Historical – Page 6 – A. L. Lester

Edale Lane: Conceptualizing the Night Flyer

Today Edale Lane/Melodie Romero is here to talk about her Night Flyer series and the release of the fourth book, Missing in Milan. Welcome, Edale!

Missing in Milan is the fourth book in the Night Flyer Series, and while it can stand alone, you may enjoy reading the previous adventures of our heroines, Florentina and Madelena.

The Night Flyer Series by Edale Lne. Merchants of Milan, Secrets of Milan, Chaos in Milan, Missing in Milan.

But where did the idea for the series come from?

After my success with Heart of Sherwood, I wanted to create an entirely unique historical action/romance. So I thumbed through all the best-selling historical lesbian romances and found plenty of Victorian Era, some medieval, some World War 2 period, and a scattering of others, but nothing from the Renaissance. I also checked for settings: England, France, Scandinavia, North America, but no Italy. Then I remembered Leonardo da Vinci, one of my favorite people of all time, and that sealed it.

I also wanted my leading woman to be an action hero, kind of like Robyn had been only different. I imagined, “What if Batwoman had lived in the 1500s and met Leonardo da Vinci?” With vast enthusiasm, I set out to create a 16^th century female superhero. She needed motivation—enter the Italian vendetta. When Florentina’s father is murdered and she has no male relative to enact the vendetta, the responsibility falls on her. But how will she accomplish such a thing as a woman? By using a secret identity, of course. And because her father had worked with the great Leonardo during his years in Milan, she grew up under the tutelage of his genius. Add she is also brilliant and athletic, and the Night Flyer is born!

But she needed a love interest, someone sweet and beautiful, maybe older, and let her have kids. Florentina’s role as tutor allows for me, the author, to teach my history and art lessons throughout the series. The fact that Maddie’s brother is extremely rich and they live in a mansion is just a side bonus. Neither character is perfect. Florentina is lacking in social graces and more confident with weapons than people. Maddie’s occasional display of temper matches her red hair, and she worries far too much. But just how does a children’s tutor masquerading as a vigilante end up in a passionate love affair with an older woman worlds above her social class? Read book one, Merchants of Milan to find out.

Missing in Milan

When all credible avenues have been exhausted, then one must consider the incredible.

Vanishing thieves, disappearing athletes, and an inventor who is nowhere to be found; can the Night Flyer solve a mystery that seems impossible? While Florentina puzzles over the missing people, Maddie’s ex-lover turns up in Milan, claiming she is not there to cause trouble while doing little else.

The Night Flyer must use every resource available, including a memory from her childhood to discover how the thieves escape, who abducted the Calcio players, and whatever happened to the inventor. Could they all be connected? Death awaits as Florentina descends into the depths of an ingenious plot; can she thwart a mysterious criminal, or will he deal her the final blow?

Missing in Milan is the fourth book in Edale Lane’s Night Flyer Series, a tale of power, passion, and payback in Renaissance Italy. If you like action and suspense, rich historical background, three-dimensional characters, and a ff sweet romance, then you’ll want to continue your adventure in a world where anything is possible. Order your copy of Missing in Milan today!

Buy Missing in Milan, book four of the Night Flyer Series

Read an Excerpt!

About Edale/Melodie

Edale Lane is the alter-ego of author Melodie Romeo, (Tribute in Blood, Terror in Time, and others) who founded Past and Prologue Press. Both identities are qualified to write historical fiction by virtue of an MA in History and 24 years spent as a teacher, along with skill and dedication in regard to research. She is a successful author who also currently drives a tractor-trailer across the United States. A native of Vicksburg, MS, Edale (or Melodie as the case may be) is also a musician who loves animals, gardening, and nature, and is in the process of moving to beautiful Chilliwack BC, Canada.

Amazon author page : Website : Sign up to Edale’s Newsletter! : Night Flyer Series

When all credible avenues have been exhausted, then one must consider the incredible. Missing in Milan by Edale Lane, book 4 of the award-winning Night Flyer Series.

Announcing The Quid Pro Quo

So, here’s some news! The Quid Pro Quo will be out on the 20th November and here’s the cover and an excerpt!

