RAtR: Regency Romance

Read Around the Rainbow

As you’re probably aware, #RAtR is a blogging project I am doing with a few friends who also write LGBTQIA romance. You can find everyone by clicking here or on the image to the right.

This month we are writing about Regency Romance– whether we love it or hate it and why so many people love to both read and write it. This is bang in the middle of my area of interest as both a reader and writer of historical romance.

Firstly then, when, and what, was the Regency? In 1811, George III was finally declared permanently incapable of carrying out his royal duties. His eldest son, Prince George, ‘Prinny’, the next in line to the throne, was therefore installed as Regent. He was a fashion-conscious social butterfly who loved the adulation of his court, was swayed by flattery, resented his parents in the fine tradition of England’s Hanoverian Kings and was moody and mercurial. Between 1811 and 1820 when he became King in his own right is technically the Regency era. However,  socially and culturally the term is used for the period from about 1795 to the ascension of Queen Victoria in 1837. The romance trope sits squarely in this period.

Why do we find it so attractive? My personal feeling is that it’s all down to Jane Austen. Generations of people grew up reading her model of middle class Georgian England. She centered her heroines in the story and we only get a frisson of the messy, dangerous rest of it… Mr Darcy going to London’s stews to find Lydia in Pride and Prejudice (1813); Captain Wentworth taking Ann Elliott’s party to Lyme to meet his friend, maimed aboard ship and living in poverty (Persuasion 1817); Marianne Dashwood falling for a roue and being abandoned in Sense and Sensibility (1811). 

Georgette Heyer and Julia Quinn and their colleagues picked up the trope and ran with it. Sometimes the books aren’t even dated to a particular year and the historical period is contextualised for us through high waisted dresses, being presented at court, going to a  ball, the love interest meeting his friends at Whites, getting vouchers for Almack’s, or having rooms at the Albany. If every hero in every book really had rooms at the Albany, they’d be queuing five deep around the block to get in. 

When we chose this topic, Nell had a minor wobble, because she famously doesn’t read series’ and is dubious about historical romance in general. Several of us yelled at her about K J Charles and Cat Sebastian until she gave in; I recommended she try one of my favourites, A Seditious Affair by K J Charles. A dour book shop owner and publisher of seditious leaflets falls for a Home Office official who is tasked with suppressing dissent. Learn about the Cato Street Plot here! It’s the second of a trilogy called The Company of Gentlemen, which each focus on a different couple in a group of friends although I think it stands happily alone. The trilogy slides seamlessly into the London of it’s time, with Molly Houses, lamp-boys leading you astray in the fog, not having enough coal for a bath, being transported for seditious dissent and freed slaves; alongside clubs, tailors, country houses and banging unsuitable people in curtained alcoves. I’ll be interested to see whether Nell read it and what she made of it!

At the moment I’m reading The Oak and the Ash by Annick Trent, a new to me author. It’s part of a loosely connected series and this one is set at the end of the 1790s. So far I haven’t been able to pin an actual date. The whole feeling of it is Regency though, which is what I meant about it sometimes being  a trope rather than a precise dating. In this story, a surgeon and a valet slowly fall in love after the valets employer — happily in an open marriage with a wife who has a lover as he has his — is injured in a duel. I’m looking forward to exploring more of the collection. It gives a gritty portrayal of the life of ordinary people, with a seditious newspaper, a reading club and the valet-protagonist fascinated with meteorological observations.

I suppose I should also hat-tip myself — The Flowers of Time, my own lesbian/non-binary/bisexual romance is set in the 1780s. It’s firmly pre-regency — we are still worrying about American Independence and the French Revolution — but  we do get a flash forward at the end, with Jones and Edie watching Queen Victoria’s coronation and talking about taking the train. I think we forget people lived long and rich lives either side of the periods we set our stories.

I also want to hat-tip the lovely Ellie, my fellow RAtR blogger, who has a collection of Regency stories that I have to my shame not read. I am actually on holiday this week — I’m writing this on the plane, get me! — and I plan to rectify that as soon as I hit the lounger by the pool this afternoon.

So that’s the post! Please do check out what my colleagues have to say on the subject!

(Due to my extreme inability to use Jetpack on my phone and my refusal to bring my laptop with me on holiday I am having trouble with inserting links, for which I apologise -the below links go to last month’s posts.)

To read what my Read Around the Rainbow colleagues have written about Dark Romance, click through below!

