and more than once.

It’s a study of compulsion and of disability, and of the many faces of emotional dependence and sexual compulsion. It’s about how some men cannot just love or make love because their hearts or their bodies lead them to it, but who can only connect emotionally and physically through self-imposed rituals which involve struggle or self-abasement.

:: Buy Wheelchair : Garrick’s Website ::