novel – A. L. Lester

Interview: Ashton K. Rose talks about the Southern Magicks trilogy!

Today we welcome Ashton K. Rose to the blog to talk about their new release, the first in the Southern Magicks trilogy and tell us a bit about themselves. Welcome, Ashton! (Ashton is giving away a $20 Amazon gift card with this tour. You can join the Rafflecopter draw here!)

1. Why are you doing this interview? (A new book? A new website? A re-release? Just for fun?)

At the end of August, I released my debut novel, The Southern Magicks, which is the first book in an LGBTQIA+ Urban/Paranormal Fantasy and Mystery series I’m writing.

2. What started you writing?

I dabbled with creating stories my entire life, but I didn’t start writing fiction regularly until I was thirteen because I became a serious poet at eight. (Editorial comment: EXCELLENT!)

3. Where do you write? (Office, bed, garden, mountain, coffee shop, in a pool, at the dining table?)

It’s not that interesting. I have a small corner in my room with a desk and my computer.

4. What do you like to read?

Mainly any type of speculative fiction or mysteries about amateur/private detectives. My favorite genres are Urban Fantasy, Paranormal Romance, and Gaslamp Fantasy. I was drawn to reading indie and self-published novels because there hasn’t been a lot of traditionally published queer speculative fiction for adults until recently. I really enjoy reading books by Gail Carriger, K.J. Charles, Jordan L. Hawk, Derek Landy, Drew Hayes, K.D. Edwards, Benedict Jacka, Ben Aaronovitch, Agatha Christie, Allie Therin, Joanna Chambers, Alexis Hall, and David R. Slayton.

5. What are the three books you’d take to a desert island? Why would you choose them?

Soulless (Parasol Protectorate, #1) by Gail Carriger is the book that made me realize adult fiction could be fun, and it’s one of my favorite books.

The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant. I’ve read this book several times since I discovered the series in 2017, and it’s always an enjoyable book to come back to.

I have a complete hardcover edition of Sherlock Holmes stories, so I’d bring that as well.

6. Writing is an intrinsically solo occupation. Do you belong to any groups or associations, either online or in the ‘real’ world? How does that work for you?

A few years ago, I used to be part of a fantastic in-person writers’ group in my small town. A group of older ladies who taught me more about writing than I learned from the handful of classes I took during university. The group ran on a weekday afternoon and didn’t really attract a large amount of new people, so numbers slowly dwindled because of life events. I took over running the group for a couple of months to keep it alive, but I had to start a new job. Since then, I’ve only really been in online writers’ groups. I’ve found a great space within the queer indie writing community on Twitter with other writers who are working on their first few books. Because of the platform changes on Twitter, I’ve ventured out into other groups, joining a popular Facebook group managed by the hosts of a writing podcast I listen to.

I enjoy writers’ groups because I love interacting and learning with/from other writers, but I’m not sure about large groups like the nearest one in my city because I’m worried it will lack the conversation and personal interaction that originally attracted me to attending a writers’ group.

7. What do you like to do when you’re not writing?

I’ve always enjoyed reading and playing RPG and simulation games like the Sims series, Dragon Age, and Fallout. This year I started learning watercolor painting and drawing so I had a hobby that got me away from my computer. I pretty much only read ebooks, and I felt a lot of eyestrain and fatigue spending most of my free time looking at a screen.

8. Tell me a little bit about your most recent release. What gave you the idea for it? How long did it take to write? What did you enjoy about writing it? What did you hate?

The Southern Magicks is an LGBTQIA+ Urban/Paranormal Mystery series for adults set in Australia starting in 2018. Apart from the supernatural aspects, it’s set in a world pretty much identical to ours, only the pandemic doesn’t happen. I found it depressing and difficult to write that event into the series, so I stopped trying and found I could write this story again.

My main character Dexter is a trans man whose grandmother secretly taught him how to see and control ghosts. After he is saved from an attack by a demon/monster, Dexter is forced to work for the coven of mages who control local magic users through their wealth and positions of power. Dexter’s abilities are part of a branch of magic known as Death Magic, which is very useful for an exorcist in an old town.

I’ve been writing stories set in the Southern Magicks Universe since late 2017 when Dexter walked into my head almost fully formed. Between 2018 and early 2021, I slowly uploaded a condensed version of the first three books as a web novel.