Nellhttps://elliethomasromance.wordpress.com/ IrisOfelia Grand : Lillian Francis : Fiona Glass : Amy Spector : Ellie Thomas : Holly Day : K. L. Noone : Addison Albright

#ReadAroundtheRainbow: AI Versus the Writer

Read Around the Rainbow

As you’re probably aware, #RAtR is a blogging project I am doing with a few friends who also write LGBTQIA romance. You can find everyone by clicking here or on the image to the right.

So this month’s project is basically messing around with AI chatbots. Collectively, along with most other creatives, the Read Around the Rainbow group are very concerned with the way there seems to be a minority cohort who think AIs can replace human artists and writers. So we decided to write from a prompt ourselves; and then ask one of the Chatbot AIs to write from the same prompt, and compare the two.

person reaching out to a robot

The results are pretty hilarious and I honestly don’t think this generation of bots are going to replace us fiction writers. Am I concerned about ‘writers’ using them to generate whole books and dumping them on KU? Yes, yes I am.

However, I don’t think the work is going to compare, at least not with this iteration of bots, whether they are trained on the AO3 archive and free stories the creators have grabbed from Smashwords or stories they have scraped from elsewhere. A lot of AI models are trained on Bookcorpus, it turns out, which used fanfic and free Smashwords books as part of its dataset without the consent of the authors. You can read more about that here. This qualifies as stealing other people’s work, bigtime, so that’s yet another huge reason not to use an AI to churn out another quick 50k variation of Pride and Prejudice and make money from it.

As you know if you know me at all, I read a lot of science fiction. My imaginary future does not include a world where the robots do all the fun, creative, imaginary stuff and humans are still forced to do minimum-wage schtick to survive.

Apart from that major issue, I guess… my main question is, what’s the point? What’s the point of getting these language bots to write fiction, or produce art? Creative work is supposed to be fulfilling for both the creator and the people who interact with it. It’s supposed to prompt an emotional response and engagement from both sides. You create your piece, which gives you an emotional response. And if you choose to, you set it free in the world for other people to engage with and respond to.

Firstly… these bots are not actually AI. They are language bots. They don’t remember interacting with you. They’re not people. They don’t have emotions. They aren’t engaged with what they produce on any level other than working out which word follows which in response to the prompt you give them within the guidelines of the dataset they’ve been trained on. So… that’s the biggest part of the creative process missing.

And secondly–the quality of what they are producing is just awful. I think you can get something vaguely workmanlike if you feed it the right prompts, but having looked at most of the pieces my #RAtR colleagues have generated for this… well. They all very much reminds me of the story I wrote for Mrs Lowe in Year 3, when my character went up a mountain and they climbed and climbed and climbed and climbed for about six lines and she told me off for repeating myself too much just to fill up the page.

These bots don’t have the depth of emotion, the life experience or the imagination that humans do. They don’t have feelings, they have simply have logical responses. If they were AIs in the sense that Iain M. Banks’ ‘Minds’ are, then that would be different. They’d be able to independently produce art and engage with what they produce on an emotional level. That would be as worthwhile as human creations.

However, when you aren’t interacting with it, Chat GPT (the one I used for this exercise) doesn’t do any thinking for itself. It doesn’t lie awake at night wondering what to write or paint next. It doesn’t feel sad if it can’t quite get the right word or colour. What it produces is a flat, featureless mish-mash of best-fit words without the context of human experience.

I’ve got a couple of examples here so you can see for yourself. First I asked it to write a 300 word gay romance story set in London in 1942.

