Surfacing Again: Lindisfarne

Surfacing Again came out yesterday and I thought today I’d give you some back ground about it’s setting, the ‘Holy Island’ of Lindisfarne, just off the north-east coast of England.

Map of northern Britain in the post-Roman period.
Map of northern Britain in the post-Roman period.

It’s a tidal island, accessible twice a day during low tide. These days there’s a causeway to drive across, but in days gone by you had to walk across the sands to reach it, along the ‘pilgrim way’. The path is marked by large stakes driven in to the sands and you can still do it today reasonably easily, so long as you don’t mind a bit of paddling.

The first monastery there was founded in 635AD by St Aidan as a daughter-house of Iona. That monastery was probably where the parish church stands today, but was made of wood, so no visible trace remains. It’s this monastery that was responsible for the beautiful Lindisfarne Gospels and where St Cuthbert was Bishop in the 680s. After his death it became a place of pilgrimage. Most of what we know about St Cuthbert comes from his ‘Life’, written by Bede, a monk at the monastery of Jarrow in the early ninth century. You can read a translation of his Life of St Cuthbert here.

The monastery was devastated by a Viking attack in June 793. There was a huge sense of disbelief across the continent that one of the largest and holiest foundation in European Christendom could be destroyed rather than protected by its patron saint. Subsequent attacks finally drove the monks out to Northam on the mainland in the 830s and in 875 they formally abandoned the island and eventually settled in the old Roman fort of Chester-le-Street seven years later. St Cuthbert’s remains ended up at Durham, where they became a good money-spinner for the abbey there.

In the meantime, there’s evidence from gravestones on the island that a small Christian community remained on Lindisfarne; but the priory wasn’t rebuilt until after the Norman conquest of 1066 as a daughter-house of Durham. That’s the ruins that are visible today. The monks were turned out and the priory abandoned during the Dissolution of the Monasteries in the mid-sixteenth century. You can read more about the history of the priory here. With annotations!

The castle, at the opposite end of the island to the priory, began life as a fort in the mid-1500s with stone robbed from the abandoned priory. At that time England was still very much threatened by Scotland. However when Elizabeth 1 died in 1603, the two countries became ruled by the same monarch and the threat disappeared.

By 1900, the fort was in ruins. It was bought by Edward Hudson, who employed Edward Lutyens to turn it into a little castle, where the nobility of the day came to socialise. He also employed Gertrude Jekyll to create a walled garden for him.

You can visit Lindisfarne for the day or you can book accommodation. If you can’t manage that, I recommend the magic of Google Street View. You can visit the priory ruins, walk along the beach where Lin meets her otters, see the ruins of St Cuthbert’s monastic cell on the additional tiny, tiny island and even walk across the sands on the Pilgrim Path.

And as a final note, I was at Ofelia’s blog yesterday with the ginger biscuit recipe that Rowan uses in her café.  Find it here!

Read on for more about Surfacing Again and an excerpt.

Surfacing Again: A short contemporary lesbian romance

Cover: Surfacing Again

Melinda is staying on Lindisfarne for a Christmas break with her old friend when an unexpected argument leaves her alone for the holiday.

It’s the first Christmas since her mother died and the island’s peace and wild tranquillity bring balm to her wounded heart. Two chance meetings, first with a pair of wary otters and then with cafe-owner Rowan, bring her genuine joy.

Will her tentative relationship with Rowan survive the end of her holiday and the turning of the year?

short sapphic Christmas story. With otters.

