#AmReading

#AmReading, Ally is reading.

This week, alien/human, d/s, m/m (with tail-sex); m/m guardian spirit cop pines after falling apart young man; and a tentative sapphic slow-burn with menopausal werewolves.

Claimings Series by Lyn Gala
Claimings, Tails and Other Alien Artifacts by Lyn Gala

This is a five books series top and tailed (geddit?!) by  a free prequel and a collection of short stories. I was a bit nervy about dipping my toe into the universe to start with…the relationship between Ondry and Liam is a sub/dom one, which would usually put me off picking up a book because they are rarely, in my opinion, done well. However…it’s Lyn Gala, so big plus. And it turns out to be an unusual and satisfying take on the dynamic. I found myself sucked right into the universe, the love story between the human and alien MCs and the alien psychology. The world-building is brilliant. It’s a lovely, absorbing series and I really recommend having a look.

His Mossy Boy by R. Cooper
His Mossy Boy by R. Cooper

I guess I should just start a weekly homage to R. Cooper spot on the blog. This is part of the Beings in Love series and it’s the first one I’ve read. It’s a sweet story about misfit Martin, who controls his misery with booze and drugs. Somehow though, Ian, the town’s quiet, unassuming deputy is always there to collect him up and put him on his feet again, sometimes literally. You’ll have to read the story to find out who or what Ian is. I think I’d have benefited from reading Treasure for Treasure first, but I’m looking forward to reading that next!

Silver Moon by Catherine Lundoff
Silver Moon by Catherine Lundoff

I’m having a re-read of this before I plunge into the recently released sequel. For some of the women of Wolf’s Point, menopause not only comes with hot flashes, it comes with lycanthropy. And to cap it all, Becca’s husband dumps her and she starts to have feelings for another woman. Becca is just so normal–bemused, annoyed and frightened. She struck a chord with me because I feel like that about the change even without the werewolf thing. No arguments about whether or not you can have the window open if you can transform into a tall, clawed, furry monster. It’s got elements of thriller as well as a tentative romance and none of the stuff about fated mates or anything like that. The women are chosen by the land as guardians. Hard recommend.

That’s the lot!

Why the 1920s?

Sylvia Marks is coming soon! A 1920s lesbian romance. With magic and suspense. And tea. The first of a new trilogy set in the Border Magic universe.

It may have come to your attention by now that I like to write in the 1920s! So, what inspired me to do that and why do I keep coming back to it?

My first foray into the decade was Lost in Time, and that was a sort of incidental kind of period piece. I began writing as the hundred year anniversary of World War One was marked and I was doing a lot of thinking about my grandparents. My father’s father was the only survivor of a tank crew; and my mother’s great-uncle was a runner between the trenches who was killed before he hit twenty.

I began thinking about how our experiences a hundred years later contrast with the experiences of that earlier generation. Those thoughts grew into Lost in Time, with Lew from 2016 bringing his modern lens to bear on the 1919 world he found himself in.

At that point in my writing I really didn’t have a plan. I discovery-wrote Lost in Time without any idea of what I was doing—I was just telling the story. It’s a happy-for-now rather than a happy-ever-after and Shadows on the Border was a natural extension that allowed me to explore the happy-for-now a bit more; and then I ended up needing a resolution for Will and Fenn, so The Hunted and the Hind came about. Once I began the story in book one, I just had to carry on until I got to the end. And of course, people’s stories don’t end when they begin a relationship, quite the opposite. That’s always something I’ve found difficult in my writing and my reading too.

In the meantime I was writing a serial for my newsletter subscribers. I had written a short-story called The Gate, set in 1919 as an introduction to the world before Lost in Time was published. It was short and full of paranormal stuff, but the relationship resolution was very tentative and I wanted to know what happened afterwards. That became Inheritance of Shadows. That’s a rural story, with a lot inspired by the old farmers I remember as a child—the ones who’s names are on the local war memorials as serving in the First World War.

These four books concentrate on men and the male experience of the war and what happens afterwards, when you come home.

With The Fog of War I’ve done various things a bit differently.

Firstly, it’s a book about women. Dr Sylvia Marks is a minor character in Inheritance of Shadows. I loved her when I wrote her and so did my editor, who encouraged me to write more about her. I think she was envisaging a kind of village doctor solves cosy mysteries kind of series, but it appears that I am congenitally unable to write long stories that don’t contain some sort of paranormal shenanigans. So here we are.