When I had the money to publish, I separated the main three storylines to extend each of them to novel length. My new release, The Southern Magicks (Book One of The Southern Magicks Series), is the first of these. I’m currently editing books two and three, which I hope to release during 2023 if my budget allows. I’ve planned for the series to be around twelve books, and I’ve written drafts for almost half of the series.

The Southern Magicks #1

How do you prove your innocence when you don’t even remember whether you did it or not?

After a demon attack reveals Dexter’s secret – that his Gran taught him magic – the twenty-three-year-old librarian is forced to work for the local magical law enforcement agency in order to prove his loyalty, and hopefully save his grandmother from execution.

However, when someone tries to frame him for crimes he doesn’t remember committing, Dexter realizes he’ll have to start an investigation of his own. Joined by his beloved husband Eli, their best friend June, and his journalist cousin Kat, he desperately tries to prove his innocence…which is kind of difficult when gaps in his memory make him doubt everything he thinks he knows about himself.

The race against time begins. Can Dexter and his team uncover the criminals weaving the web of guilt around him before it’s too late, or is he going to lose everything and everyone he cares about?

Buy Southern Magicks #1 : Add to Goodreads

Warnings: Assault, violent imagery, panic attack on page, police brutality

Scroll down for an excerpt!

Author Bio:

Ashton K. Rose (They/Them) is a Queer author who writes Australian paranormal, urban fantasy and mystery fiction filled with LGBTQIA+ characters.

Ashton currently lives in sunny Queensland able to enjoy the best of the Australian bush and beach. Ashton spent their first fourteen years being raised on a remote farm shaped around the remains of an old mining town. Surrounded by the skeletons of past lives and their matching ghost stories, Ashton developed a love for fantasy, horror, and dark fairy tales from a young age.

Carrying a love of ghost stories into adulthood Ashton started writing novels about magic, vampires and ghosts. Ashton decided to set The Southern Magicks in a world heavily inspired by the backdrop of the Australia bush/beach and the speculative fiction Ashton has consumed over a lifetime.

Author Website : Facebook : Twitter : Instagram : Goodreads : Amazon

Excerpt

Chapter 1, Scene 1:

