Ellie Thomas: London in the Rain

This week Ellie Thomas is dropping in to talk about her new release, London in the Rain. Welcome, Ellie!

Thank you so much, Ally, for having me as your guest today! I’m Ellie Thomas, and I write Gay Historical Romance. In this blog, I’m chatting about London in the Rain, my story for the April Rain or Shine submissions call for JMS Books.

When I decided to pick the Rain option, I immediately thought of London (for some strange reason!) and, after exploring the city during the Elizabethan era in my Valentine’s story, The Spice of Life, it was fun to move five centuries forwards to the 1930s.

As I wanted my story to be atmospheric, I turned to the Lord Peter Wimsey books by one of my favourite Mystery Golden Age authors, Dorothy L. Sayers, to see the scale of early 20th century London through her eyes and get an ear for the language of the times. I have to say it felt like an indulgence to leaf through my well-thumbed copies of Murder Most Advertised and Strong Poison to get a mental map of 1930s London. 

In homage to the author, my main character, Raymond, lives in Bloomsbury (like Sayers herself and her mystery writer heroine Harriet Vane) and he also works in Southampton Row, where Pym’s advertising agency is based in Murder Most Advertised. Also, David, Raymond’s love interest is an Oxford graduate, like Lord Peter Wimsey, and if asked, he’d confirm he’s also a Balliol College man. 

As Raymond, although sexually active, lives an outwardly closeted life, I had already decided that David would be much more open in his attitude and was at least an observer of the vivid Berlin scene in the late 1920s and early 1930s, where anything went in terms of artistic and sexual expression. What I was fascinated to discover, was that by the mid-1930s, London had a vibrant LGBT (or to use the contemporary term, “queer”) scene of its own, despite draconian laws. 

Unsurprisingly, as it has been for many years, Soho was also the centre of this earlier hub. Although Charlie’s, the bar in my story, is a figment of my imagination, other clubs that I mention like the Shim Sham and Billie’s were real if relatively short-lived due to police intervention.

I discovered a fascinating virtual walking tour that rediscovers and celebrates this forgotten and colourful world and is well worth a look.

I also used references from the National Archives for my chapter set in Billie’s club, including descriptions of the spacious club room featuring a grand piano. Also, regular performers and some of the clientele mentioned in this excellent article.

Much of the writer’s observations are taken from the criminal and prosecution files, which is a desperately sad indictment of that period, but also contain fascinating details of the décor, acts, and the atmosphere of fun and escapism.

These sources inspired to me recreate that ambience in the concluding scene of my story, set in Billie’s Club. Here, at last, Raymond relaxes his inhibitions enough to dance in public with David, surrounded by an inclusive and vibrant crowd.

London in the Rain

Cover: London in the rain by Ellie Thomas

A life of set routine is the norm for Raymond Smith. Now in his mid-thirties, a fleeting wartime romance far behind him, he is an exemplary clerk at a London insurance firm where he’s perceived as dry and conventional.

But Raymond has a secret. Every month or so, he visits Charlie’s, one of the more understated bars in Soho’s flowering gay scene in the 1930s. There, he seeks relief with strangers to get him through the next few weeks.

On one of these visits, he encounters suave David Carstairs, a well-travelled linguist with the Foreign Office. Rather than a brief encounter, David offers him friendship and even affection. Despite Raymond’s misgivings, the two men, with their contrasting backgrounds and experiences, start to form a bond in the spring of 1936 as Europe inexorably begins to march towards war. Will Raymond fearfully reject this chance of happiness? Or can he unbend enough to allow David into his heart and life?

Read on!