In the midst of war-torn London in 1942, a clandestine love story unfolded against a backdrop of danger and uncertainty. Meet William and Thomas, two souls entangled in a forbidden romance that defied the confines of a society gripped by fear and prejudice.
William, a stoic and determined young man, found himself in the chaos of war as an air raid warden. His duty was to protect the city and its inhabitants from the relentless bombings, a responsibility that weighed heavily on his shoulders. Yet, amidst the sirens and crumbling buildings, he discovered solace in an unexpected encounter.
Thomas, an artist with a gentle spirit, captured William's attention with his striking blue eyes and warm smile. They met in a quaint café tucked away in the heart of the city, seeking refuge from the harsh realities of their lives. Their connection was instantaneous, their hearts drawn together like magnets in a world tearing them apart.
As their relationship blossomed in the shadows, they found solace in stolen moments. Hand in hand, they explored the deserted streets of London, seeking sanctuary in hidden parks and forgotten alleyways. Their love grew amidst the rubble, fueled by whispered promises and stolen kisses that carried a weight of both passion and danger.
The nights they spent together were their refuge from the harshness of the war. In the flickering candlelight, they shared their hopes, dreams, and fears, weaving a tapestry of love and resilience. Their moments together became a sanctuary, a fleeting respite from the chaos that surrounded them.
But the war threatened to tear them apart. Duty called William away, and he found himself deployed to a distant battlefield. With each passing day, their hearts ached in longing, their love tested by the distance that separated them. Yet, their spirits remained intertwined, an unbreakable bond forged in the crucible of war.
When the war finally drew to a close, William returned to London, his heart yearning for the one he loved. The scars of battle etched upon him, he searched for Thomas amidst the city's streets. And there, in the midst of a crowd, they found each other once again.
Their love, forged in the fires of war, stood strong against the trials they had endured. They vowed to build a future together, to create a world where their love could flourish without fear or prejudice. As London slowly rebuilt itself, William and Thomas wrote their own chapter of resilience and love, an enduring testament to the power of the human spirit.

It’s not quite so grim if you feed it back to itself and ask it to include dialogue:

In the midst of war-torn London in 1942, a clandestine love story unfolded against a backdrop of danger and uncertainty. Meet William and Thomas, two souls entangled in a forbidden romance that defied the confines of a society gripped by fear and prejudice.
William, a stoic and determined young man, found himself in the chaos of war as an air raid warden. His duty was to protect the city and its inhabitants from the relentless bombings, a responsibility that weighed heavily on his shoulders. Yet, amidst the sirens and crumbling buildings, he discovered solace in an unexpected encounter.
One evening, as William patrolled the streets, he noticed a figure sitting on a bench. Thomas, an artist with a gentle spirit, captured William's attention with his striking blue eyes and warm smile. Curiosity pulled William closer, and he cautiously approached.
"May I sit?" William asked, his voice laced with a mix of wariness and longing.
Thomas looked up, his smile widening. "Please, join me. It's a chaotic world out there."
Their connection was instantaneous, their hearts drawn together like magnets in a world tearing them apart.
As their relationship blossomed in the shadows, they found solace in stolen moments. Hand in hand, they explored the deserted streets of London, seeking sanctuary in hidden parks and forgotten alleyways. Their love grew amidst the rubble, fueled by whispered promises and stolen kisses that carried a weight of both passion and danger.
In the flickering candlelight of their secret nights together, they shared their hopes, dreams, and fears.
"I fear for what the future holds," William admitted, his voice laced with vulnerability.
Thomas squeezed his hand gently. "As long as we have each other, we'll find the strength to face it, my love."
Their moments together became a sanctuary, a fleeting respite from the chaos that surrounded them.
But the war threatened to tear them apart. Duty called William away, and he found himself deployed to a distant battlefield. With each passing day, their hearts ached in longing, their love tested by the distance that separated them.
When the war finally drew to a close, William returned to London, his heart yearning for the one he loved. The scars of battle etched upon him, he searched for Thomas amidst the city's streets. And there, in the midst of a crowd, they found each other once again.
Their eyes met, and a sense of relief washed over them.
"Thomas," William breathed, his voice filled with reverence and love.
Thomas smiled, tears glistening in his eyes. "You came back to me."
Their love, forged in the fires of war, stood strong against the trials they had endured. They vowed to build a future together, to create a world where their love could flourish without fear or prejudice. As London slowly rebuilt itself, William and Thomas wrote their own chapter of resilience and love, an enduring testament to the power of the human spirit.

It’s just… flat? I guess? And it’s not at all subtle, which is probably the main thing about it that makes my teeth itch. It’s a story, sure. But…it’s not, really, is it? There’s no depth to it, nothing underneath the surface. Also, wandering round London holding hands in 1942 would have been a recipe for both a kicking and a prison sentence. And I’m not sure what we’re doing with flickering candlelight; maybe the Blitz has knackered all the electricity though, so we’ll let that one pass.