I knew Nora Rowe had died in her home without anyone telling me.
I unlocked the door and my stomach dropped as I took in the sight of the small dim living room of her kit home, filled with books and old newspapers. The acrid smell of cigarettes and wood fire smoke filled my nose as I weaved my way through the stacks. Mismatched flatpack bookshelves that warped under the strain of thousands of books lined the walls. Her living room held no other furniture apart from an old TV and a worn leather armchair—the carpet covered by stained, threadbare rugs.
I flicked the first light switch I saw twice.
Why had I expected the power to work?
I walked over to the windows and pushed the dust-caked lace curtains aside.
My eyes watered as the sun poured into the room.
In the kitchen, the doors of the cupboards hung open. The only things left behind were a few cheap plastic items scattered across the scratched lino.
I stepped on a plastic cup on the floor. I wobbled on my feet for a few sick seconds before I grabbed the counter to steady myself. The sharp aluminium edge bit into the skin of my hand.
This place was a death trap!
She had over twenty library books I had to separate from the donations. My legs shook as I walked to the shelves closest to the door.
I ignored the erratic beating of my heart and the part of my brain telling me to run and pulled out my keys to flick the small key chain light on. I placed it between my teeth and examined the spines for library tags.
When the light hit the grimy glass of a small photo frame on the shelf, I saw something move behind me. I kept my eyes fixed on the glass and used my thumb to clear a spot of dust.
If it hadn’t moved, I could have ignored the human-shaped shadow reflected in the glass.
As a kid, I’d been hassled about seeing things and having an overactive imagination. When I was seven, Gran told me the truth. I shared her secret ability to see ghosts.
I turned to look at the woman who sat in the armchair.
This Nora was a couple of years older than the one who celebrated her birthday in the photo. Her gaze focused on the TV, which would have been new the year Queen Elizabeth was coronated.
I kept my gaze locked on her, blinking one eye at a time.
I slowed my breath and took a careful step backwards to the door. The back of my calf hit something that drove several points of pain into my skin.
The stack of books I knocked over sliced through my composure just as easily as it did the silence in the room, the hard covers and spines slapping against each other as they hit the floor.
“What the fuck are you doing in my house?” Nora stood and turned to face me.
I knew I’d given the game away when I jumped out of my skin and almost dropped my keys.
I made a noise like a dying rat.
She knew I could hear her.
The first thing Gran had taught me was not to let a ghost realise you could sense them. It was dangerous—a trigger for the ire of a vengeful spirit.
“I’m sorry,” I said. “Your son gave us the key.”
“Worthless piece of shit. Letting strangers into my house. He stole my grandma’s dinner set for drug money before my body was cold. I saw him put it in his car before he called someone to deal with the mess.”
“I’ll just be going now.”
“Actually, I’ll be going.”
I felt a sharp pain in my chest.
I tried to breathe, but my lungs refused to move.
I couldn’t breathe!
The edge of my vision went black as I gasped for air. I fell flat on my front. I was so focused on trying to breathe, I almost missed the presence pushing at the back of my mind. It started small, a hint of a suggestion. The temptation to give in grew. This was her body. I was nothing but a figment of her imagination. Dexter wasn’t real. Nothing more than a thought exercise to see what it’d be like to be a man her grandson’s age. With each second, it pressed harder, and the urge to give in grew.
Forget.
It would be easy to give in and never have another worry again. All the pain and pressure of life could vanish if I relaxed and let her take control.
No!
I shivered as I tried to move my arms to push myself onto my hands and knees. I focused on the door. It was only a short crawl. I had to do it. For a second, my vision went entirely black.
No!
I gathered all the strength I had and screamed. The remaining air expelled from my lungs. I took a sharp breath. I moved my stiff arms and pushed myself onto my hands and knees.
I was Dexter; I was real, and this was my body. Nothing would take that away from me.
I closed my eyes and pushed back the ghost. I wrapped a mental net around the invasive presence in my mind and forced it back through the hole where it had entered. A hole it had dug in a part of my mind I didn’t even know existed.
One arm forwards, one leg forwards, and breathe.
Move. Breathe. Move. Breathe.
I made it to the threshold and pulled the door open. I slid headfirst down the concrete stairs to lie on my back.
The pressure in my mind slowly vanished as I fell.
I opened my eyes.
Pale blue sky, almost cloudless.
My eyes watered from the bright light.
The perfect day was oblivious to my plight. The mid-autumn day was hardly different from late summer. I could’ve laid there for hours, but the hot concrete felt like it was melting the skin off my back where my shirt had ridden up. I rolled onto the dead grass beside the cracked front path.
Sweat ran into my eyes as I sat up. I squeezed my eyes shut to clear my vision.
I could still feel the cold air wafting from the open door. I had to shut it. Mrs Gregory was looking for any excuse to fire me. I stood and walked to the threshold.
All I had to do was grab the handle, pull it closed, remove my hand from the handle and step back.
One quick movement.
I could do it.
As I stared, my eyes adjusted to the dim. She stood just inside, her hard eyes focused on me.
She smiled.
I stepped forwards and grabbed the door handle. Her hand shot out towards my arm.
Her pale, icy fingers clamped around my left wrist. I tightened the grip of my right hand around the door handle. I tucked my chin to my chest and threw myself backwards down the stairs, using the weight of my body to swing the door closed. My shirt ripped as I fell backwards; the sleeve stayed in her hand as my arm slipped free.
The air expelled from my lungs as I hit the ground.
I lay on my back and my lungs refused to work. Fixed to the spot in terror, I gasped for air as my body refused to perform. A function that was usually thoughtless had become my only thought, the pinpoint the world had narrowed to.
There was a dizzy relief as I breathed again, and after a few minutes I slowly stood.
Blood ran down my exposed arm, the only part of my body that had hit the thin concrete path.
Ghosts could touch me! Physically hurt me!
I closed my eyes and concentrated on my breathing, forcing back the panic attack that bubbled in the back of my mind. I knew about the possession, but the touch? Why hadn’t Gran told me? I needed to call Gran, but I knew she couldn’t help me. She hadn’t talked to me about magic since her accident when I was seventeen.
I suspected the accident was magic-related, but she’d kept silent about it.
She’d looked at me sceptically any time I’d mentioned magic afterwards, as though I spoke of childish whimsy and needed to grow up.
So I had.
I’d left Dunn and become a librarian, a nice stable job for a responsible young man who liked books.
A normal young man who had resigned himself to a life of pretending he couldn’t see the dead.
I’d somehow ended up with nowhere else to turn and ended up back in this town.
Now Gran was in America with Aunt Myrtle, so it was hard to get help.
I drove back to the library to pretend I’d been out for my lunch break.