It’s the second in the Bradfield trilogy following The Fog of War and stars Walter, Sylvia’s nurse-friend; and Simon, a local detective who visits Bradfield to investigate a murder.

The Quid Pro Quo

Village nurse Walter Kennett is content with his makeshift found-family in tiny Bradfield. However one midsummer morning a body is found floating in the village duck pond, dead by magical means.
Detective Simon Frost arrives in Bradfield to investigate a inexplicable murder. The evidence seems to point to Lucille Hall-Bridges, who lives with doctor Sylvia Marks and nurse Walter Kennett at Courtfield House. Simon isn’t happy—he doesn’t believe Lucy is a murderer but he’s sure the three of them are hiding something. In the meantime, the draw he feels toward Walter takes him by surprise.

Walter is in a dilemma, concealing Sylvia and Lucy’s relationship and not knowing how much to tell Frost about the paranormal possibilities of the murder. He isn’t interested in going to bed with anyone—he’s got a complicated life and has to know someone really well before he falls between the sheets. He’s taken aback by his own attraction to Detective Frost and angry when Frost appears to twist the spark between them to something transactional in nature.

Will Walter be satisfied to stay on the periphery of Lucy and Sylvia’s love affair, a welcome friend but never quite included? Or is it time for him to strike out and embark on a relationship of his own?

The second in the Bradfield trilogy, set in the Border Magic universe. With a transm/m couple. Read The Fog of War first and/or add The Quid Pro Quo to Goodreads.

As Simon was replacing the device on the telephone table a pretty young woman put her head out of a door at toward the end of the hall. “Sylv!” she said, “Do you want tea? I’ve boiled the kettle.” and then when she realised he wasn’t who she thought he was, “Oh, I do beg your pardon! I thought you were Dr Marks!”.

“She’s still in the surgery,” Simon nodded across the hall.

The woman emerged into the hall. “Lucille Hall-Bridges,” she said, extending a hand. “I’m a friend of Sylvia’s. I help with the house.”

Simon took her hand in his. Her grip was sure and warm. “Detective Frost,” he replied. “Nice to meet you, Miss Hall-Bridges. She had a recent bruise running from her jaw to just below her eye, entering the black-and-purple stage.

“I’ve made a pot of tea,” she was saying. “I don’t know whether anyone will want any, but I do like to feel useful and tea is so…normal-making, isn’t it?”

He nodded, slightly bemused at her chatter. “Yes, indeed,” he said. “Very normal.”

She gave a perfunctory tap on the surgery door, opened it and disappeared inside without waiting for a response. “Sylv, Walter, I’ve made tea. Would you and your detective like to come into the drawing room?” Her voice faded, presumably as she joined them in the examination room.

There was a pause. Then, “Oh!” he heard her say. “Oh.” She sounded a little shocked. “What’s happened to her hands?” she asked.

“Scraped on the bottom on the pond I think,” Simon heard Dr Marks say. “She was face-down in the water.”

“Oh.” Miss Hall-Bridges’ voice was small. “Sylvia…there’s…she’s…I can feel…do you think…?” Her voice trailed off and Dr Marks spoke over her, clearly away they might be overhead.

“Let’s not worry about that now, shall we? The policeman is sending her down to Taunton to a postmortem. You go and take the tea-things into the drawing room. We’ll just cover her up.”

The Quid Pro Quo by A. L. Lester. Trans MC, historical, paranormal, 1920s England.

Audiobooks with new covers now available wide!

I have some very exciting news…all three of the 1920s London books are now available wide in audio with new covers!

You can find most of my audiobooks at my Authors Direct page—all three 1920s London books can be bought for $20!—but they are also available wide at Apple, Hoopla, Scribd, LibroFM, Kobo, Chirp etc. and I think Audible have them on Whispersync—I am perpetually confused by how they work. I know some audio-library services are carrying them too. I hope you enjoy listening to them as much as I’ve enjoyed hearing Callum bring the characters to life!

You can listen to the first half hour of Lost in Time here at Bookfunnel.