Chapter 2: Christmas Eve

“You look like you could do with a hot drink. Your lips are blue,” the small woman wrapped in the huge green apron said. She was sweeping the windswept grey pavement outside the little cafe on the corner in the village as Melinda peered through the window at the menu, wondering whether they were open.
“Are you serving?” she asked.
The woman was about her own age, with a geometric blonde haircut and an impish expression as she looked at Lin over her broom.
“I’m not actually open for another couple of hours,” she said, smiling and leaning the broom against the wall. “But come inside while I set up. You must be frozen. It’s a bitter wind.”
Melinda smiled at her. “Why are you bothering to brush the pavement then?” she asked.
The other woman smiled again. “Habit,” she said. “It’s habit. I like my routines. Come on, come in. I’ve lit the log burner already, so it’s toasty inside.”
There were a couple of sofas set at angles in front of the log burner and a few small tables squeezed in around them. It really was a tiny cafe, probably converted from someone’s front room that had been knocked through into the room behind at some time in the past.
“Here,” her saviour said. “Sit down, take your coat off. “What would you like to drink? I’ve got…well, anything really. Tea? Coffee? Hot chocolate?”
“Tea would be wonderful, actually,” Lin said. “I haven’t had any yet this morning. I got up early to watch the sunrise.” She was determined to make the most of her stay on the island of Lindisfarne, despite the drama of the last couple of days.
She sighed.
The other woman flashed her another grin before she could get too lost in her thoughts. “It was beautiful this morning,” she said. “I’m Rowan,” she said in a friendly fashion, going behind the counter and putting a kettle on.
“I’m Lin,” Melinda said. “Is this your place?” She hunched forward and stretched out her frosty hands to the fire.
“Yes. Me and my girlfriend started it a couple of years ago, but it’s just me now.” She shot Lin a sidelong glance.
Melinda smiled back. “It’s lovely,” she said. “Very cosy.”
“It’s tiny, but it works. I live upstairs.” She nodded toward the back of the cafe where there was a closed door beside the one that led out to the kitchen, presumably leading to some stairs. “We only do drinks and cakes, and soup and sandwiches and breakfast rolls; a very limited menu. But it’s all people need if they’ve come over to the island for the day. No-one wants to waste time with a full sit-down lunch.”
She put a tray with a pot of tea, a jug of milk, and two mugs down on the low table between the sofas, sinking into the one opposite Lin.
Lin nodded. “Yes, that makes sense. It’s quieter at this time of year, though?”
“Yes, very much so. Although it can get busy now for a bit, around Christmas. And people stay in the self-catering properties and guest houses all year round, obviously. If I didn’t need the income to live, I’d say I prefer it when it’s quieter.” She said that with an open smile. “Present company excepted, of course!”
She leaned forward and poured them each a cup of tea. She seemed to have all the time in the world to chat to a random stranger she’d rescued from the freezing morning.

Buy Surfacing Again

#AmReading

This week, two gay romances, one fantasy, one contemporary, and a contemporary fantasy story with roots set deep in English myth.

Seducing the Sorcerer by Lee Welch

Cover, Seducing the Sorcerer, Lee Welch.

There’s a magic horse that eats eiderdowns. That’s all you should need to know in order to one-click  this book. Go and get it now. Immediately.

Other than that…it’s just as beautifully written as Lee Welch’s previous books. The characters are complex and well drawn–Fenn, who’s POV we follow–is an older character in his mid-forties and has fallen on hard times. He’s at the end of his rope when he gets swindled by a farmer he does some work for and is paid with a sackcloth horse. After that his life gets extremely weird.

I loved this whole premise. Fenn is just such a good character. He’s likeable, he’s realistic in that he tries to do the right thing and doesn’t always quite manage it. He makes assumptions and he acts on the spur of the moment and he is tired of fighting for things. He’s also seriously freaked out by magic. The world-building is wonderful–the magic system is there in the background and we pick it up as we go along rather than it being spoon-fed to us. This is my bag, as you are probably aware. The slow-burn romance between Fenn and Morgrim the sorcerer is very well paced and there are political machinations going on behind the scenes that gradually become clear to both the reader and Fenn. I loved their relationship dynamic. Hard recommend!

The Salisbury Key by Harper Fox (audio)

Cover, audiobook, Harper Fox, The Salisbury Key

There’s a lot of pain in this story. Warnings for suicide, grief and the trauma that falls out from them. It’s a long time since I read it and because the audio is much slower than I read myself, I think the grief had much more impact on me. Dan is devastated when his older partner kills himself, and sets himself to find out why through the haze of emotion and guilt he’s surrounded by. He meets a young soldier, Rain, who he has an instant connection with and together they open a can of worms containing biological weapons and evil. It’s a bit of an odd mixture with the archaeology thread, but it works really well and it’s a favourite of mine. The narration is perfect. I loved Rain’s voice in particular. Recommend.

The Green Man’s Heir by Juliet E. McKenna

Cover The Green Man's Heir by Juliet E. McKenna

I came across this via a twitter rec and it’s glorious. The MC is the son of a dryad and a human. He can see supernatural creatures but is not one himself…dryad’s sons are long lived and heal easily, but only their daughters are actual dryads.  Our hero, Dan, is an itinerant carpenter, vaguely searching for other men like him–he wants to learn how they cope with living in a modern age of computer ID and registration when they don’t age as swiftly as humans. He has dreams that he interprets as messages from the Green Man, guiding him here and there across the country. In Derbyshire, he stumbles onto a murder that turns out to have a supernatural element and becomes involved with a local estate that has a dragon problem. This is a first in series and I’m about to begin the second. It’s lovely writing…rooted in the countryside and in English myth with likeable, rich characters that kept me turning the pages. Highly recommend.