Buy Southern Magicks #1 : Add to Goodreads

#SampleSunday… The Quid Pro Quo

I’m jumping on the #SampleSunday hashtag on twitter this week, with an excerpt from The Quid Pro Quo for you…

The Quid Pro Quo is a romantic historical paranormal murder-mystery set in 1920s rural England where nearly everyone is queer and the main couple is m/transm. Think Agatha Christie, but queer! With monsters! It’s the sequel to The Fog of War, but it works as a standalone set in the Border Magic universe.

Simon pressed the heel of his hand down onto the place the pain was radiating from. That usually helped. He sometimes wondered if there was anything still left in there. He should probably get it looked at. X-rayed, they called it, didn’t they? The hospital in Taunton had a machine, he knew.
He sighed. “Look, I didn’t just come up to show off my weaknesses to you.”
Kennett made a harrumphing sound that could have been a laugh.
“I came to ask about two things. Her alibi. And the way she describes what happened at the seance.”
“Look,” Kennett drew a breath and said in a firm voice, “she didn’t do it.”
Simon glared up at him, not quite ready to get up off the bench and fall over into the other man’s arms again. “That’s all very well. But you can’t just say that and then tell me you can’t say why you know!”
Kennett screwed up his face. “I just can’t, Mr Frost. And that’s all there is to it.”
Simon managed to stand. For all Kennett was small, he was intimidating. He scowled furiously up at Simon, face creased with anger. There was no trace of the sardonic wit about him now.
“Was she with you that night?” Simon asked quietly. It seemed unlikely, a girl like Miss Hall-Bridges and Kennett, who was a good twenty years older than her if he was a day and a lowly ex-soldier to boot. But he’d seen stranger relationships.
Kennett choked. “Bloody hell, no!” he said, almost with a shudder. “Absolutely definitely the wrong tree, Detective Frost!” There! He did return Simon’s interest, else Simon was a Dutchman.
Simon took another wobbling step forward and Kennett stepped back. Simon finally felt as if he was getting somewhere. There was something there. Why were they all protecting the woman? It was clear she was the best suspect—on paper, she had reason. But it was also clear that despite the evidence, nobody thought she’d done it. Including Simon.
Not that a lot of other people didn’t have reason to dislike the victim as well by the sound of it. His take-away from speaking to people who knew her painted a picture of the deceased as an entitled, arrogant woman who expected people to jump to her tune. He stopped that train of thought. There was never a reason to kill anyone. Never. Just because most of the people he knew had spent the last few years seeing that as the solution to all their problems didn’t mean it was right.
He drew a breath. “Then point me toward the right tree for goodness sake! If you have evidence that it wasn’t her, you’re morally obliged to let me have it!” he said, finally after a moment of silence.
Kennett shook his head again. “No, Detective Frost. I can’t. It’s not my place.”
Simon eyed him narrowly. He was backed up against the wall of the hallway, calm and not at all intimidated by Simon’s greater height.
“Do you know who killed her?” Simon asked him.
Kennett’s eyes flicked away and back again. He shook his head. “No. I don’t.” He knew something though. He finally sighed and stepped forward, putting him chest to chest with Simon and Simon had no alternative but to step to one side and let him past unless he wanted to make something of it. And he didn’t. He really didn’t. He moved aside.
Simon was left looking after him as he went down the hall to the kitchen, the door propped open against the building heat of the day. He followed him into the room, watching him fill the kettle and put it on, helplessly standing there with his hands fisted in frustration at his sides, hot with irritation in the warmth of the morning and the lit range.
“We’re done here,” Kennett said, sliding the kettle onto the hotplate and turning to face him. “You should leave, before Dr Marks gets home.”
“What, so you can sort out an alibi for Miss Hall-Bridges between you?” Simon said snarkily.
There was quite a long pause and then, from behind him, Dr Marks’ voice, deep and calm and very, very flat said, “No need, Detective Frost. Lucy and I share a bed. She didn’t go anywhere, all night.”
The silence was as absolute as if a shell had gone off and deafened him.
`

AMazon

publisher

everywhere else

The Flowers of Time: Travelling in the Himalayas in 1780

I’ve been revisiting The Flowers of Time over the last week or so because I’m thinking about writing a companion novel. One of my betas described the book as ‘an eighteenth century road trip’ and that’s a good description of quite a large chunk of it. Jones, Edie and their companions travel over the Himalayas from Srinagar in Kashmir to Leh in Ladakh.