Lost in Time

Gruesome murders taking place across 1920s London draw Lew and Alec together through the desolation of the East End and the smoky music clubs of Soho. They both have secrets that could get them arrested or killed. In the middle of a murder investigation that involves wild magic, mysterious creatures and illegal sexual desire, who is safe to trust?

Not Lew, who is struggling to get to grips with life a century before he was born. Or Alec, who wants Lew in his bed, despite liking him for murder.

You can listen to the first half hour of Lost in Time here at Bookfunnel!

Buy Lost in Time from Authors Direct – Buy Elsewhere

#1 in the Lost in Time series. m/m paranormal, historical, romantic suspense of 53,000 words, set in 1920’s London.

Shadows on the Border

In 1920s London Lew and his lover Detective Alec Carter are working out the parameters of their new relationship. Lew is torn between staying in the past and trying to get back to 2016. Alec is wrestling with the idea of being in love with a magician. Meanwhile Alec’s sergeant, Will Grant, is drawn to the mysterious Fenn, a hunter from the Outlands.

Moving through the contrasting rich and poor areas of post-First World War London from West End hotels to the London docklands, the team need to work together to prevent more killings and choose what — and who — they may need to give up to find any kind of peace.

Buy Shadows on the Border from Authors Direct – Buy Elsewhere

#2 in the Lost in Time series. m/m and m/enby paranormal, historical, romantic suspense of 58,000 words set in 1920s London. Sequel to Lost in Time, which should be read first.

The Hunted and the Hind

Inadvertently tumbling through the border into the Outlands after Fenn, Sergeant Will Grant of the Metropolitan Police has spent three months imprisoned by the Frem. When Fenn frees him, they step through the border to the Egyptian desert. It’s a two week ocean-liner journey back to England, with the possibility of magical pursuit. Will the journey give Fenn and Will time to resolve the feelings they have been dancing around since the day they met?

Buy The Hunted and the Hind from Authors Direct – Buy Elsewhere

#3 in the Lost in Time series. m/enby paranormal, historical, romantic suspense of 40,400 words set in 1920s London. Sequel to Lost in Time and Shadows on the Border, which should be read first.

Three audiobook covers, Lost in Time, Shadows on the Border, The Hunted and the Hind.

Ellie Thomas: A Marriage for Three

Today Ellie Thomas visits to talk about some of the history behind her new eighteenth century release A Marriage for Three! Welcome, Ellie.

Thank you so much, Ally, for having me as your guest today! I’m Ellie Thomas, and I write Historical Gay Romance. In this blog, I’ll be chatting about my latest story with JMS Books, released on September 4th. It’s a novella entitled A Marriage for Three.

A Marriage for Three, New Post by Ellie Thomas

I first got the idea for this story from a submissions call about ‘moresomes’ or relationships between more than two people. As I write historical romance, what sprang to my mind was a trio, at the heart of which is a settled gay relationship complicated by an arranged marriage.

The setting is rural southwest England in the final years of the eighteenth century. As this is familiar territory for me, I didn’t need to consult my bookshelves too much for reminders of geographical locations. However, I did get the chance to peruse one of my books on historical costume for my female character. I couldn’t quite remember when waistlines rose from natural level to the under the bust silhouette of the Empire Line and checked Costume in Detail by Nancy Bradfield. This wonderful book doesn’t contain the usual sketches from contemporary fashion plates but illustrations of real garments worn by real people (now very fragile and carefully guarded in private collections).

I found a detailed picture of a cotton dress from the last decade of the eighteenth century, where the waistline was carefully unpicked and altered to emulate the new high-waisted fashion. Throughout writing this story, I had the book open at that page, thinking of my character sewing a similar dress.

My plot evolved from several questions. What would cause a gay man with a loving partner to offer a woman marriage? Why would she be obliged to accept such an offer? In what ways might that affect the central relationship? How would my trio resolve that dilemma and still have a happy ever after?

The character who causes the relationship upheaval is Anthony Wallace, a wealthy, independent young man and landowner. He’s a gentleman scholar, more comfortable with books than people. I picture him as an absent-minded professor who thinks he can arrange other people’s lives as neatly as the books in his study. For Anthony, proposing to Charlotte, the Grenvilles’ eldest daughter, is a practical solution for financial hardship in a family he regards as almost his own.