That’s it for this week!

Taking Flight: Branwen’s Grave

So, it’s release day for Taking Flight! Yay! I’ve been around and about visiting at various blogs over the last few days…Nell Iris (10th), Holly Day (11th), Addison Albright (today!) and I’ll be over at Ofelia Grand’s place on the 16th.

Taking Flight by A. L. Lester. A short contemporary gay romance in the Celtic Myths collection.

Taking Flight is based on a tale from The Mabinogion, about Brânwen, sister of King Brân of Wales. Her brother marries her off to Matholwch, King of Ireland, but the marriage goes bad for complicated reasons to do with her step-brother mutilating her husband’s horses. Once Matholwch gets her home to Ireland, he banishes her to his kitchens. She tames a starling and sends it with a message to her brother for help. I’ve made the Brânwen character a trans man called Gwyn; and he extracts himself from his own difficulties with the help of Darren Starling rather than passively waiting to be rescued.

It’s a tiny, tiny bit of the whole legend. The tales in the Mabinogion tend to be very complicated and pretty dark and wouldn’t fit into a short story. They were handed down orally in Wales until they were written down in the twelfth and thirteenth centuries.

My background before I was a parent, a writer, a chicken-farmer, an audio-visual technician, an IT teacher and an IT professional was archaeology and history. I have always thought of myself as an Archaeologist and/or a Historian—I studied both at York for three years. However, I have never been on a dig! It’s a weird way to still self-identify thirty years after my time in that world ended; but I still do. I read a lot of history and of course I write historical stories. Even these Contemporary Celtic Myths are based in the past.

For some of the saints stories, there are obvious bits of physical evidence tied in with them. There’s a St Dwynwen’s Chapel on Anglesey—the one with the well full of fortune-telling eels I mention in Playing Chicken. St Kevin from As the Crows Fly has a hermit’s cave you can look at in a valley in Ireland. But the tales in the Maginogion go back far beyond the Christian era.

There’s no actual evidence for the Irish King Matholwch ever existing, I understand he only appears in the Mabinogion. It’s probable he was a minor leader, obviously near the coast because he had ships. The one thing that is possible evidence for the story being true is the Bronze Age burial mound known as Bedd Branwen on the Isle of Anglesey. This is such a good article, I do recommend it, there are links to the Mabinogion and photos of the site. In the tale, after lots of war and horrible things only eight people were left in Ireland and eight in Wales. The Welsh came home and

“…they came to land at Aber Alaw, in Talebolyon, and they sat down to rest. And Branwen looked towards Ireland and towards the Island of the Mighty, to see if she could descry them. “Alas,” said she, “woe is me that I was ever born; two islands have been destroyed because of me!” Then she uttered a loud groan, and there broke her heart. And they made her a four-sided grave, and buried her upon the banks of the Alaw.”

When Bedd Branwen was excavated in the 1960s by Frances Lynch, various Bronze Age burial urns and grave-goods were found and the site was dated to between 1650BC-1400BC.

So the original story had its seeds sown 3,500 years ago.

I find this absolutely fascinating. Oral history has handed that story down in one form or another with embellishments and omissions for all those years and in all those different languages. What we have in The Mabinogion is a faint echo of the past, resonating down the years from a small grave-mound by an insignificant river in a far corner of Europe.

Anyway. Here’s the blurb for Taking Flight. I do apologise for missing out the bit about the resurrection cauldron, but I just couldn’t get it in and keep the word-count low enough!

Contemporary Celtic Myths by A. L. Lester. Queer Romance short stories. Cover of Playing Chicken, As the Crows Fly, Taking Flight.

Taking Flight

Taking Flight, Cover

Gwyn Mabler is on secondment at the Kings of Ireland Hotel at Tara. He and his brother Brân are in the process of buying the place and Gwyn is getting to grips with the everyday running by shadowing the current owner, Mal Reagan.

Gwyn’s an idiot, though. Mal made it clear from the start he’d like to get Gwyn in his bed and after a couple of weeks of pursuit, Gwyn gave in. Mal was hot and pushy and just the kind of dangerous to pique Gwyn’s interest. He honestly thought Mal knew he was trans.

Since that horrible night, Mal has had Gwyn ‘workshadowing’ Chef in the deeply unhappy kitchen. He doesn’t want to go home and cause a fuss that might make the sale fall through, but when a huge row breaks out over a flour delivery and Mal backhands Gwyn across the face, he finally decides enough is enough. With the help of Darren Starling, one of the line-cooks with whom he’s formed a tentative friendship, he leaves.