Before the two hundred and fifty mile Srinagar-Leh Highway was built in 1962, the journey between the two cities took about three weeks on two or four feet. The Highway was pre-dated by a track named the Treaty Road from about 1870. The Treaty Road in turn followed the path of the old Central Asian trade route north to Yarkand and in to China. People talk about The Silk Road as if it’s a single route…actually, there are a lot of different Silk Roads winding all over the area that have been used for thousands of years.

You can click through and see the rough route on Google Maps – there are also satellite photos and some Street Views, which give you a really good idea of the landscape. The modern highway is closed for a significant period of each year because of snowfall.

Edie and Jones’ journey is loosely based on that of Isabella Bird, a British woman who followed the same route a hundred and ten years after my story is set, in 1889. She wrote about her travels in a book called Among the Tibetans, which I drew on heavily. The route would not have changed all that much between Edie’s day and hers.

Whilst in one sense Isabella was firmly rooted in her time and her British Empire background she was also unusual in that she traveled a lot, often without the requisite-at-the-time white male company. The biography I have of her describes her as ‘the foremost travel writer of her day’. She began her travels in the 1850s as a young woman, when her doctor recommended it for her health. Between then and her death in 1904, she wrote books about her travels in the Americas, Hawaii, India, Japan, China and Persia. She has a really good turn of descriptive phrase and I’d recommend her books if you can stomach her paternalistic attitude to her servants and the people she meets. It’s a fascinating insight in to how simultaneously closed and open minded people can be.

landscape photography of snowy mountain — Photo by eberhard grossgasteiger on Pexels.com

The route Edie and Jones follow was only accessible on foot and it wasn’t always possible to ride. It was sometimes so narrow that if you met someone coming the other way, one of you would have to get off the track out of the way, if there was room. If there wasn’t room, sometimes people lay down so the pack animals coming from the other direction could jump over them.

Traders and travelers used mules, ponies, yaks and even sheep as pack animals. I found some really interesting descriptions of salt being brought down to Srinagar from Tibet on the backs of sheep.

There are three high passes on the trip, the tallest of which is the Zoji La, at 11,500 feet. You can start to feel odd with altitude sickness at about 4,500ft and become seriously unwell at 8,000. I wanted to talk about the potential for that and did some looking around for historical account. The earliest I could find for the Himalayas was a cautionary tale by some Chinese traders who traveled between Xian and Kabul in about 35BC, who wrote about the Great and Little Headache Mountains.

“On passing the Great Headache Mountain, the Little Headache Mountain, the Red Land, and the Fever Slope, men’s bodies become feverish, they lose colour and are attacked with headache and vomiting; the asses and cattle being all in like condition.”

Jones knows all about this, obviously, so she’s watching out for it.

dark silhouette of camping tent — Photo by Skyler Sion on Pexels.com

Edie’s snowlotus obsession encompasses about three hundred species. The one she’s particularly interested in is the Saussurea Lappae or Costus. Like all its family it likes high altitude and low temperature. I don’t know whether Edie was successful in bringing any live plants home. It seems unlikely they would have survived the journey at sea-level very well. That part of Edie’s character is loosely based on my mother, who is a very skilled plantswoman and at the time of writing this still runs her own horticultural nursery, in her eighties. She was also drawn heavily from Marianne North, a botanical illustrator of the same period of Isabella Bird, who travelled all over the world painting both plants and the landscape around her.

The most challenging thing I found to write about the journey itself was the camping kit! I couldn’t get the feel of what the characters were up to settled in my head unless I could visualize what they were drinking from or sleeping on, or using to cook with. I started off with the TV adaptation of Bernard Cornwell’s Sharpe novels (Sean Bean was just a bonus) and spiralled out in to the many and varied webpages by immensely skilled re-enactors out there as well as museum inventories and lists of what soldiers on the march might carry.

Finally, I also learned a lot about yaks. Yaks only have to eat 1% of their bodyweight daily, as opposed to cows, who have to consume 3%. And they get heat exhaustion if it’s warmer than 59f. They are extremely cool creatures and I wish Mr AL was more amenable to me keeping a small herd in the garden.

The Flowers of Time is available in ebook, paperback and at Audible and Apple Books.

The Flowers of Time is available in both ebook, paperback and at Audible and Apple Books.

Interview: Liz Faraim talks about Canopy

Today, please welcome new author Liz Faraim to the blog to answer my incredibly intrusive questions and talk about her debut release, Canopy! Canopy is a contemporary LGTBQ thriller, featuring Vivian Chastain, a veteran transitioning back in to civilian life. It’s not a romance, but falls squarely in the LGBTQ category, with f/f pairings and gay, trans and poly characters.