Warm-hearted Simon, his Anglo-Indian estate manager and life partner, more than makes up for Anthony’s lack of sensitivity. Simon knows Anthony’s intentions are genuine, but also that it would not occur to his partner to consider the emotional consequences of his edicts.

For the romantic plot to evolve, Charlotte must be aware that Anthony and Simon are a couple. However, the late eighteenth century was a different world in terms of sexual awareness. In wanting to make Charlotte a woman of her own time, rather than jarringly modern, I had to devise reasons for her understanding. Her tactless loud-mouthed older brother, Anthony’s closest friend from childhood, is a partial solution to her worldly knowledge. Also, Charlotte’s own recent life experience, working as a superior domestic servant and ladies’ companion since her family’s loss of fortune, would inevitably broaden her outlook.

At first, Charlotte rejects Anthony’s proposal out of hand. It is only when her family’s circumstances worsen that she reconsiders his offer.

What engaged me about this storyline was that my three characters, although very different, are all decent people who respect and care deeply about each other. It was enjoyable to put my mismatched trio under the same roof; autocratic Anthony, kindly Simon and selfless Charlotte, and observe how they work things through together.

A Marriage for Three

At twenty-three years old, Charlotte Grenville has resigned herself to spinsterhood. With no dowry, she works as a lady’s companion to support her widowed mother and younger siblings who live in the country town of Marlborough in Wiltshire. When, out of the blue, she receives a proposal from a family friend, Anthony Wallace, she is perplexed.

Not only does Anthony have the habit of ordering everyone around, convinced it is in their best interests, but he is also devoted to his Anglo-Indian partner and estate manager, Simon Walker.

Lottie is aware that this prospective marriage is purely a business arrangement to rescue her and her family from financial hardship. But should she accept? And will her growing attraction to Simon destroy the delicate balance between the trio?

Buy A Marriage for Three

Read an extract!

Simon knocked on the door and as he entered, Anthony was muffled in a clean shirt. Simon had a tantalising glimpse of his lover’s taut pale belly, that tempting arrow of dark hair leading down to his breeches before it was covered with the linen garment and Anthony’s head emerged.

Simon leaned against the bedpost as Anthony reached for a fresh neckcloth.

“How are the Grenvilles?” He asked.

Anthony frowned. “Well enough, but the cottage is in a poor state. There’s still damp in the parlour and Mrs. Grenville says the roof is leaking again.”

Simon made soothing noises. “We don’t have to rush away, do we? Even if I have to return to the manor, you can always stay for a while longer to organise repairs.”

Anthony grunted something that might have been assent as he concentrated on his reflection in the mirror. While tying the knot in his cravat he said, “Lottie’s home again.”

Simon smiled, “How lovely. It will be good to see her.”

Anthony finished the straightforward arrangement of his neckcloth and frowned. “She’s looking hagged,” he said. “That succession of awful women she’s been attending has dragged her down. I’m surprised she hasn’t been foundered under it all.”

Simon opened his mouth to voice his concern when Anthony blithely continued, “So I’ve asked her to marry me. It seemed the best solution.”

Simon was initially stunned. Then, as so often following his beloved’s more outrageous statements, he closed his eyes and counted to ten. When he opened them, Anthony was grappling with the buttons of his waistcoat.

“The best solution for what?” he asked with deceptive calm.

Anthony turned to look at him with that direct blue gaze. “For the whole family,” he replied impatiently. “Lottie won’t have to exist in servitude any longer. She’ll only be twenty miles away from Marlborough so she can visit her mother whenever she wants. Finally, no one can object if I move Mrs G. and the children away from that poky cottage and into a suitable house. There’s one available just off the High Street that I have in mind.”

Simon resisted rubbing his hand wearily over his eyes. “So where are you going to put Lottie once you’ve married her?”

Anthony looked perplexed. “What do you mean? She’ll be in the manor house with us, of course.”

“Doing what?” Simon persisted.

