release: Inheritance of Shadows

I’m pleased to announce that Inheritance of Shadows is available today!

This is the story that I wrote monthly for my newsletter subscribers. It was an extremely stressful experience that I won’t be repeating in the same manner- it was like having an essay deadline every month and ripped my nerves to shreds!

However… I really like the finished story. It’s a 35.5k novella and the first part incorporates The Gate, which was the first thing I ever wrote in the Lost in Time universe and is floating around the internet for free. I wanted to find out what happened to Matty and Rob after the end of the story and this is the result. Scroll down for an excerpt!

It’s 1919. Matty returns home to the family farm from the trenches only to find his brother Arthur dying of an unknown illness. The local doctor thinks cancer, but Matty becomes convinced it’s connected to the mysterious books his brother left strewn around the house.

Rob knows something other than just Arthur’s death is bothering Matty. He’s know him for years and been in love with him just as long. And when he finds something that looks like a gate, a glowing, terrifying doorway to the unknown, it all starts to fall in to place.

Matty’s looking sicker and sicker in the same way Arthur did. What is Rob prepared to sacrifice to save him?

The answer is in the esoteric books…and with the mysterious Lin of the Frem, who lives beyond the gate to nowhere. It’s taken Matty and Rob more than a decade to admit they have feelings for each other and they are determined that neither social expectations or magical illness will part them now.

A stand-alone 35k novella set in the Lost in Time Universe.

Buy now!

Inheritance of Shadows (Lost in Time #0.6)

Inheritance of Shadows

Excerpt: A recuperating kind of peace

The Treaty of Versailles had been registered with the League of Nations late in October. Matty had felt an enormous sense of relief that the peace was formal now, signed and sealed by the high-ups. Fritz having to pay for all the damage he had caused everyone by sucking them into four years of war seemed only fair. That had been one of the topics of conversation when they had gone down to the County Cinema in Taunton with Mrs Beelock and her daughter a week before to watch the Pathé newsreel of the two minutes silence at the new Cenotaph in London.

However, it was a stunned, waiting, recuperating kind of peace for them both, Matty thought. He was reeling still, from coming home and from Arthur’s death. Rob was gathering himself together almost visibly, losing that overlay of Sergeant Curland and returning full-time to Rob who the neighbours knew was a good man to ask for a hand with their hedges.

He could feel them growing again, on the cusp of moving forward. Rob spent his nights in Matty’s bed in the house instead of in the barn. Annie Beelock only came in mid-morning now, her health needing her to rest, and it was a luxurious thing, this waking in the arms of someone he loved. They had fallen into it with ease and familiarity, eating whatever Mrs Beelock cooked for dinner for all the farm men like they usually did, having bread and cheese and cake for tea once she’d gone, and washing up companionably together; and then settling in front of the fire with the books. They had fallen into a pattern that Matty imagined would be like being married. If men could marry the people they loved.

The war had shifted something inside them both. Coming so close to so much death meant that neither of them were inclined to waste more time. They saw what would make them happy and had grabbed it with both hands. That didn’t solve the problem of the books.

Although, it wasn’t really the books that were the issue. It was more that Matty was failing. Not as quickly as Arthur had, for whatever reason. He could feel it in his bones. It could have been no more than the normal slowing down of his body for the winter. But it wasn’t. A glorious, dry, clear, and cold October had morphed into a bitterly cold November. It made him think back to the last autumn of the war, with the angels’ wings of blue and gold arching with a kind of glorious, terrible disinterest over the ants of humanity crawling around in the mud.

He had the same feeling now. The bitter frosts, the clear blue skies of the onset of winter, made him feel like the world was waiting for something to happen. Watching him with a lack of interest that bordered on not noticing him at all. He was failing. He knew it and Rob knew it.

“What’s to be done, then?” Rob had asked one Sunday morning in early October as they were moving the churns of milk out to the block by the lane where the carter would pick them up to take to the station. “I don’t like the look of you, lad. And I don’t want you to go west like Arthur.” He obviously felt awkward bringing it up and had steeled himself to flank Matty with the question as they were working. Matty was getting tired more easily and he supposed that there was no hiding from Rob his diminished appetite and weight loss.

He launched the last of the churns up on to the platform and stepped back, taking his cap off, and wiping his brow with his sleeve. “I’m glad that’s done. I like giving Jimmy the Sunday off, but it all takes longer.”