There’s an excerpt and a chance to enter her rafflecopter draw if you scroll on down, too.

Happy Monday, Liz! Why are you doing this interview?

I am doing this interview because my debut novel, Canopy, is due to release on October 26. I’ve also just launched my website. My lack of web design skills will become apparent if you choose to visit the site.

Tell us a bit about why you started writing?

Not sure I can really pin it down. Writing has always been something I have done. I recall tapping away on my father’s old manual typewriter as a child, which resulted in my first short story. My mother had a friend that was an author, and I mailed him my little manuscript to see if he’d give me some feedback.

Where do you write?

We live in a small townhouse, with doesn’t have much space for everyday living, let alone an office. So, my writing desk is in the only place it fits, which is the living room. While it is not the cozy little writing nook I dream of, it gets the job done.

What do you like to read? And what are the three books you’d take to a desert island?

I like to read contemporary fiction, historical fiction, mystery, and the occasional fantasy novel.

If going to a desert island I would bring: 1) Haruki Murakami’s The Wind-Up Bird Chronicle, 2) David Mitchell’s Cloud Atlas, and 3) Katie Quinn’s The Huntress.

I would bring these books because each one of them does a fantastic job of transporting me to another place. They really suck me in and provide a level of connection with the characters that I would likely need if all alone on an island.

Writing is an intrinsically solo occupation. Do you belong to any groups or associations, either online or in the ‘real’ world? How does that work for you?

I am a member of both the Queer Sacramento Authors Collective, and the Bay Area Queer Writers Association. Previously these groups held meetings in person, but have adapted to virtual meetings given the current public health issues here. Both groups have been incredibly helpful in advancing my writing, and I have formed some wonderful friendships.

What do you like to do when you’re not writing?

When not writing I am parenting my very busy nine-year-old son, working my day job, and exploring. I live in a beautiful town on the bay, and I like to get out and enjoy the incredible views and fresh air. I also enjoy geocaching, watching tv, hosting game night (when not in a pandemic), and playing with my cats.

Tell me a little bit about Canopy. What gave you the idea for it? How long did it take to write? What did you enjoy about writing it? What did you hate?

My upcoming release was a long time in the making. Canopy was my first attempt at a full-length novel, so I didn’t really know what I was doing. It has seen many iterations, but I am happy with the final product. All in all, Canopy took about three years to write. The main character, Vivian, was inside of me, ready to be wrestled down onto paper.

I am a “panster,” so I don’t plot my stories out in advance. I just sit down and write, so I never know what is going to happen in the story until I am typing it.

I enjoyed the feeling of how easily the story flowed out of me. That’s not to say I don’t get writer’s block, because I most certainly do, but Canopy had been bottled up in me for years and was ready to come out. What I hated was that I had a very unexpected and traumatic break up right after I finished the first draft. I had sent the manuscript out to my beta readers, but I became so depressed from the break up that I wasn’t emotionally strong enough to read their feedback or make any corrections for almost six months.

Thank you so much for sharing with us today, Liz! Read on to learn more about Canopy. Liz is giving away a $20 Amazon gift card with this tour to celebrate her launch.

Canopy

Vivian Chastain is an adrenaline addicted veteran transitioning to civilian life in Sacramento, California. She settles into a new routine while she finishes up college and works as a bartender, covering up her intense anxiety with fake bravado and swagger. All Vivian wants is peace and quiet, but her whole trajectory changes when she stumbles upon a heinous crime in progress, and has to fight for her life to get away.

While recovering from the fight, she falls in love with someone who is tall in stature but short on emotional intelligence, and this toxic union provides Vivian the relationship that she thinks she needs. Given Vivian’s insecurities and traumatic past, she clings to the relationship even while it destroys her.

Prone to fits of rage, the spiraling of Vivian’s temper creates a turning point for her as she looks within to find the peace she seeks.

Vivian’s alcoholic brother and emotionally devoid mother serve as frequent thorns in her side, prompting her turbulent history to often bubble up to the surface. The bubbling turns to a rolling boil when Vivian’s brother lands himself in jail for drunken indiscretions, and not long afterward her partner is arrested for something so atrocious Vivian cannot even fathom it. She is left pondering whether or not to believe that the person she loves could have committed such an inexcusable crime.

Vivian’s relationships are strained to their breaking points as she continues to seek balance. She turns to her best friend for support, only to be left empty handed and alone until she finds comradery and care from the last person she would have thought.