I began reading around women doctors and how they contributed to the war effort and I came across Dr Elsie Inglis and the Scottish Women’s Hospitals and Dr Flora Murray and Dr Louisa Garrett Anderson, who ran the Endell Street Military Hospital. The institutions were staffed almost entirely by women and additionally, Flora Murray and Louisa Garrett Anderson were together as a couple.

I then remembered my grandmother telling me about a local lady doctor who would visit her mother in the pre- and post- World War One years and hitch her skirts up and sit on the kitchen table, smoking and chatting. I have a friend who is part of that family and I asked if her husband could remember anything about her. She passed on that he remembered her from family gatherings in the 1960s and she was a tough old bird who smoked like a chimney. My friend, who is, handily, an archivist, also mentioned she had wind of another lady doctor who served in France but then came home and gave up the profession, got married and had children.

It was all grist to my mill.

Plus, the snappy dialogue and the Dorothy L. Sayers vibe I can bring to it makes it fun to write. I read a lot of 1920s and 1920s detective novels…The Toff, Miss Marple, Miss Fisher…what’s not to like?

So to answer my own question, I began with one idea and it’s all snowballed from there. I keep finding more and more interesting snippets from the 1920s that I want to explore.

The Fog of War will be published by JMS Books on 16th August 2021.

Find LGBTQ+ books for Pride

opened white book
Photo by fotografierende on Pexels.com

It seems to be The Week Of Promo ™ this week, so I thought I’d do a little blog post on all the different bundles, bookfairs and books giveaways I’m involved in.

They all end at the end of Pride Month, so you need to have a browse before 30th June 2021. There’s a good mix of giveaways, audiobooks, ebooks, sapphic and gay romance here, so hopefully you can find something you like!

You can join my newsletter for a free story and for regular pointers towards new-to-you authors and releases.

Exclusive excerpt for newsletter subscribers: The Fog of War

The Fog of War
The Fog of War. A 1920s lesbian romance. With magic and suspense. And tea. The first of a new trilogy set in the Border Magic universe.

Will her friend Lucy’s visit to Bradfield be the catalyst that allows Dr Sylvia Marks to put her wartime hospital experiences to rest? Unbelievable magical happenings at a local farm—lights, mysterious illness and a patient with hallucinations—give her hope that her dead lover Anna is still alive. But what does that mean for Sylvia’s nascent relationship with Lucy?

Bradfield Trilogy #1, Border Magic Universe. 51k words. Low heat.

Sylvia Marks is thirty-four. She qualified as a doctor in 1910 and has just spent four years in a field hospital in France staffed entirely by women. She is DONE with dealing with people who don’t realise she’s the best battlefield surgeon of her generation, male or female. She wears trousers when she feels like it. She’s 5’8-tall for a woman-and has long brown hair she wears in a coil at the back of her head. She’s thin and slightly stooped because she’s used to hiding her height and trying not to intimidate people, and wears glasses to read. Brown eyes. Drives a big car and a motorcycle. She smokes French cigarettes and drinks brandy.

Lucille Hall-Bridges is twenty-three. She’s spent three years as a nurse in France. She’s enjoying the freedom from responsibility that the end of the war has brought her. She’s got bobbed brown hair and brown eyes. She’s discovered clothes again and is very chic. Has an astonishing collection of hats. She’s not quite bad-mannered enough to be a flapper, but she understands why they’re so raucous. Likes to drive fast. Can’t see a wrong without trying to right it.

Excerpt
Sylvia Marks is coming soon! A 1920s lesbian romance. With magic and suspense. And tea. The first of a new trilogy set in the Border Magic universe.

It was a beautiful late August day when Sylvia motored down to Taunton to collect Lucy from the railway station. The sun shone through the trees as she followed the lane down the hill from the village and the sky above was a beautiful summer blue. She had left the all-weather hood of the Austin down and wore a scarf and gloves against the wind, topping her trouser outfit off with her new hat, which she pinned firmly to the neat coil of her long hair.

Walter had watched her fussing with her appearance in the hall mirror, stuffing his pipe. “Are you sweet on her?” he asked, somewhat acerbically.