During the two-day journey from the middle of Ireland home to Wales they have plenty of time to exchange confidences. Could the delicate pull of attraction between them grow into something stronger? Is it safe for Gwyn to out himself to Darren? Will Darren want to go out with a trans guy? And how will his brother Brân take Gwyn’s arrival home with a stranger?

A 14,500-word short story in the Reworked Celtic Myths series.

Buy Taking Flight: Amazon USAmazon UK Everywhere Else!

Taking Flight banner. A short gay romance in the Celtic Myth collection.

On-the-job skills

So, Taking Flight is out next Tuesday! (It’s already on pre-order at a few places if that’s your thing). I thought I’d do one of those terribly insightful writer posts about how sometimes things work and sometimes things don’t work and sometimes you have no idea which is which until you start to get the words out on the page.

Three covers of Contemporary Celtic Myths

The Celtic Myth stories began almost as a joke. The Cariad Chapter of the Romance Novelists’ Association were talking about Welsh romances for St Dwynwen’s Day. St Dwynwen is known, rather inaccurately, as The Welsh St Valentine. I didn’t have anything to put forward to be promoted for her ‘day’ of 25th January, so I sat down and wrote something. I took the elements of the Dwynwen myth and made a short, low-heat hurt-comfort story about two men who meet at a remote cottage in the depths of January. It also featured a large dog and some chickens.

I enjoyed writing it so much (and making the cover) that I thought I’d do another one. I have always been fascinated by crows and so St Kevin and the ornithological element to his legend was easy. I still really enjoyed the short-story exercise, so I just kept going and because the previous two stories were about birds, the story of Brânwen and the starling seemed like a natural progression.

It brewed around in my head all the time I was writing The Fog of War, with the starling as the main character. I was going to have him fly off with Brânwen’s message to her brother Brân and then fall for Brân and the two of them go back and rescue Brânwen. But when I came to write it, it really didn’t feel right.

This was partly because it’s such a huge story, I think, and I didn’t want to write a full-length novel. The Mabinogion is not for the faint-hearted. But it was also because as I went along, it felt like Brânwen was just a plot device in the story. And of course, she is, in the original. The poor woman has no self-realisation at all…she gets married off, she gets banished, she gets rescued, her son gets killed (by her half brother!), both Wales and Ireland get razed to the ground around her and the only decision she makes at all is at the end of the story, when she kills herself. It felt really weird trying to craft a low-key romance for two other people around that.

Nevertheless, I tried.

After a while, I realised I was writing rubbish, so I stopped and had a think. And my think led me to the conclusion that I didn’t want to write about Brân the Blessed at all. He’s Gwyn’s big brother in my story and I had great fun with him when I was able to cast him as overprotective sibling. As a main character though, he didn’t work at all.

Once I’d got that straight in my head, I was able to take the Brânwen character and make her/him the master of his own destiny. Gwyn gets himself out of his situation at The Kings of Ireland hotel with the help of Darren Starling. He has some help. But he manages his own life rather than being moved around like a chess piece.

It’s a much more satisfying story and was a salutary writing lesson for me.

I really hope you like it!

Preorder Taking Flight here

Taking Flight

Taking Flight, Cover

Gwyn Mabler is on secondment at the Kings of Ireland Hotel at Tara. He and his brother Brân are in the process of buying the place and Gwyn is getting to grips with the everyday running by shadowing the current owner, Mal Reagan.

Gwyn’s an idiot, though. Mal made it clear from the start he’d like to get Gwyn in his bed and after a couple of weeks of pursuit, Gwyn gave in. Mal was hot and pushy and just the kind of dangerous to pique Gwyn’s interest. He honestly thought Mal knew he was trans.

Since that horrible night, Mal has had Gwyn ‘workshadowing’ Chef in the deeply unhappy kitchen. He doesn’t want to go home and cause a fuss that might make the sale fall through, but when a huge row breaks out over a flour delivery and Mal backhands Gwyn across the face, he finally decides enough is enough. With the help of Darren Starling, one of the line-cooks with whom he’s formed a tentative friendship, he leaves.

During the two-day journey from the middle of Ireland home to Wales they have plenty of time to exchange confidences. Could the delicate pull of attraction between them grow into something stronger? Is it safe for Gwyn to out himself to Darren? Will Darren want to go out with a trans guy? And how will his brother Brân take Gwyn’s arrival home with a stranger?

A 14,500-word short story in the Reworked Celtic Myths series.

Preorder Taking Flight: Amazon Everywhere Else!