Compare that to the beginning of the last chapter of my own An Irregular Arrangement. (10,500 words, free low-heat poly novella, starts just after WW1, finishes in WW2, download it here)

“Are you coming down this weekend?” Val asked Rupert, as they waited for the barman to fill their drinks. They were both propped comfortably against the polished oak of the bar, each with a foot resting on the brass rail. It was a cool early autumn evening, reminiscent of the one where they’d first met each other twenty years ago.
“I’m coming down for good, I think,” Rupert said. He was hunched a little in his overcoat and Val thought he looked tired. “My nerves are shredding. I can do more good down with you than I can up here being a bag of jelly. And people who are going to help financially know where we are after all this time, I don’t need to be up here touting for help like I was in the beginning.”
Val took the drinks and paid for them, nodding thanks to the landlord as they turned away and made for a table in the corner. It was quiet, early, and still light outside. The sirens hadn’t gone off yet.
“We’ve got a couple of dozen kids at the moment,” Val said. “They come and go, some of them. But it looks like most of them are with us for the long haul.”
“That’s good. The poor little buggers need some stability.” Rupert nodded at the street outside through the window heavily crisscrossed with blackout tape, as he chucked his hat onto the table and shrugged out of his heavy coat. “God knows there’s little enough out there.”
“Tim sends his love, as always,” Val said. “Flora said I was to tell you to get a move on.” They peered suspiciously over the table in the dim light of the pub as they sat. “Have you been talking to her about moving down?”
“I may have mentioned it. I didn’t want to tell Tim in case it got his hopes up and I decided not to. You know how he worries.”
Val nodded. “He’s been fine though. Missing you, obviously. He’ll be happy to have you down to help with the paperwork. We’ve got a system for their ration cards and what-not now, and it’s all quite organised, but you know how he hates that sort of thing. And Mrs Rathbone is the Evacuee Officer. If you can take that bit over for him, he’ll love you even more than he does already. She still hates him.”
Rupert laughed. “She must be about a hundred and five by now, surely?”
“Yes, but she’s still putting her nose in everywhere. She’s doing some good now though, she’s very efficient organising which children go where and she’s good with the kids themselves, which I didn’t expect.”

I’m not a great writer. I’ll never be a great writer. But I’m an okay writer; I like what I create and I enjoy the process (mostly!). I think about it and I put my heart in to it. And I think that’s the difference. There’s depth to this piece–to all the pieces we’ve written between us for this blog prompt. The AI ones all seem to be a veneer of a story with nothing underneath.

So here’s my definitive list of reasons why using AI for creative stuff is bad.

  1. The results are frankly terrible. There’s no depth there, because AIs don’t experience human emotion. They’re just language generators. There’s no creative process behind them. Which takes me to point #2.
  2. There’s no creative value to the work. There’s literally no point to it other than the end result. That’s fine for management documentation and marketing articles. The end-result is the point. But half the point of a creative work is the creator’s interaction with it. That goes for students churning out academic essays too… What’s the point? Doing that work is to help them learn new skills and grow. The process is the point. If you don’t want to develop those skills; don’t go to college.
  3. These language and art bots have been trained on plagiarised work. They’ve taken other people’s stuff and used it without permission. They’re created through other people’s hard work and creativity. They’re stolen goods. People who use them, whether they pass that work off as their own or not, are using stolen work. Which leads us on to #4.
  4. AI creation… words, music, art… puts human creatives out of business. Living in an orange-box furnished garret whilst producing beautiful things is very romantic; but eating is nice too.

I’m hoping this whole AI thing will just be a fad, like NFTs and Crypto–yet another techbro thing that these people haven’t stopped to think deeply about.

Just because we can do it, does that mean we should? My answer is no.

Finally, there’s a good interview in The Guardian this week with Timnit Gebru, who was sacked by Google for her stance on AI. AI’s Dangers and Big Tech’s Biases is partly about how AIs are biased around the dataset they are trained on. It’s particularly interesting to me because one of the models Ellie Thomas tried out for this piece told her that it could not write her a gay romance story because that was offensive.

To read what my Read Around the Rainbow colleagues have written on the subject–and what they managed to get the AI to generate–click through below!

Nell IrisOfelia Grand : Lillian FrancisFiona Glass : Amy Spector : Ellie Thomas : Holly Day : K. L. Noone : Addison Albright

Ellie Thomas visits with her new box set, Gentlemen in Love!

 Thank you so much, lovely Ally, for having me as a guest on your blog today. (You are most welcome, Ellie, I’m sorry I’m late posting!) I’m Ellie, and I write MM Historical Romance novellas. My first box set of previously published Regency stories is now on release, so I’ll be chatting about the six stories comprising Gentlemen in Love.