“It’ll be cold with the hood down,” she said, crushingly.

“Yes, yes, so it will be.” He turned his attention back to his tobacco, face straight. “Be careful on the bends.”

“I will,” she said. “She’s a beast to drive, smooth on the straights and handles well on the corners, but I’ve no desire to end up in the ditch.”

She’d bought the big Austin coupe late last winter when she’d got fed up riding her motorcycle out to some of the more remote houses she was called to in the dreadful weather. It was huge, far bigger than she needed really, although the back seat was useful to transport a patient if she had to. She still preferred her ‘cycle, but it wasn’t exactly suitable as a doctor’s vehicle. Not very staid at all. The Austin wasn’t very staid either, in that it was huge and expensive; but one of the benefits of a private income was that she could afford it; and so why not be comfortable?

She pondered all this and more on the drive down to Taunton, mind floating along with no real purpose. She loved to drive and for some reason it calmed her thoughts and allowed them to drift.

It would be lovely to see Lucy again. As Walt had said, she was a sweet little thing. Although Sylvia didn’t want to revisit the grim minutiae of some of the worst times at Royaumont, it would be lovely to reminisce about some of their happier moments of camaraderie. It had been four years of extreme stress and grim terror lightened with moments of laughter and fun. Working with a team of competent women all pulling together for one purpose had been extraordinary. She’d never experienced anything like it before and she doubted she would again. She was delighted some of the staff had set up a regular newsletter so they could all  stay connected.

And so what if Lucy was sweet on her. Sylvia wasn’t interested in that kind of complication anymore. She didn’t want to cause gossip in the village for a start…although she supposed people wouldn’t make any assumptions about two women living together these days after so many men hadn’t come home from France. But anyway, even if it wouldn’t cause gossip, she didn’t think about Lucy like that. And she doubted Lucy thought about Sylvia like that, despite Walter’s teasing. He was stirring the pot a little to see what bubbled up, that was all.

Those musings took her to the station.

The train was on time and was just pulling in as she got out of the car. She walked out onto the platform as the smoke was clearing and through the clouds, she made out Lucy.

She was beside the guard’s van, directing the guard and porters to what seemed like an unnecessarily large pile of luggage. Despite the clement August weather, she was wearing an extremely smart velvet coat with a fur collar over a beautiful travelling suit that hung to mid calf, topped with an extraordinary confection of a hat.

She looked competent and sophisticated and exceptionally beautiful. Not at all the slightly scapegrace young person of 1916 who had persuaded the hospital powers-that-be she was a suitable candidate for France, although she’d been only twenty-one and inexperienced as a nurse.

Well. Gosh.

Sign up here to be considered for an ARC!

The Fog of War will be released on 10th July 2021 by JMS Books!

Was there a real Robin Hood? Edale Lane

The real Robin Hood story! Live the adventure! The Heart of Sherwood.

Today we welcome Melodie Romero (writing as Edale Lane) to the blog to talk about her historical lesbian romance, Heart of Sherwood! Welcome, Melodie!

Heart of Sherwood is a gender-bent action-adventure-romance novel that places the Robin Hood legend in alignment with historical facts. In preparing for writing the manuscript, I studied every Robin Hood story I could find, watched all the film versions, and carefully researched historical people and events that would have likely coincided with the hero had he (or she) truly lived. As a historian, I know well that most myths and legends are based on actual people and events that have since been exaggerated and romanticized, but whether male or female, was the enigmatic outlaw a real person?

The first literary reference to Robin Hood dates to 1377 and the various early tales place him in different centuries and hailing from varying locals. The British Museum preserves several antique manuscripts, each claiming to chronicle the famous outlaw’s life. Most versions agree that Sherwood Forest was his hang-out, and he robbed the rich to give to the poor. The latter made him a folk hero, whether or not he ever lived. But if there was a Robin Hood, would the character necessarily be a man? Some of the earliest Robin Hood stories describe him as a beardless youth, only 14 or 15 years of age. While he became older and more sophisticated with later accounts, historians often put more trust in the earliest manuscripts. In the Medieval Period being male was a prerequisite to becoming a knight or skilled fighter (a few exceptions such as Joan of Arc not withstanding); however, throughout the ages there have been times when women disguised themselves as men in order to engage in unconventional behavior, such as fighting in a war. There existing no concrete evidence of a benevolent outlaw known as Robin Hood, it is not inconceivable that the person upon whom the legend is based could have been a woman in disguise. Besides, in my retelling of the story, the circumstance of her femininity constitutes the very reason the name of Robin Hood was omitted from all official records.  