Anthony looked uncertain for a moment and then his expression brightened. “She can reorganise the family library. Father left it in an awful state and it requires someone with a good mind like Lottie to sort it out.” He looked extremely pleased with himself at that suggestion.

“Marvellous,” Simon said flatly. “That will keep her busy for a year. And what is she expected to do for the following fifty-nine?”

Anthony looked blank as Simon inexorably continued, “And naturally, Lottie will want children.”

With a horrified countenance, Anthony exclaimed, “Oh no! There won’t be any of that!”

“Have you informed Lottie?” Simon asked sharply before carrying on in the same tone, “Then, of course, I will have to hand in my notice and look for a new situation as it would be unfair on Lottie for me to crowd your new marriage.”

For the first time, the consequences of his rash proposal seemed to permeate and Anthony appeared almost scared. “You can’t leave me, Simon,” he said. “I can’t manage without you,” he almost pleaded.

Simon relented and sighed. “My dear Tony,” he said more mildly. “You can’t move people about like they are collections of statuary or pieces on a chessboard. We do have our own opinions, you know.”

Anthony said nothing, gazing anxiously as Simon continued, “I can see that, in theory, your marrying Lottie would be a way out of the Grenvilles’ problems. No one could doubt your good intentions. But you haven’t considered what this would mean for Lottie. She might be more comfortable and secure than in her current situation, but would she be happy in the kind of marriage you are suggesting?”

Anthony frowned before saying, “Well, she refused me anyway.”

“I always knew she was a sensible woman,” Simon said with a wry smile.

Anthony blinked at him uncomprehendingly then was saved by St. Mary’s Church clock striking two.

Snagging his coat and making his escape from the uncomfortable conversation, he said, “We’d better be going. They’re expecting us.”

“This is not finished. We will speak about it later,” warned Simon at Anthony’s back as he reached the door.

Buy A Marriage for Three

Meet Ellie

Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance. Ellie also writes historical erotic romance as L. E. Thomas.

Website : Facebook

JP Kenwood: Locks and Keys

JP Kenwood is here today to talk about world building and the significance of locks and keys in their action-packed, politics-rich Dominus series. I do need to tag this post as #NSFW and give a content warning for mild #BDSM though!

World building is a huge part of penning any story, but it’s especially critical in historical fiction. I find it super useful to incorporate a few everyday items in my historical fiction—objects that truly mattered to the people of that time period. Ubiquitous objects that help readers connect with the mysterious past. I’ve used many objects as plot points and even as ‘prop characters’ in my stories. For me, these items tend to fall into the category of jewelry, but there are other objects equally if not more important to the plot, such as scrolls, mirrors, and knives.

An important recurring prop in my series, Dominus, is the simple household key. Romans are said to be the first ancient western culture to invent what most of us think of as a key – a small and usually metal implement with a handle and teeth. When the correct key is placed in a lock and turned, the key’s teeth move the pins and unlock the bolt.

Max waited for Varius to leave before he pulled a ring of keys from his pouch and unlocked the heavy wooden door. Allerix imagined Max must have had a key for nearly every lock at the villa.

“This is Dom’s playroom. You’ll be spending quite a bit of time in here.”

Dominus: Dominus Book 1

Keys are also powerful symbols, of course. In the abstract, a key can represent penetrative sex or even warfare. In the more physical sense, a key represents wealth, since its existence implies the carrier has something of value that requires protection. Gold coins in a hinged box. Sex toys in a cupboard. A collection of exotic weapons in a cabinet.

Like an animal drawn by some irresistible but invisible pheromone, Alle’s eyes converged on a large wooden cabinet against the far wall. “That cupboard contains my other toy collection.” Gaius retrieved a key from a drawer in his desk. Running his hand up and down Alle’s back, he boasted, “I’ve been acquiring foreign weapons since I was old enough to swing a sword. Their variety of designs and embellishments has long fascinated me.”

Games of Rome: Dominus Book 2

Keys to chastity devices blatantly symbolize control of one person over another. Cock cages feature prominently in my Dominus saga.