There are various settings in my collection of Regency romances. One Summer Night is set in Regency London. The story involves the politics of the ton and the weight of power in Whitehall, as civil servant Martin falls for aristocratic Will, after a heated chance encounter.

Then there’s the popular scene of the Regency country house party. Two of my stories, A Christmas Cotillion and A Midwinter Night’s Magic share that backdrop in contrasting ways. In A Christmas Cotillion, my MC Jonathan gradually comes to terms with past heartbreak as he considers the opportunity of a new relationship with farmer’s son, Nick.

A Midwinter Night’s Magic centres on forced proximity, where long-parted lovers, Matthew and Crispin, are stuck together at a country house party over Christmas due to snowfall, despite mutual hostility. To add insult to injury, they’re expected to engage in a recital of A Midsummer Night’s Dream. It takes a bit of Shakespearian magic from Puck for these two to reconcile, which was a lot of fun to write with my copy of the play to hand!

There are more countryside settings in A Marriage for Three, which takes place in the Wiltshire country town of Marlborough and rural Worcestershire. Charlotte, an independent-minded young woman, is pressed to consider a practical offer of marriage from a close family friend Anthony, despite his long-term romantic involvement with his steward, Simon. I enjoyed exploring the ties of family and mores of country life in this story, together with three likeable characters.

Fashionable resorts are always a popular setting for Regency stories. As I grew up close to some of these in the West of England, it’s hardly surprising that I would pick familiar destinations. Shore Leave has a slightly earlier setting in the latter years of the 18th century, which coincides with Bath’s heyday. It was a delight to navigate the elegant streets and Assembly Rooms of Bath, where Jacob and Sebastian meet and gradually fall in love.

Again, I chose Regency Cheltenham for The Thrill of the Chase, Adrian and Guy’s story. It’s set in 1813, slightly before the building boom and the elegant terraces so familiar to us today. At that stage, apart from a few speculative developments and several spas, Cheltenham mainly consisted of the High Street, which makes it even more difficult for shy Adrian to avoid embarrassing confrontations with Guy, the forceful object of his unfulfilled desires.

Gentlemen in Love

Gentlemen in Love Box Set cover

In Regency England, whether about their daily business in London, attending a country house party or visiting a fashionable spa town, an array of gentlemen meet their match and attain a happy ever after.

Some couples find new love, while others rekindle a long-lost spark in this collection of six light-hearted MM Regency romances from Ellie Thomas, containing the following stories:

A Christmas Cotillion: Thirty-year-old Jonathan Cavendish has long given up any thought of romance. He grudgingly accompanies younger cousin Freddy to a Christmas country house party, as Freddy is infatuated with the lovely Belinda.

To his surprise, Jonathan catches the eye of Nick, a local farmer’s son. The initial attraction seems to be mutual, but can Nick break through Jonathan’s defences and teach him to love again?

A Marriage for Three: When Anthony Wallace proposes to Charlotte Grenville, she is shocked. Lottie has always seen him as an older brother, and she is also aware of his romantic devotion to his Anglo-Indian estate manager, Simon Walker. Should she accept this financial arrangement merely to support her ailing family? And will her growing attraction to Simon be a threat to all their happiness?

A Midwinter Night’s Magic: Matthew Lewis is trapped at a Christmas country house party by snowy weather and forced to take part in a reading of a Midsummer Night’s Dream. To make things worse, his lost love Crispin Marley, to whom he has sworn undying hatred, is among the guests. Can some fairy magic from Puck help the estranged couple to make amends for once and all?

The Thrill of the Chase: In 1813, when modest Adrian Lethbridge visits fashionable Cheltenham to help launch his young cousins into society, to his surprise, he catches the roving eye of Captain Guy Ransome. The ex-army officer is everything Adrian yearns to be; devilishly handsome, experienced and confident. So Adrian is in disbelief that the attraction is mutual. But can he summon the courage to act on his desires?

One Summer Night: After a passionate encounter with a stranger in an alleyway one summer night in 1801, Whitehall clerk Martin Dunne is shocked when he encounters the object of his desire at a society function, complete with a powerful father and a pretty bride-to-be. Is his seducer not to be trusted? And have Martin’s dreams of future encounters and possible romance crumbled to nothing?

Shore Leave: Jacob Longley, Naval Lieutenant, is all at sea in the fashionable Bath Spa. As he attempts to steer his younger sister Letty through the social whirl with a close eye on her reputation, his striking looks can’t help but catch the attention of the exquisite Sebastian Fforde. Will either man break through the other’s reserve? And could their mutual attraction blossom into love?

