Ellie Thomas: London in the Rain

This week Ellie Thomas is dropping in to talk about her new release, London in the Rain. Welcome, Ellie!

Thank you so much, Ally, for having me as your guest today! I’m Ellie Thomas, and I write Gay Historical Romance. In this blog, I’m chatting about London in the Rain, my story for the April Rain or Shine submissions call for JMS Books.

When I decided to pick the Rain option, I immediately thought of London (for some strange reason!) and, after exploring the city during the Elizabethan era in my Valentine’s story, The Spice of Life, it was fun to move five centuries forwards to the 1930s.

As I wanted my story to be atmospheric, I turned to the Lord Peter Wimsey books by one of my favourite Mystery Golden Age authors, Dorothy L. Sayers, to see the scale of early 20th century London through her eyes and get an ear for the language of the times. I have to say it felt like an indulgence to leaf through my well-thumbed copies of Murder Most Advertised and Strong Poison to get a mental map of 1930s London. 

In homage to the author, my main character, Raymond, lives in Bloomsbury (like Sayers herself and her mystery writer heroine Harriet Vane) and he also works in Southampton Row, where Pym’s advertising agency is based in Murder Most Advertised. Also, David, Raymond’s love interest is an Oxford graduate, like Lord Peter Wimsey, and if asked, he’d confirm he’s also a Balliol College man. 

As Raymond, although sexually active, lives an outwardly closeted life, I had already decided that David would be much more open in his attitude and was at least an observer of the vivid Berlin scene in the late 1920s and early 1930s, where anything went in terms of artistic and sexual expression. What I was fascinated to discover, was that by the mid-1930s, London had a vibrant LGBT (or to use the contemporary term, “queer”) scene of its own, despite draconian laws. 

Unsurprisingly, as it has been for many years, Soho was also the centre of this earlier hub. Although Charlie’s, the bar in my story, is a figment of my imagination, other clubs that I mention like the Shim Sham and Billie’s were real if relatively short-lived due to police intervention.

I discovered a fascinating virtual walking tour that rediscovers and celebrates this forgotten and colourful world and is well worth a look.

I also used references from the National Archives for my chapter set in Billie’s club, including descriptions of the spacious club room featuring a grand piano. Also, regular performers and some of the clientele mentioned in this excellent article.

Much of the writer’s observations are taken from the criminal and prosecution files, which is a desperately sad indictment of that period, but also contain fascinating details of the décor, acts, and the atmosphere of fun and escapism.

These sources inspired to me recreate that ambience in the concluding scene of my story, set in Billie’s Club. Here, at last, Raymond relaxes his inhibitions enough to dance in public with David, surrounded by an inclusive and vibrant crowd.

London in the Rain

Cover: London in the rain by Ellie Thomas

A life of set routine is the norm for Raymond Smith. Now in his mid-thirties, a fleeting wartime romance far behind him, he is an exemplary clerk at a London insurance firm where he’s perceived as dry and conventional.

But Raymond has a secret. Every month or so, he visits Charlie’s, one of the more understated bars in Soho’s flowering gay scene in the 1930s. There, he seeks relief with strangers to get him through the next few weeks.

On one of these visits, he encounters suave David Carstairs, a well-travelled linguist with the Foreign Office. Rather than a brief encounter, David offers him friendship and even affection. Despite Raymond’s misgivings, the two men, with their contrasting backgrounds and experiences, start to form a bond in the spring of 1936 as Europe inexorably begins to march towards war. Will Raymond fearfully reject this chance of happiness? Or can he unbend enough to allow David into his heart and life?

Read on!