Warnings: This book contains sexually explicit material which is only suitable for mature readers, graphic violence, self-harm, abuse of a child by a parent, abuse by a sibling, alcohol abuse, and PTSD.

Buy Canopy

About Liz

Liz Faraim is a recovering workaholic who has mastered multi-tasking, including balancing a day job, solo parenting, writing, and finding some semblance of a social life. In past lives she has been a soldier, a bartender, a shoe salesperson, an assistant museum curator, and even a driving instructor.

Liz writes contemporary fiction that highlights queer characters and often includes complex polyamorous relationships. Her writing has a hefty dose of soul searching and emotional turmoil while also taking the reader on fun adventures. She loves spending time in nature and does her best to share nature with her readers.

Website : Facebook : Twitter : Goodreads

Read an excerpt from Canopy

As I approached Road 27, I saw what looked like an old warehouse. It was all closed up, the metal siding rusty, the dirt lot empty and overgrown with Russian Thistle. It was perfect for a bio break.

I backed off the throttle and downshifted. The bike rapidly slowed under me. I pulled into the dirt lot and parked along the side of the structure. I killed the engine and hopped off quickly, yanking off my helmet and gloves.

My bladder was screaming for relief. I grabbed a tissue from my tank bag and jogged around to the east side of the building so I wouldn’t be seen from the road. Dropping trou, I squatted against the side of the building. The heat of the warm metal siding radiated through the back of my shirt. Once I was finished, I stood, buckling my belt as the relief washed over my body.

The building was surrounded by row crops, and a breeze blew across the fields. The distant Sierra Mountains wavered in the hot air.

It occurred to me an abandoned warehouse like that would be a great spot for geocaching and I walked slowly along the side of the building, looking for potential geocache hiding spots.

I rounded the far corner of the building and stopped in my tracks. I was startled to see a car parked about twenty feet away. It was a rusted-out old Honda Accord, its windows rolled down. The burgundy paint was oxidized, and strips of the headliner hung down, fluttering in the hot midday breeze.

Some faint shuffling sounds came from inside the warehouse, and I realized I was standing directly in front of a rusty pedestrian door. I took a few steps back. My hands tingled and I balled them into fists.

It’s just a farm worker getting some tools, dumbass.

But the hypervigilance that had kicked in would not go away. Something was off, and it made me bristle.

I reached down for my M16 sling and came up empty. I looked down at my boots on the dusty cracked ground. They were my scuffed-up riding boots, not military issue jump boots. My pants were denim, not BDU’s.

I slipped away to another hot, dusty day five years prior. A day when RPG’s and bullets filled the air rather than the sound of the breeze rustling crops. A day when blood was shed.

I took another step away from the building and forced myself to breathe. Breathe in the smell of freshly plowed soil, leather, gasoline, and the faint hint of a dung heap.

I slapped myself across the thighs, hard. Even through denim, the sound and sting of it helped bring me back. My thighs and palms burned. I did it again to make the point to myself.

The door to the warehouse opened, and a woman stepped out. She was wearing a tan backpack, whistling, and twirling a key ring on her fingertip as she walked toward a spigot near the door. Her long hair was brown and tightly permed. She was short but solid and moved like an athlete. Scanning her, I noticed that her hands and shirt were bloody. I coiled up inside, ready to fight.

The door closed heavily behind her, and she took a few more steps before looking up and spotting me. She stopped whistling as our eyes met.

I immediately shifted into a fighting stance. With no hesitation the woman charged at me. I got low and opened my arms because I didn’t have time to try a side slip. As soon as the woman plowed into me, I wrapped my arms tightly around her.

We went down hard. I wrapped my legs around her waist. Dust and grit were immediately in the air.

I had a hard time keeping a grip on her torso because of the backpack. I worked my arms up until the crook of my elbow was wrapped around the back of her neck, holding her as close as I could. She bucked and tried to roll out of my grip. I locked my right foot into the crook of my left knee and squeezed the woman’s guts. She grunted as I clamped my thighs down around her, restricting her ability to get a full breath. She was solid and strong, deep down in her core.

Adrenaline and rage surged through my body, and a clear lucidity took over. I was in my element, and apparently so was the woman I was hanging onto.

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Taking Stock: sneak preview

Since it’s not yet available on the wizzy Amazon-viewer thing, I thought you might like a sneak preview of the first chapter of Taking Stock!