Buy Gentlemen in Love

Excerpt from A Christmas Cotillion

Mr Hammond’s chance came when Jonathan was on the dance floor, already partnered for the next dance. Belinda, for once, was unaccompanied but still standing up, as though eager to join in. Mr Hammond was near her, but unfortunately looking in the other direction.

Jonathan glanced over in helpless frustration, not wanting to abandon his young dance partner in the middle of the floor just as the music was about to start. As he again looked from one to the other, he caught the eye of the handsome farmer’s son. He was serving refreshments amongst those who had taken part in the last set of dances. He followed his direction of Jonathan’s scrutiny clearly with a sharply raised eyebrow.

As if receiving intelligence, he nodded at Jonathan decisively, put down his tray on a side table and eased the few yards through the gaggle of couples approaching the dance floor and tapped Mr Hammond on the shoulder.

Luckily, just then the music started and Jonathan saw his expressive face indicating a social dilemma. He nodded towards Belinda and then pointed to the momentarily abandoned tray as if explaining why he could not partner the young lady for himself. When all had been made clear to Mr Hammond, he received a grateful smile from the young man, as though Mr Hammond was doing the favour. He then turned back to collect the tray and offered the contents to the thirsty crowd.

It was neatly done, with Mr Hammond now obliged by his very good manners to ask the young lady to dance. Mr Hammond braced himself and made his way to Belinda, face flushed with embarrassment as though expecting a rebuff. Instead, he received her hand and a warm smile. Jonathan didn’t realize he was holding his breath until the couple reached the floor, unimpeded.

After a hectic country dance, Jonathan and his puffing partner retired from the fray. He was satisfied to see Mr Hammond and Belinda remain on the floor for the next set of dances, now conversing with apparent ease. As he looked at this with a feeling of pleasure, a glass of sparkling wine was placed in his hand with a murmured, “That was a good notion.”

He looked around in surprise to see the farmer’s son right next to him. Close up, his eyes were very blue indeed and his wide mouth was curved in that increasing familiar smile. Jonathan felt as tongue-tied as Mr Hammond had been previously in Belinda’s presence as he stiffly thanked the young man for his assistance. He seemed unfazed by Jonathan’s constraint.

“Just call me Cupid, or rather Nicholas, or even Nick, if you prefer,” he said with another dazzling grin, before turning gracefully to serve refreshments to the guests behind Jonathan.

Buy Gentlemen in Love

About Ellie

Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance.

Ellie also writes historical erotic romance as L. E. Thomas.

Website : Facebook : Twitter : Goodreads : Bookbub

Guest Post: Ellie Thomas and Trick of the Light

Thank you so much, lovely Ally, for having me as your guest. I’m Ellie Thomas, I write MM Historical Romance, and I’m here today to chat about A Trick of the Light, my October release for JMS Books.

For this Halloween submission call, authors were requested to pick either Trick or Treat for their stories. Although I picked Trick for last year’s story, A Tricky Situation, making the same choice was deliberate rather than an oversight. Honest!

A Tricky Situation was Kit and Ned’s story, two young men of different colour and class in 18th century Bristol. After a dramatic encounter, when Ned rescues Kit from being mugged by some thugs, Kit, who is from the wealthy merchant class, struggles to stand up to his overbearing and ambitious father to fight for his own life direction and his growing bond with Ned.

That story lingered in my mind. So, not long afterwards, I got the idea of a parallel story, set in much more recent history featuring another young man living in the same house that Kit inhabited, struggling with similar issues. As this seemed suitable as a Halloween story, it seemed entirely appropriate to have Kit feature as a friendly and sympathetic ghost!

What engaged me about both stories was the idea of Kit and now Kenneth, my main character in A Trick of the Light, emerging from their haunting fears and insecurities at Halloween to be free to be themselves. Both are young gay men wanting to pursue a relationship without having their life ambitions dictated by an unsympathetic parent.

Despite draconian laws, many gay couples throughout history must have managed their happy ever after. After all, it was common for men to share lodgings as a matter of course. By choosing to set the second story in the late 1950s, I could imagine a more relaxed future for my modern couple, Kenneth the would-be aeronautical engineer and Gino, the son of an Italian immigrant café owner.