Gaius manipulated the device until Allerix’s balls were collared snug by the heavy silver ring. With a sharp click, the two halves of the lion-headed metal cylinder snapped together to encase Alle’s timid cock. Another softer click and Gaius had locked the contraption in place. Gaius held up a key dangling from a silver chain like a pendant and clasped the necklace around his neck. “I’ll keep your freedom beside my heart all night. Comfortable?”

Blood Before Wine: Dominus Book 3

A key to a door is an even more powerful symbol, especially in ancient Rome. Doors are by their nature emblems of transition: physical, spiritual, and intellectual. The Romans had a god of doors and gateways called Janus. We’ve inherited the calendar term, January, from the idea of Janus and his cult of transitions. Interestingly enough, Roman door locks could only be locked and opened with a key from the outside. A room with a door that could be locked turned that room into a glorified storage space for inanimate or living valuables. A key to an apartment or the front door of a house could also signify status and even freedom:

After purchasing an assortment of delicious cheeses, sausages, bread, and pickled eggs at the upscale snack bar, the three walked back to the shoe shop and climbed the wooden stairs to Theo’s flat two floors above. He opened the lock with his key and pushed open the creaky door; the red façade of a brick building across the street dominated the view through a large window in the opposite wall. His simple but tidy living quarters consisted of two rooms: a larger gathering lounge with a table, chairs, lamp stands, and two cupboards, while off to the right was a smaller bedroom separated from the main room by white curtains suspended from hooks at the top of the door frame.

Theo’s home.

The place where he could do whatever he wished as long as he didn’t break any laws. A cozy, private space where Theodorus decided who entered and who didn’t.

A freedman’s freedom.

Blood Before Wine: Dominus Book 3

In addition to the modern notion of a physical key that opens a stationary lock, Romans also invented padlocks. Padlocks attached to chains or hooks or door handles were used to keep an item in place. Padlocks prevent theft, but they can also imply punishment or imprisonment.

The library was located off a grand corridor on the western side of the estate. It was a large square room with enormous windows and cupboards stuffed with correspondence, accounts, and legal records. The library had been Luc’s pride and joy, his oasis from the political tempests of the courts. And it was the perfect private place for a quick fuck over a table. Gaius knew every piece of furniture in that damn room.

When they arrived, they found the door handles secured by a thick chain and a sturdy iron lock. The entrance resembled that of a prison rather than a sanctuary for study or secret afternoon trysts.

Games of Rome: Dominus Book 2

Keys are one object that I’ve used in every book of the Dominus series. As both relatable and symbolic, keys play an important role in the story. In final Book 4 of Dominus, a lock and its key will once again have a pivotal role!

About the series

Dominus is an alternate history series that features an ensemble of memorable characters—masters and slaves, senators and soldiers, lawyers and freedmen, wives and whores—who live, laugh, and lust during the Golden Age of imperial Rome. Dominus is an m/m alternative history fantasy series set in ancient Rome during the reign of the Emperor Trajan (AD 98-117). What if Trajan had been the custodian of two boys instead of only one? What if Hadrian had been privy to secrets that could damage the political authority of his older and more successful fellow imperial ward, Gaius Fabius? What if a Roman general had fallen in love with his captive Dacian slave? Could a powerful Roman aristocrat of noble ancestry have been deliberately erased from history?

We have released the audiobooks of Dominus (Book 1), Games of Rome (Dominus Book 2), and Blood Before Wine (Dominus Book 3). If you enjoyed the books, you will adore the audiobooks. For much more information about the characters in the Dominus series, check out my author blog.

Meet JP Kenwood

Writer of plot-packed mm stories. My Dominus series, an often dark and sexy tale, focuses on master/slave power dynamics, the vicissitudes of fate, and the fragility of historical memory. My passions are ancient Rome, laughter, and love.

My current project is the 4-book, m/m historical fantasy saga, Dominus, set in imperial Rome. Book 1 (Dominus; 2014), Book 2 (Games of Rome; 2015), and Book 3 (Blood Before Wine; 2019) are currently available. Games of Rome received 2nd Place in the 2016 Rainbow Awards for Gay Historical. Blood Before Wine received an Honorable Mention for Gay Historical in the 2019 Rainbow Awards. Final Book 4 of the Dominus saga will be released soon.

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