“Jimmy’s wife’s got him painting the bedroom, he said. She took him out to buy the paint last weekend.” Rob allowed Matty to prevaricate, but as they turned back to walk up the drive, he had put his hand on Matty’s arm. “Matty. I’m serious.”

Matty shrugged his hand off gently. “I know you are. I don’t know. This was Arthur’s enterprise, not mine. I run a farm. He was the brains.”

Rob had looked at him long and hard. “Do you really think that?” he’d asked quietly. “Because you’re wrong. You might have chosen not to follow the same line as Arthur, but you and he have the same amount up here,” he tapped Matty’s head, “however you choose to use it. So, don’t give me any of that.” He had returned Matty’s solemn stare. “We’ll work it out. I promise you. I’ve waited more than a ten-year for you. I’m not losing you to this. Whatever it is.”

So, they kept on with the books.

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announcing the Lost in Time audiobook!

I am very pleased to announce that I have found a collaborator to work with me to create audiobooks of both Lost in Time and Shadows on the Border! Lost in Time will be released at the beginning of March.

Callum Hale is doing an absolutely fantastic job-the characters are leaping off the page. You can hear a sample of his work below and if you’d like to sign up for a review copy, please do scroll down to the bottom of the page to sign up!

Lost in Time

Lew’s life is pleasantly boring until his friend Mira messes with magic she doesn’t understand. While searching for her, he is pulled back in time to 1919 by a catastrophic magical accident. As he tries to navigate a strange time and find his friend in the smoky music clubs of Soho, the last thing he needs is Detective Alec Carter suspecting him of murder. London in 1919 is cold, wet, and tired from four years of war.

Alec is back in the Metropolitan Police after slogging out his army service on the Western Front. Falling for a suspect in a gruesome murder case is not on his agenda, however attractive he finds the other man.

They are both floundering and out of their depth, struggling to come to terms with feelings they didn’t ask for and didn’t expect. Both have secrets that could get them arrested or killed. In the middle of a murder investigation that involves wild magic, mysterious creatures, and illegal sexual desire, who is safe to trust?

Sign up here for a review copy. They’ll go out at the beginning of March and ideally we’d like them back by the end of the month-ish.

my favourite time-travel paradox

James Tiptree Jr, 10,000 Light Years from Home

My blogging record this last month has been grim, because of school holidays, poorly children and poorly me, so I threw a question out on twitter asking for a topic and the lovely Elin Gregory came back with the subject of this post.

I love time-travel when it’s done properly. It’s like magic though, in my opinion, and there always has to be a price to pay for it. I think that the best known paradox story in time-travel fiction is All You Zombies by Robert Heinlein. He crams it all in there… being your own mother, your own father and your own recruiter to the Time-Travel Bureau.  The price the protaganist pays seems to be loneliness. So it works for me in that it fits my criteria. But it leaves me with a sad, empty feeling afterwards and I’m not sure I like that.

My absolutely favorite time-travel story, in fact probably my favorite short story of all time, is The Man Who Walked Home, by James Tiptree Jr, in her short story collection Ten Thousand Light-Years from Home. There has only ever been one attempt to send someone through time and essentially it blew up the world. I come back to it again and again and I can’t really tell you why:

On this spot there appears annually the form of Major John Delgano, the first and only man to travel in time.

Major Delgano was sent into the future some hours before the holocaust of day zero. All knowledge of the means by which he was sent is lost, perhaps forever. It is believed that an accident occurred which sent him much farther than was intended. Some analysts speculate that he may have gone as far as fifty thousand years ahead. Having reached this unknown point Major Delgano apparently was recalled, or attempted to return, along the course in space and time through which he was sent. His trajectory is thought to start at the point which our solar system will occupy at a future time and is tangent to the complex helix which our earth describes around the sun.

He appears on this spot in the annual instants in which his course intersects our planet’s orbit and he is apparently able to touch the ground in those instants. Since no trace of his passage into the future has been manifested, it is believed that he is returning by a different means than he went forward. He is alive in our present. Our past is his future and our future is his past. The time of his appearances is shifting gradually in solar time to converge on the moment of 1153.6 on May 2nd 1989 old style, or Day Zero.

The explosion which accompanied his return to his own time and place may have occurred when some elements of the past instants of his course were carried with him into their own prior existence. It is certain that this explosion precipitated the worldwide holocaust which ended forever the age of Hardscience

Thank you, Elin for the question! It ties in nicely with my own time-travel shenanigans. Lew and Mira both get dragged back in time at the beginning of Lost in Time (hence the name, doh!). It’s not an easy bit of magic and although it will happen again in other books, there is always quite a big cost. For Lew and Mira it’s extremely dangerous to try to get home. It’s not a safe process and they need to make a choice.