With the social reforms in the UK in the 1960s, not least the implementation of the 1957 Wolfenden Report, Kenneth could achieve his ambitions, and in time, he and Gino could live together as a couple without fear of the law. Knowing there were opportunities and happiness ahead for him and Gino, rather than feeling angst when writing about Kenneth’s moment of crisis, I felt uplifted and inspired. 

Trick of the Light

Kenneth Taylor has bright plans for a future as an engineer. In the summer of 1957, as soon as he returns home to Bristol from two years of National Service in the Royal Signals, a furious row with his dad means he’s thrown out of the house, and his prospects are in jeopardy.

He finds lodgings in the hilltop, bomb-damaged suburb of Kingsdown, determined to be independent and juggling night school with his humdrum day job. He soon meets Gino, the good-looking son of a local café owner and is thrilled when the attraction proves to be mutual. As their romance blooms, Kenneth finds unexpected encouragement from an apparition in the mirror who inhabited the house in the late 18th century.

When the ghostly vision of Kit also appears to Kenneth in his dreams, it seems they have much in common when Kit reveals his dilemma at a similar age, concerning his growing attachment to a young man, Ned. Past and present intermingle as Kenneth faces parallel and difficult decisions. But can he trust Kit? Or is it all merely a trick of the light?

Buy at Amazon : Buy at Publisher : Buy Elsewhere

Read an Excerpt

Kenneth got in the habit of dropping into the café when not in a rush for the bus. It wasn’t only the charms of the waiter but the hospitable atmosphere of the family-owned establishment that helped him pine less for his mum and sister.
Despite unprepossessing beginnings, his room on Kingsdown Parade was starting to take shape. The hilltop area might be a bit worn and battered, but he had all he needed nearby and was grateful for the convenience of the Co-op store at the top of the road. Also, his mum had sneaked a few items to give to Pamela to pass on to him, so his digs looked a bit more homely. 
But as autumn began, he had to admit he was cold. He only switched on the two-bar electric fire for a short while in the evenings as he couldn’t afford to keep the electric meter ticking over too fast. One blustery Saturday afternoon, when his fingers nearly froze as he sat at the desk in front of the draughty windows trying to complete his homework, he decided he needed a change of scene.
Grabbing his bag of dirty washing to take to the launderette, he snagged his satchel and required textbooks and headed off down the hill. Once his laundry was in the machine, and the woman on duty kindly promised to put the wet load into the drier, he crossed the road to the café. He hoped that by now, he was enough of a regular customer to get away with ordering only the milky coffee he’d acquired a taste for. 
He’d missed the lunchtime rush and was glad he’d had a sandwich at home beforehand since the scent of hot food was always tempting. Instead of the waiter, it was a girl who served Kenneth today. She looked young enough to still be in school, most likely expected to help out at the weekends, the resemblance to her brother evident in her dark eyes, olive skin, and wide smile.
She didn’t quibble at his order of coffee, so Kenneth arranged his books on the table and started to study. He was so focused on his calculations that he was taken aback when a voice asked, “Would you like a top-up?”
He looked up from his exercise book to see the waiter smiling down at him. Hesitating, he started to scrabble in his pocket for any change remaining from his trip to the launderette when the waiter said, “It’s alright. It’s on the house.” With another smile, he took the cup and saucer, allowing Kenneth to admire his departing backside.
When the waiter returned, he seemed inclined to chat further, asking, “What are you studying, then?”
“Engineering,” Kenneth replied. “Well, the bare bones of it anyway.”
“Smart fellow,” the waiter retorted, raising his elegantly arched eyebrows. “Dad would like me to study,” he said with a nod to the man behind the counter. “But I’m flat-out here most days, and anyway, I'm not brainy enough,” he added with an eloquent shrug of his shoulders. It seemed unfair to Kenneth that someone so attractive and personable should lack confidence in his ability. Without pausing to feel self-consciously tongue-tied, Kenneth replied, “If you can remember every order and give the right change all day, every day, then you must be savvy. There’s plenty of education growing up and working in a café."
“Maybe so,” the waiter agreed with that charming smile. 
He seemed about to continue the conversation when a call came from the counter. “Gino, service for table two!”
“Speak of the devil,” he said. His smile deepened as he lingered. 
“Doesn’t your dad need you?” Kenneth asked. As soon as the comment was out of his mouth, he wished he hadn’t spoken aloud. 
“Nah, my sister’s helping too, so there’s no rush,” Gino replied. “Dad would soon let me know if it’s urgent. And anyway, I’m not usually in the habit of dawdling at the tables chatting up pretty boys, so I’m sure he’ll let me off this once,” he added with a dazzling grin as Kenneth felt a blush rising over his face to his hairline. 
“Arrivo, Papa,” Gino called over his shoulder, before sauntering back towards the counter with a distinct sway of his hips.

