Why ‘The Fog of War’?

As I may have mentioned, just in passing, The Fog of War is out tomorrow. One or two people have pointed out that it’s a slightly peculiar title juxtaposed with the 1920s art-deco cover and what the heck is going on?

The Fog of War. Historical, paranormal, 1920s Englandl

I have a confession, then.

Mr AL named it.

I mean, of course I thought it was a good title and went with it, he didn’t elbow me out of the way to fill in the PUT TITLE HERE bit on the submission form or anything. But he came up with it. He did the same for a couple of my other stories, too–he seems to have a bit of a gift for it. He doesn’t read my books or beta for me or anything, we write in very different genres. But he does listen patiently as I whine about plot-holes and helps me tighten up my blurbs. I do the same for him and it works quite well, I think.

When he came up with it, just throwing potential titles out at me at lightening speed, it immediately struck home.

It’s an evocative phrase first used exactly in the 1890s, although fog, twilight, moonlight and similar concepts had been used earlier in the century by a chap called Carl Von Clausewitz. It describes the confusion of battle, how uncertainty about capability and action on the battlefield are a hindrance or can be used to ones advantage.

It immediately resonated for me because Sylvia and Lucy and their friends are drifting round trying to work out what happened to Anna without having enough information to understand the bigger picture. In retrospect I think it probably clashes terribly with the cartoon cover; but I love the title and I love the artwork, so here we are!

Remember tomorrow there’s a release-party in my facebook group to celebrate the book going live. Lots of author friends are popping in the say hi and both they and I have giveaways and games galore. Do pop in and join in! I also have a Rafflecopter draw going to win a $10 Amazon gift card that you can join today.

The Fog of War Release Party

#AmReading

This week, sapphic time-travel with One Last Stop by Casey McQuiston and two well-know gay romances that I’ve been listening to in audio, For Real by Alexis Hall and the Adrien English series by Josh Lanyon.

One Last Stop by Casey McQuiston
One Last Stop by Casey McQuiston. Sometimes love stops you in your tracks.

This is by the author of Red, White and Royal Blue, which I haven’t read and am now going to! It’s a sapphic time-travel found-family story set in New York in the present. The main character is August, who is twenty-three and searching for a place to fit. She has had enough of her mother, who is obsessed with finding her older brother who disappeared in the 1970s and has moved to start a new life. The other main character is Jane, who August keeps meetings on the subway. To begin with, Jane can’t remember being anywhere else. It’s clever and funny and heart-warming and I loved it.

It’s got a really good range of secondary characters which includes great trans rep.

For Real by Alexis Hall (audio)
For Real by Alexis Hall, A Spires Story

This is one of my favourite books on the page and I recently bought the audio. I seem to be on a roll with books about belonging this week. Although it’s about a BDSM relationship, it’s not about sex. Sure, there’s loads of sex in it, but it’s the feelings and the dynamic between the characters and their need to find somewhere to fit that keeps me coming back. Laurie is forty-ish an ER doctor, jaded, sad. Toby is nineteen, lost, not quite sure what he’s looking for in life but knowing he wants someone to submit to him. They’re both clever overthinkers. They fit together and the story is about how they both come to see that.

It’s a dual-narration audio and the characterisation is perfect, particularly Toby, who is just…enchanting.

Adrien English series by Josh Lanyon (audio)
Fatal Shadows by Josh Lanyon

Another old favourite here. Snarky bookseller/writer/amateur detective falls for closeted cop in Pasadena, California. Five books of well-narrated mystery-cum-love story ensue. It’s such a well done series and there’s nothing I can say about it that hasn’t already been said. Fatal Shadows was first published in 2001 by Gay Men’s Press, and it’s now a bit of a  blast from the past—pre smart-phone, which is the main thing that stood out to me when listening last week! It’s not dated at all, I emphasise; but it was interesting to listen and remember how things were such a short time ago.

The audio is new to me and is definitely worth a listen.

That’s the lot!