The Sloan Manuscript written towards the end the sixteenth century states that “Robin Hood was born in Locksley in Yorkshire or after other in Nottinghamshire, in ye days of Henry II about ye yeare 1160, but lived tyll ye latter end of Richard Ye Fyrst”. He is also referred to as “Robin of Locksley” by Sir Walter Scott in “Ivanhoe,” (1819), and has been known by that title ever since. Anthony Munday depicted the inscrutable outlaw as the Earl of Huntington in his 1589 plays, but I have chosen to stay true to the most familiar version of Hood as the Earl of Loxley (or in my case, the Earl’s daughter). 

The world of cinema in filled with Robin Hood movies from silent films to current day, and I drew from all of them, particularly the Errol Flynn 1938 version while not ignoring the Disney animated classic. Both retellings include Prince John and King Richard, while some other tales do not. Curiously, I discovered that none of the written stories or movies include a most notable character in Queen Eleanor (probably because they were all written by men). While Richard was being held for ransom and John was trying to cheat his way to the throne, she stood as regent, the de facto ruler of England. I included this most remarkable woman of her era as a major character in my novel. 

You can’t have a Robin Hood story without Maid Marian, and Heart of Sherwood is no exception, weaving a sweet FF romance into the action. Maid Marian was not in the earliest Robin Hood ballads, but first mentioned around 1500. There was a “Marian of the May Games” from French tradition who was a shepherdess with a lover called Robin, and it has been suggested that the two tales merged at some point. From the late 1500s both Robin and Marian began to be portrayed as nobles who had a relationship ranging from friendship to marriage. In an Elizabethan play, Anthony Munday identified Maid Marian with the historical Matilda, daughter of Robert FitzWalter, a real-life supporter of King Richard who was forced to flee England after a failed attempt to assassinate the then King John. This representation of Maid Marian has held for centuries of lore, so I kept it.

Perhaps we are nowhere nearer to answering the question of authenticity surrounding one of England’s greatest heroes, but historians continue to search for answers. Could it be that the real reason there is no official chronical of Robin Hood’s noble acts is the simple fact that “he” had been a “she”? Read Heart of Sherwood and decide for yourself! 

Heart of Sherwood was named finalist at Imaginarium 2019 and won the Rainbow Award for Best Historical Lesbian Romance of 2019.

Heart of Sherwood
Cover: Heart of Sherwood, Edale Lane

When Robyn’s father and brother are killed in the Third Crusade, she is thrown off her manor by the opportunistic Sheriff of Nottingham and branded a traitor. In the guise of a boy, she joins Little John and the gang in Sherwood Forest and soon becomes their leader. Maid Marian has always been Robyn’s best friend, but now they are no longer children and their feelings for each other have grown. Queen Eleanor has employed Marian as a spy in Nottingham when she suspects Prince John of plotting with the Sheriff and Sir Guy. It is up to three strong women to save Richard’s kingdom. Can they succeed, or will John usurp the throne when the Sheriff ends Robyn’s life at the point of his blade?

Buy Heart of Sherwood

About Edale/Melodie
Edale Lane / Melodie Romeo

Edale Lane is the alter-ego of author Melodie Romeo, (Tribute in Blood, Terror in Time, and others) who founded Past and Prologue Press. Both identities are qualified to write historical fiction by virtue of an MA in History and 24 years spent as a teacher, along with skill and dedication in regard to research. She is a successful author who also currently drives a tractor-trailer across the United States. A native of Vicksburg, MS, Edale (or Melodie as the case may be) is also a musician who loves animals, gardening, and nature, and is in the process of moving to beautiful Chilliwack BC, Canada.

Amazon author pages: Edale LaneMelodie Romero : Website

Edale Lane’s Night Flyer Trilogy

Merchants of Milan, book one of the Night Flyer Trilogy 

Secrets of Milan, book two of the Night Flyer Trilogy  

Chaos in Milan, book three of the Night Flyer Trilogy