Raymond was almost breathless when he entered Charlie’s, the doorman lifting the curtain for him without hesitation. He paused in the inner doorway, taking in the quiet scene. As it was so early, very few tables were occupied, and the pounding in his head increased as he fruitlessly looked around the room. At last, his gaze locked on a familiar figure, sitting in the same position as Raymond had occupied the previous Thursday. 
Charlie, the owner, elegant in black satin with her brassy hair piled high, was leaning over the bar talking to him in a familiar way that indicated long association. As he approached, the man gave a welcoming smile and Raymond’s headache vanished.
“Scotch and soda?” The man queried before giving his order to Charlie. As he chatted with the proprietress, Raymond looked at him surreptitiously. He’s not out on the town tonight, he thought, as the stylish dress clothes had been replaced by a tailored Savile Row suit. He must have come straight from work in much the same way as Raymond, and he wondered if his gentleman was something in the city or even a cog in the wheel of government.
Placing down their drinks with a vermilion-lipped beam, Charlie moved down the bar to serve the next customer. The man smiled at Raymond, picked up his glass, and said, “Cheers!”
Braced for the first taste of harsh spirit, Raymond’s eyebrows rose when the contents proved to be far superior to what was normally served. He must be more than a vague acquaintance of Charlie’s, thought Raymond, as this is the good stuff. He took a long swallow, appreciating the fine flavours. 
“Bad day?” The man asked sympathetically.
“Oh, you know,” Raymond shrugged. “The usual ups and downs of office life.” Although his companion smiled understandingly, Raymond would have been astonished if the man had any familiarity with his humdrum routine.
The gentleman took a sip of whisky, and after hesitating, he began, “Well, whatever happened today, despite any inconvenience to you, I’m glad it brought you here. I was hoping I might see you again,” he finished with a shy smile.
Raymond said nothing, hiding his confusion with the rest of his drink. He must be joking. Why would someone like him give me a second glance? 
Embarrassed, he changed the subject, pretending to peer into the corners of the room, saying, “Your young friends not with you tonight?”
The man laughed, “Thankfully, no. One round of the delights of Soho was sufficient for my young cousin and his chums. From the amount and variety of booze they put back, I wouldn’t be surprised if they are still suffering from sore heads. Talking of which, would you like another?” 
He gestured to Charlie, who took away their glasses to refill them from her private supply, returning their replenished drinks with a conspiratorial grin. Raymond took a sip of his fresh drink, letting the fine whisky roll around his mouth. 
“By the way,” the man said, “I don’t know your name. How remiss of me. I’m David Carstairs.” 
Taken aback by such openness, Raymond paused before he shook the proffered hand, his own captured briefly by a warm, firm grip. 
“Raymond Smith,” he muttered in response. Meeting David’s amused, slightly disbelieving glance, he laughed and said, “No, it’s not a false name.”
“There are plenty of genuine Smiths in the world, I suppose,” David said lightly. “And not merely assumed for reasons of disguise.”
Raymond felt keenly aware of their surroundings and all the secrets this place of assignation held, including his own.
As though on the same wavelength, David said casually, “This bar is a pleasant place to unwind and not too far from King Charles Street where I work.”
So he’s in the Foreign Office, then, Raymond thought. I should have guessed. He’s got the looks and poise and, no doubt, the education too.  
He cleared his throat, “I’m not far away either. My office is in Southampton Row.”
It seemed oddly personal to trade such information here, where Raymond had exchanged greater intimacies with men, never knowing a single fact about their lives. 
David glanced at his watch. “I assume you haven’t had the chance to eat as yet? Perhaps after we’ve finished these, we might get a spot of supper somewhere?”
After gulping down his first drink, Raymond had been slowly sipping his second glass of whisky to remain as long as he could in David’s presence, convinced the other man would excuse himself at the first opportunity.  
Raymond blinked, taking in the import of the invitation. “I’d like that very much,” he replied. David’s shoulders relaxed as though they had held some invisible tension.

Buy London in the Rain

About Ellie

Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance.

Ellie also writes historical erotic romance as L. E. Thomas.

Website : Facebook

London Calling release day!

Today is the official release day of London Calling, the box set of my 1920s London Border Magic series! It comprises Lost in Time, Shadows on the Border & The Hunted and the Hind.

To celebrate I have a giveaway! Roll up, roll up! And read all about it!

London Calling Box Set

The London Calling Box Set

Queer British Lovecraftian historical romantic suspense set in 1920s London.

Lew Tyler is dragged from 2016 to 1920 by an accident with border magic whilst he’s searching for his missing friend. He’s struggling to get to grips with life a century before he was born.  Detective Alec Carter is trying to solve gruesome murders in his patch of London, weighed down with exhaustion and a jaded attitude to most of his fellow humans after four years of war. In the middle of a murder investigation that involves wild magic, mysterious creatures and illegal sexual desire, will Alec and Lew work out who is safe to trust?

Sergeant Will Grant, Alec’s right-hand man, is drawn to the mysterious Fenn. Is Fenn a man or a woman? Does Will care? And Fenn…Fenn has a secret. They live beyond the border between 1920s London and the magical Outlands and they need to get home. Are they prepared to achieve that by double crossing Alec, Will and Lew?

Two couples hold the fabric of reality in their hands. Will it make them or break them?

WIN!