Raymond was almost breathless when he entered Charlie’s, the doorman lifting the curtain for him without hesitation. He paused in the inner doorway, taking in the quiet scene. As it was so early, very few tables were occupied, and the pounding in his head increased as he fruitlessly looked around the room. At last, his gaze locked on a familiar figure, sitting in the same position as Raymond had occupied the previous Thursday. 
Charlie, the owner, elegant in black satin with her brassy hair piled high, was leaning over the bar talking to him in a familiar way that indicated long association. As he approached, the man gave a welcoming smile and Raymond’s headache vanished.
“Scotch and soda?” The man queried before giving his order to Charlie. As he chatted with the proprietress, Raymond looked at him surreptitiously. He’s not out on the town tonight, he thought, as the stylish dress clothes had been replaced by a tailored Savile Row suit. He must have come straight from work in much the same way as Raymond, and he wondered if his gentleman was something in the city or even a cog in the wheel of government.
Placing down their drinks with a vermilion-lipped beam, Charlie moved down the bar to serve the next customer. The man smiled at Raymond, picked up his glass, and said, “Cheers!”
Braced for the first taste of harsh spirit, Raymond’s eyebrows rose when the contents proved to be far superior to what was normally served. He must be more than a vague acquaintance of Charlie’s, thought Raymond, as this is the good stuff. He took a long swallow, appreciating the fine flavours. 
“Bad day?” The man asked sympathetically.
“Oh, you know,” Raymond shrugged. “The usual ups and downs of office life.” Although his companion smiled understandingly, Raymond would have been astonished if the man had any familiarity with his humdrum routine.
The gentleman took a sip of whisky, and after hesitating, he began, “Well, whatever happened today, despite any inconvenience to you, I’m glad it brought you here. I was hoping I might see you again,” he finished with a shy smile.
Raymond said nothing, hiding his confusion with the rest of his drink. He must be joking. Why would someone like him give me a second glance? 
Embarrassed, he changed the subject, pretending to peer into the corners of the room, saying, “Your young friends not with you tonight?”
The man laughed, “Thankfully, no. One round of the delights of Soho was sufficient for my young cousin and his chums. From the amount and variety of booze they put back, I wouldn’t be surprised if they are still suffering from sore heads. Talking of which, would you like another?” 
He gestured to Charlie, who took away their glasses to refill them from her private supply, returning their replenished drinks with a conspiratorial grin. Raymond took a sip of his fresh drink, letting the fine whisky roll around his mouth. 
“By the way,” the man said, “I don’t know your name. How remiss of me. I’m David Carstairs.” 
Taken aback by such openness, Raymond paused before he shook the proffered hand, his own captured briefly by a warm, firm grip. 
“Raymond Smith,” he muttered in response. Meeting David’s amused, slightly disbelieving glance, he laughed and said, “No, it’s not a false name.”
“There are plenty of genuine Smiths in the world, I suppose,” David said lightly. “And not merely assumed for reasons of disguise.”
Raymond felt keenly aware of their surroundings and all the secrets this place of assignation held, including his own.
As though on the same wavelength, David said casually, “This bar is a pleasant place to unwind and not too far from King Charles Street where I work.”
So he’s in the Foreign Office, then, Raymond thought. I should have guessed. He’s got the looks and poise and, no doubt, the education too.  
He cleared his throat, “I’m not far away either. My office is in Southampton Row.”
It seemed oddly personal to trade such information here, where Raymond had exchanged greater intimacies with men, never knowing a single fact about their lives. 
David glanced at his watch. “I assume you haven’t had the chance to eat as yet? Perhaps after we’ve finished these, we might get a spot of supper somewhere?”
After gulping down his first drink, Raymond had been slowly sipping his second glass of whisky to remain as long as he could in David’s presence, convinced the other man would excuse himself at the first opportunity.  
Raymond blinked, taking in the import of the invitation. “I’d like that very much,” he replied. David’s shoulders relaxed as though they had held some invisible tension.

Buy London in the Rain

About Ellie

Ellie Thomas lives by the sea. She comes from a teaching background and goes for long seaside walks where she daydreams about history. She is a voracious reader especially about anything historical. She mainly writes historical gay romance.

Ellie also writes historical erotic romance as L. E. Thomas.

Website : Facebook

#AMA: The Nix List

Ask me anything. Join my facebook group or newsletter for calls for questions!

This week’s question is another by Anabela (who gave me a wheelbarrow-load of really good ones!) Do you have subjects you think you could never write about?

Yes! Definitely! Is the short answer—I should think everyone does. And I should think everyone’s answer is very different and probably changes with time.