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Meet Ellie

Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance.

Ellie also writes historical erotic romance as L. E. Thomas.

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#SampleSunday… The Quid Pro Quo

The Quid Pro Quo cover, A. L. Lester

I’m jumping on the #SampleSunday hashtag on twitter this week, with an excerpt from The Quid Pro Quo for you…

The Quid Pro Quo is a romantic historical paranormal murder-mystery set in 1920s rural England where nearly everyone is queer and the main couple is m/transm. Think Agatha Christie, but queer! With monsters! It’s the sequel to The Fog of War, but it works as a standalone set in the Border Magic universe.

Simon pressed the heel of his hand down onto the place the pain was radiating from. That usually helped. He sometimes wondered if there was anything still left in there. He should probably get it looked at. X-rayed, they called it, didn’t they? The hospital in Taunton had a machine, he knew.
He sighed. “Look, I didn’t just come up to show off my weaknesses to you.”
Kennett made a harrumphing sound that could have been a laugh. 
“I came to ask about two things. Her alibi. And the way she describes what happened at the seance.” 
“Look,” Kennett drew a breath and said in a firm voice, “she didn’t do it.”
Simon glared up at him, not quite ready to get up off the bench and fall over into the other man’s arms again. “That’s all very well. But you can’t just say that and then tell me you can’t say why you know!”
Kennett screwed up his face. “I just can’t, Mr Frost. And that’s all there is to it.”
Simon managed to stand. For all Kennett was small, he was intimidating. He scowled furiously up at Simon, face creased with anger. There was no trace of the sardonic wit about him now.
“Was she with you that night?” Simon asked quietly. It seemed unlikely, a girl like Miss Hall-Bridges and Kennett, who was a good twenty years older than her if he was a day and a lowly ex-soldier to boot. But he’d seen stranger relationships.
Kennett choked. “Bloody hell, no!” he said, almost with a shudder. “Absolutely definitely the wrong tree, Detective Frost!” There! He did return Simon’s interest, else Simon was a Dutchman.
Simon took another wobbling step forward and Kennett stepped back. Simon finally felt as if he was getting somewhere. There was something there. Why were they all protecting the woman? It was clear she was the best suspect—on paper, she had reason. But it was also clear that despite the evidence, nobody thought she’d done it. Including Simon.
Not that a lot of other people didn’t have reason to dislike the victim as well by the sound of it. His take-away from speaking to people who knew her painted a picture of the deceased as an entitled, arrogant woman who expected people to jump to her tune. He stopped that train of thought. There was never a reason to kill anyone. Never. Just because most of the people he knew had spent the last few years seeing that as the solution to all their problems didn’t mean it was right.
He drew a breath. “Then point me toward the right tree for goodness sake! If you have evidence that it wasn’t her, you’re morally obliged to let me have it!” he said, finally after a moment of silence.
Kennett shook his head again. “No, Detective Frost. I can’t. It’s not my place.”
Simon eyed him narrowly. He was backed up against the wall of the hallway, calm and not at all intimidated by Simon’s greater height.
“Do you know who killed her?” Simon asked him. 
Kennett’s eyes flicked away and back again. He shook his head. “No. I don’t.” He knew something though. He finally sighed and stepped forward, putting him chest to chest with Simon and Simon had no alternative but to step to one side and let him past unless he wanted to make something of it. And he didn’t. He really didn’t. He moved aside.
Simon was left looking after him as he went down the hall to the kitchen, the door propped open against the building heat of the day. He followed him into the room, watching him fill the kettle and put it on, helplessly standing there with his hands fisted in frustration at his sides, hot with irritation in the warmth of the morning and the lit range. 
“We’re done here,” Kennett said, sliding the kettle onto the hotplate and turning to face him. “You should leave, before Dr Marks gets home.”
“What, so you can sort out an alibi for Miss Hall-Bridges between you?” Simon said snarkily.
There was quite a long pause and then, from behind him, Dr Marks’ voice, deep and calm and very, very flat said, “No need, Detective Frost. Lucy and I share a bed. She didn’t go anywhere, all night.”
The silence was as absolute as if a shell had gone off and deafened him.
`