To win a copies of the London Calling audiobooks, Lost in Time, Shadows on the Border & The Hunted and the Hind, pop on over to the Audiobook Draw and throw your hat in the ring! Id’ be really grateful if you could share it on social media once you’ve entered if you could bear to…you’ll get more chances to win and more people will see it! (You can also listen to excerpt and buy them here)

Lost in Time,. Shadows on the Border & The Hunted and the Hind audiobook covers

Read an Excerpt

Carter on his doorstep when he got home again was just taking the piss. All Lew wanted to do was climb into his bed and sleep and pretend he was in his comfortable flat-share in 2016 and could wake up and listen to his iPod.
He didn’t even bother to greet Carter this time, just wordlessly locked up the bike and opened the door into the flat so he could come inside. He was glowering again. Lew wished he could say it didn’t suit him. “Come in. Glowering doesn’t suit you.”
Carter grunted wordlessly and suddenly Lew had had enough of it.
“No, honestly. It makes your face all scrunched up—” he demonstrated, “—and I’m sure it’s bad for you. Wrinkles or something.” He couldn’t seem to shut up. Poking a bear would probably have been safer. He wanted to get through to him, though, he wanted to make him growl. The other day and being punched in the face had at least proved Carter had some emotion in there somewhere; he couldn’t feel anything from him, most of the time. He chucked his biking goggles onto the small settee and turned to the kitchen cupboard. “Do you want a drink? I’m having a drink. I’ve had a shit day so far...a shit week, in fact.” He paused, considering, “...maybe even a shitty two years. And so, I’m going to have a drink. You’re welcome to join me.”
He clattered the bottle and a couple of glasses out of the cupboard and smashed them unsteadily down on the counter top. He felt unsteady all over, actually, as if he’d already drunk too much. Adrenaline, and lack of sleep, probably.
He pulled the cork out of the bottle and started to slop spirit into the glasses. Then, all of a sudden, Carter moved to stand close behind him, still not speaking. He hadn’t been expecting it and it made him even more mentally off balance.
He could feel the warmth of the other man’s body through the back of his shirt, although they weren’t touching. He was boxed in by his arms, either side of him, hands flat on the counter. It was shockingly intimate, although Lew didn’t think Carter meant it to be. He meant it to be intimidating. The otherman said, softly, “Tell me. Tell me. Tell me what’s going on. Why have I got more dead men turning up with the same wounds as your friend Fornham?”
Bloody hell. More of them. That was very, very bad. “Get off me.” Lew spoke equally quietly.
There was a pause for a second. “No,” said Carter.
“You don’t know what you’re messing with. Get off me.” Again, that pause.
“No.” His voice was rougher this time.
Lew noticed Carter’s knuckles were white where he was holding the countertop either side of the whisky bottle and the glasses. He shivered.
Suddenly he could feel things coming off Carter after all: the want and the fear and the desperate sense of disgust at himself. The anger and the confusion he felt toward Lew because he wanted Lew and yet he didn’t trust him, with this or with anything, and it was all against his better judgement. The emotions hit him like a wall coming up out of the dark all at once and completely floored him; and he gasped.
Slowly, he pushed the bottle away from him—always with the drink when Carter was around, he absently thought—and turned around, careful not to touch him. They were nearly of a height—he didn’t have to tilt his head much to see that Carter’s eyes were green. Lashes long and dark. He didn’t pull back. It was mid-afternoon and his beard was coming through.
Lew swallowed. “I don’t want to lie to you.”
It came out rougher than he had intended and Carter’s eyes dropped to his mouth.
“Then don’t!” He pulled back angrily and turned away, hands shoving fiercely through his hair. “Tell me what’s going on!”
“Carter...Alistair...” He couldn’t bear the wave of confused anger and emotion coming off the man and he stepped forward and put his hand on his arm, turning him back toward him.
“Alec...”
Carter jerked back as if he’d been burned.

Buy London Calling
London Calling Box Set

Victorian Nurses in the British Army

The Quid Pro Quo is the second in the Bradfield trilogy, although it will stand alone. It’s set a few months after the end of The Fog of War and stars Sylvia’s friend Walter Kennett, and Simon Frost, a detective who comes to Bradfield to investigate a murder. It’s a gay, historical, paranormal, romantic murder-mystery with a m/transm couple set in rural England in 1920.

quid pro quo banner

One of the things I researched when I was beginning to think about Walter’s background was exactly what training he’d have had as a nurse (or an orderly) in the British army. The answer to that question was ‘not a great deal’ in that Victorian army nurses seemed to have been expected to pick things up as they went along. Before the advent of Florence Nightingale and her cohort during the Crimean War in the mid-nineteenth century, nurses had all been men and they had been attached to individual regiments.

Outrage at the terrible conditions in the Crimea led to the development of a Medical Staff Corps in 1855, which recruited ‘Men able to read and write, of regular steady habits and good temper and of a kindly disposition’. This was renamed the Army Hospital Corps in 1857 and reverted back to being the Medical Staff Corps again in 1884*. Confusingly, the medical officers were known as the Medical Staff…and in 1898, the Medical Staff Corps and the Medical Staff were combined into Royal Army Medical Corps.

This is where Walter comes in.

In my head, he joins up as the two organisations are being merged together and he sort of slips through the gaps, staying hidden as a trans man with the help of the doctor who did his medical when he recruited him and possibly with a bit of a blind eye being turned by his army mates. He serves in the Boer War in South Africa and subsequently all over the British Empire before ending up at Sylvia’s hospital in France in World War One. By the time we meet him 1920, he’s forty and had served in the army for twenty-one years.