The first one that jumps to mind though is children. I’ve always been very disinclined to write about characters with children. Mine are in their early teens now and I was first published in 2017 when they were…thinks very hard…nine and ten. The absolutely last thing I wanted to do was revisit that in fiction. Likewise now, I can’t see myself writing in the parental romance genre any time soon. I had a rubbish time when they were tiny babies and it’s simply not something I want to explore, whether it would be a story that sells or not. I’m utterly baffled by epilogues in romance that show characters having children. I read them and they leave me cold, they’re not my thing at all. So I can’t ever envisage me writing one.

Having said that I do have a character in the Theatr Fach world who has a child; but that’s accidental—I wrote them as a side character in Out of Focus and threw in a kid they had to pick up from school as an excuse to leave Alex alone at the hospital; and I’d quite like to explore them further, so ta-da, they’re a parent. But generally speaking…writing about characters with children is a nix.

Also a nix is mpreg. Does that come under the ‘people with children’ caveat? It probably does, but it should also be a category on its own. I just…can’t. I think it might be my own dysphoria that makes me so revolted by it. Let me emphasise people should absolutely read and write what they want, this is my own personal reaction, not a judgment. I think, actually, giving it more thought whilst writing this, it’s not just mpreg, it’s an entire pregnancy thing. So let’s expand the nix to cover pregnancy. I cannot envisage ever writing a pregnant character. Even writing this paragraph has made me shudder. I did not enjoy being pregnant—I loathed it, every single minute of it. I had the two children very close together—sort of by design as I was nearly forty by the time the first one came along—but so close together that at one point I was pregnant and had post-natal depression. When Littlest was born, my lovely obstetrician wrote me a letter of congratulation expressing the wish never to see me in her clinic again. So a nix to pregnancy completely, please!

I don’t think there’s anything else I am conscious of definitely not wanting to write about. I’ve written about death and violence and assault, all sort of horrible things. I do find writing about sexytimes quite difficult sometimes. I don’t think that’s an inherent disinclination though, more that sex is inherently messy and funny and stupid and I find it hard to do right without slipping in to cliché. I’m always worried that readers will come across a sex-scene and it’ll throw them out of the story because I’ve done sexing in a way that no-one else will find acceptable/interesting/arousing/relevant to the narrative.

I’m sure there are other things and I don’t know it, simply because I haven’t come across them yet or I’ve buried them so deeply I don’t have a clue they’re there!

I’m really enjoying these posts…if you have an #AskMeAnything question, do drop me an email or pop in to Lester Towers to ask.

Surfacing Again: Otters and anthropomorphism

Morning everyone! Surfacing Again is 99c for the whole of this week and I thought I’d share a bit about otters. This is largely an exercise in basking in cuteness for five hundred words, so please do excuse me.

close up shot of otters
Photo by Silvia Heider on Pexels.com

As you know if you’ve met any of my Celtic myth retellings, they are all based on some sort of legend from the westward Celtic fringe of the British Isles. I began by making them Celtic (hence the name, doh!), but I’ve expanded a bit for the sake of a good story and St Cuthbert was actually knocking round Northumbria in the very early middle ages, during the seventh century. His church was part of the Celtic tradition, but he wasn’t a Celt. I made an exception for him because I was so taken by the otter story. (The whole Celtic church versus the Roman church is a whole other post, so we’ll go with this oversimplification because it’s a niche interest 😊)

So. Cuthbert was an extremely austere chap, who used to go and stand in the sea to pray. When he got out, a pair of otters would come out of the sea too, and dry him off. We know this because a creepy stalker-monk spied on him and later told St Bede, who wrote it in his Life of St Cuthbert.

This is…not usual otter behaviour.

cute wild otter swimming in lake
Photo by David Selbert on Pexels.com

Here in the UK we don’t have sea otters. We just have otters, some of whom prefer to hang out on the coast. I like to think of them as water-cats, or maybe water-dogs, because they are so active and playful. They are the European otter, members of the Mustelid family which also includes stoats, weasels and mink. They’re all pretty fearsome creatures with an exciting set of teeth that you don’t want predating in your chicken house.