I don’t much like time travel stories that just have people whizzing about through stone circles and whatnot like trap doors in to the past, although I know a lot of people find them great fun. I think that’s possibly because I like all my stories with a lot of angst, so easy time-travel immediately becomes a super-power rather than something to be tortured about.

Next week I’m talking to Elizabeth Noble about writing life and her re-released series, Sentries, so do pop back if you want to get to know her better.


Note: I know that for some people, the Tiptree/Sheldon narrative has become problematic because of the manner of her death (CW: Suicide/Murder) in the same way Heinlein’s politics makes some of his writing difficult to stomach for some people. Whether art should stand independent of the creator is a whole other discussion on it’s own. In their specific cases, I think their work transcends that, but I’ve included the links above for completeness .

character sketch: Ella Fortune

“Ella and I met in France. She was driving an ambulance and I was stringing for the Picture Post. We decided that after the war we’d strike out on our own. I was fed up with the censorship and she’s always been a bit wild as far as I can make out. She’s the Duke of Walton’s eldest daughter, always had her head. Oxford, Bloomsbury and all that.” He coughed again. “Don’t think Walton knew what to do with her. She married Fortune without her father’s consent a couple of years before the war. He went West pretty early on, Mons I think. She’s a good lass. Flying from Cairo to Cape Town at the moment. Trying to set a record.” Another harrumph. “Supposed to be sending me back pictures.”

Callum McGovern, speaking to Alec Carter in Lost in Time

Ella Fortune is a shadowy minor character in both Lost in Time and Shadows on the Border. She’s the co-proprieter of the Pictorial Examiner, the paper where Lew Tyler works.

When I started writing Lost in Time, I thought Ella was going to have a larger role than she does. However, after helping pull Lew out of the Thames and setting him up with a flat and a job at the paper, she went off in her aeroplane to fly down the spine of Africa. I think she’s actually now going to have her own adventure.

She’s a thoroughly emancipated woman with a background in the Suffrage movement who drove an ambulance for the Red Cross in France during the First World War. She’s lucky enough to both have money and be an ‘Honourable’… the daughter of a Peer. So she can pretty much do as she likes, particularly because she’s a widow. I’m not sure yet whether her marriage to Oliver Fortune in 1912 was a marriage of convenience or whether they were truly attached to each other. She’s in her thirties and has no children by design.

She flies an Avro 504k (as a lot of people did after World War 1- more than eight thousand of them were built during the war), but her long distance flying takes place in a Vickers Vimy, which has been specially modified to take bigger fuel tanks. She’s her own mechanic and navigator but she does sometimes fly with a co-pilot.

I’m not sure what sort of adventures she’s going to have yet, but watch this space!

character sketch: Alec Carter

Alistair Carter, one of the two main protagonists from Lost in Time and Shadows on the Border, is a Detective Inspector with the Metropolitan Police. I imagine him as looking quite like the chap on the left on the cover of Shadows, although with a raincoat and a Homberg hat.

He’s in his mid-thirties at the start of Lost in Time in 1919, which means he was born in the late 1880s, to quite a well off middle class family who were pretty upset when he joined the police instead of becoming a solicitor or another professional. He was in the Military Police in the war and served on the Western Front. Afterwards, he came back and took up his old job with the department and works out of the Poplar area of London, at Wapping Police Station, on the Thames. He was promoted to Detective Inspector when he came back from the army and is quiet and insightful and good at working out what people mean from what they don’t say.

His brief, abortive marriage to Kitty has left him with a big empty house next to Hamstead Heath and a lot of guilt. He married a woman because it was expected of him and he could have made it work if they’d become friends, but she was really only interested in being a trophy wife and by the time she died, although he was devastated, there was also an element of relief because he was so unhappy.

He’s cross most of the time for reasons he can’t really put his finger on. Unsettled in his skin. And that only gets worse when he meets Lew Tyler during the course of a murder investigation. He isn’t unused to finding men attractive and has had liaisons before and one particular person he was very drawn to, but no-one as strongly as Lew.

Alec is probably my favorite character from the two books. He’s grumpy and defensive and not at all in touch with his emotions. It makes him really interesting to write.