That brings me to a really interesting blog post about male nurses in the 1920s I found at This Intrepid Band-a blog dedicated to the history of military nursing. Nursing regulation was pretty slapdash until the end of the First World War. Hospitals trained nurses for between one and three years and gave them a certificate. But…anyone could call themselves a nurse even without that training.

After 1919, that changed. I won’t replicate all the qualifying criteria here, you can read it at This Intrepid Band if you want to…but Walter would have fallen under the ‘three years military experience’ criteria. However, as a man, he would have been singularly alone. Even in 1928, although there were forty thousand women on the new register, there were only two hundred men.

I don’t know whether there were any male nurses working at village practices in the early twenties; but I suspect it’s very unlikely. Most of the nurses in 1928 were in prisons or mental hospitals, presumably dealing with men who were considered dangerous and perhaps unsafe for women nurses to care for. Walter’s like Sylvia though, in that he feels that he’s done his bit keeping other people safe and looking after strangers. He wants to be part of a community and part of family as much as he can. So a small village, with his friends, suits him fine.

I hope you like his story!

The Quid Pro Quo

The Quid Pro Quo cover, A. L. Lester

Village nurse Walter Kennett is content with his makeshift found family in tiny Bradfield. However, when a body is found floating in the village duck pond one midsummer morning, danger arrives too.

Between his attraction to detective Simon Frost, concealing Sylvia and Lucy’s relationship and not knowing how much to reveal about the paranormal possibilities of the murder, Walter is torn all ways.

The Quid Pro Quo is a  50,000 word romantic historical paranormal murder-mystery set in 1920s rural England where nearly everyone is queer and the main couple is m/transm.

Amazon : JMS Books : Everywhere Else

(Some of this post was published as a guest post at Addison Albright’s blog in November ’21)

Eight Acts: when does history begin?

Cover: Eight Acts by A. L. Lester

So I’ve been round and about trying to bring Eight Acts to the attention of a few more potential readers this week. It came out in March 2021 and I really didn’t do much to launch it, so it’s sat there quietly and people haven’t really known it exists.

It’s a companion novella to Taking Stock and like Taking Stock it doesn’t have any paranormal shenanigans, it’s a straightforward historical gay romance. However, it’s set in 1967–the year the UK’s Sexual Offences Act was amended to decriminalise consenting homosexual sex between two men over twenty one, in private. My Mama, that bastion of English greatness, doesn’t believe anything before the first world war is history. So for her, it’s a contemporary.

Cover, Taking Stock

For me, both books are historical (Taking Stock is set in 1972), partly because they are set fifty(ish) years ago and partly because society has changed so much since then. Not only the law with the Equality Act and the Human Rights Act; but how we live generally in the UK. I was born in 1970 and the things I remember from my childhood in the 70’s and 80’s are so different now.

It was a time of the Cold War, public phone-boxes; buying your shopping with cash and being more worried what people thought about you. Your immediate community was very important. Versus today when we have East and West Europe unified, the internet and mobile phones that give us the possibility of wider communities, and a more relaxed attitude to non-traditional genders and relationships. Just for starters.

Memories of the second world war were still very fresh…the young people who’d been on the front line were in their forties and fifties and in middle management and positions of authority. Rationing had only ended fifteen years earlier, in 1954. The generation that had fought in the trenches in the first world war were retired and retiring. A good proportion of people had been born whilst Victoria was still queen.

Social change doesn’t come about quickly. It happens slowly and gradually, almost unnoticed if you’re living it. And every single generation ever has bemoaned that things aren’t as good now as they were when their grandparents were young–see Gildas, The Ruin of Britain, writing in the sixth century AD as an example.

My personal opinion is that it isn’t possible to say when something becomes ‘history’. There’s no precise cut-off. I suppose you could probably say as a rule of thumb that it begins to happen when less than half the population remember it as lived experience. But it depends how different things were too.

The 1960s and how different life was then means that I’m happy for both these books to go into the historical category. I’ve got a page on the website citing the resources I used writing the books, with links to some interesting YouTube videos of personal recollections of gay life at the time and about Polari, the ‘secret language’ of gay men in the twentieth century in Britain, that enabled them to talk about sensitive subjects in public without outing themselves.

Eight Acts

Cover: Eight Acts by A. L. Lester

London in 1967 is swinging. It’s the summer of love and consensual gay sex in private has just been decriminalized. Percy and Adrian meet through friends and over the summer their relationship deepens and grows. What will happen in September when it’s time for Percy to go back to his every-day life as a boarding school teacher?

A 20k word stand-alone novella with cross-over characters from Taking Stock.

Trigger warning: A secondary character suffers an off-screen sexual assault.