Chapter 1: Betrayal

September, 1971

“What?” Phil said. “You thought I wouldn’t mind?” He swallowed roughly. “We’ve been together for over a year, Richard. There’s some expectation of loyalty comes with that. I would have thought.” He looked at the younger man stood in the center of his cream living room carpet. “Or perhaps not.”

Richard didn’t even have the grace to look ashamed. “It wasn’t anything, Phil. You’re being stupid. I sucked him off, that was all.” He didn’t even blush. He looked irritated, if anything. “You’re being very unreasonable.”

“You’ve been living here for nearly twelve months. You didn’t think that the assumption would be of monogamy?”

Richard made a dismissive huffing noise and shrugged. “That’s not how it’s done, Phil my dear. Not these days. You’re delightfully old fashioned in some ways, but you’re being very stick in the mud about this.”

Phil shut his eyes for a moment. “It’s not the first time then?”

Richard waved his hand in a dramatic gesture, the tight sleeve of his orange and brown striped shirt flexing along with it. “Leave it, won’t you. It’s not important.”

“Not important to you? Or not important to me? Because I assure you I think it’s important. It’s very important. Richard.” He swallowed. “I… I’ve come to care for you.”

Richard raised an eyebrow. “My dear Phil. Is this a declaration? How thrilling! Do go on.”

Phil said nothing. Clearly he had been barking up the wrong tree. He shoved his hands deep into the pockets of his trousers and turned away to look out of the inverted arched window at the lake. There were some ducks shagging enthusiastically on the edge of his view. More than what’s going on in here, he thought, dismally. No more shagging for me.

Richard had joined the firm eighteen months ago as a junior in Phil’s department and had quickly made his interest in Phil clear. Oh, he was discreet at work…the rough and tumble of the trading floor wasn’t tolerant of anyone who didn’t follow the public-school rugger-bugger stereotype. He’d made it clear that he was interested in Phil though. Phil’s friend Peter had pointed it out to him first. Phil was usually a bit slow on the uptake.

“You want to watch that one,” he’d said one evening as they were sat, backs to the bar, watching the younger traders horse around at a table on the other side of the room. “He’s trouble. And he likes you.”

Phil looked at him. “He likes me? What do you mean?”

Peter glanced at him. “You know what I mean. He likes you. Didn’t you notice him flirting when he came up to get his round in? You could take him home tonight if you wanted to.” He took a swig of his beer. “Bet he sucks cock like a Hoover,” he said wistfully.

“You take him home if you feel like that about him,” Phil said, slightly acerbically. He could never tell when someone was coming on to him.

“Nah mate, I’ve got enough on my hands already.” He nodded toward one of the other young men at the same table. “Hips like a snake. And he knows how to use ‘em.”

Phil blushed. Peter was a lot more open about his partners than he was and always had been, even before the change in the law. Phil was never going to out himself to anyone other than his closest friends.

The next time Richard came up to the bar, Phil returned his smile. “Let me buy you a drink?” he asked.

“Sure,” the younger man replied.

And that was that. A few weeks later he had moved into Phil’s spacious flat in the middle of the city and he’d been here ever since. Apparently using it as a base to bring blokes to suck off on his days off while Phil was at work.

Not good.

“I’d like you to leave,” Phil said, turning back toward him. “Pack a suitcase. You can come back for the rest of your things another day.”

“What?! Are you serious!” Richard’s voice rose in both pitch and volume. “Phil, darling, it really didn’t mean anything! It’s you I want to be with!”

“But I don’t want to be with you. You’ve been lying to me and you’ve been bringing people I don’t know here for sex behind my back. I can’t live like that.”

“I’ll stop! I promise!” Richard’s voice was tearful.

“Rich. Please. Don’t…make this any harder than it is.” Phil turned away again. The ducks were still shagging. It looked like the lady duck was drowning. “Please just go. And leave me your key. You can stay with Peter or someone tonight; you’ve got lots of friends. I just…can’t.” His heart hurt. Richard’s sobbing cut him to the quick.

“You bastard!” Richard spat out. “I didn’t have to move in here with you, you know! It was you who asked me!”

“And now I’m asking you to move out.” Phil folded his arms. He was having trouble holding on to his composure. “I’ll ring Peter now and ask him if you can stay there tonight. He’s got a spare room.”

He moved out to the hallway and picked up the telephone. “You can pack some clothes while I do it.”

And that was that. Just over a year of unwedded bliss destroyed by another man’s underpants left in the bathroom.

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