They are also exceedingly rare in the UK at this point, although I believe they are less rare than they used to be. My sister (to whom Surfacing Again is dedicated) is our local point of contact for one of the otter protection organisations and she does counting and watching. This seems to mostly involve dangerously hanging over bridges and wading through unpleasantly deep streams to change the cards in her wildlife cameras and then watching the footage and logging what she sees. She also counts up footprints and spraint that she finds. Because they are so endangered, people aren’t encouraged to deliberately go and search for them.

I think we have this anthropomorphic idea in our heads about some wild creatures that doesn’t serve us well, simply because they are so charming. Otters fall into this category I guess.

They eat mostly fish, but will also eat birds, mammals and frogs if they’re hungry. Because they’re inquisitive they will interact with humans occasionally in the way they do in Surfacing Again…coming up to see what’s going on. But like all wild animals they aren’t tame and we shouldn’t see them like that. Having said that I loved Gavin Maxwell’s Ring of Bright Water when I read it in my teens. In my opinion it’s the ultimate otter book. Maxwell lived with a house full of otters on the west coast of Scotland—he was a naturalist who travelled widely in the interwar and post WW2 years and brought his first otter back from Iraq . It was a different time and these days you have to have a licence to keep a wild animal as a pet.

In my story I tried to balance my desire for Mustelid cuteness with my feeling that otters are wild creatures who should be respected. I hope I’ve done that.

Surfacing Again

Cover: Surfacing Again

Melinda is staying on Lindisfarne for a Christmas break with her old friend when an unexpected argument leaves her alone for the holiday.

It’s the first Christmas since her mother died and the island’s peace and wild tranquillity bring balm to her wounded heart. Two chance meetings, first with a pair of wary otters and then with cafe-owner Rowan, bring her genuine joy.

Will her tentative relationship with Rowan survive the end of her holiday and the turning of the year?

Buy on Amazon : Buy Elsewhere : Add to Goodreads

otters drinking water from river
Photo by Kieren Ridley on Pexels.com

#AMA: Dinner and a Show

Ask me anything. Join my facebook group or newsletter for calls for questions!

Today’s #AMA question comes from Liz Welch: Which of your characters would you most like to have dinner with, and why? And what would they make for you to eat?

I thought this would be an easy one to write about and actually I’ve sat here for ages thinking about it. There are so many characters and so many different things we could talk about over a meal.

Finally though, I’ve come to a conclusion. I’m going for Rob and Matty from Inheritance of Shadows.

Character Sketch of Rob & Matty from Inheritance of Shadows

Webber’s Farm

Map of Webber's Farm by Elin Gregory
Webber’s Farm

Sitting with Rob and Matty at the scrubbed wooden table on the battered oak chairs in the kitchen at Webber’s Farm would definitely be my first choice. Rob would cook something like sausages and mash. Straightforward, plain food. The range would be fired up hot to cook on and the kitchen would be warm and cosy.

We’d eat with our elbows on the table and to follow, because it would be Saturday and no-one had to rush back out to work afterwards, we’d have big slabs of the fruitcake Anne Beelock had baked that morning along with slices of sharp cheddar from the larder, and drink cups of tea out of the cups and saucers with roses round the rim—Matty would have got out his mother’s china for my visit—and talk about how the cattle were doing and whether the harvest was going to be a good one this year.

The Webber’s of my mind is a dim, warm, welcoming place, with slightly fraying thatch and a muddy track with the pot-holes filled in as and when they’re needed. It has a yard surrounded by low, ancient barns filled with machinery dating back a couple of hundred years, dusted with the red soil of the hills. The back door is always ajar to let the dogs in and out and the kettle is always almost-boiling on the range.
As you knock on the door and go on in—the back door, no-one uses the front unless it’s a wedding or a funeral, or they’re a stranger—Rob looks up from the kitchen table where he’s standing next to a pile of potatoes, peering down at the newspaper he’s supposed to be using to peel them on, wire-framed glasses perched incongruously on the bridge of his nose. 
“Ah,” he says. “It’s you. There’s tea in the pot.” And he looks down again to finish whatever he’s reading. Something about the football, probably.
“Where’s Matty?” you ask him, poking at the kettle. 
“Gone to town,” he says, taking off his glasses and folding them carefully in to their case beside him on the table. “Picking up the seed potatoes.” 
“Oh, yes, it’s Saturday,” you say. 
“Nothing for the market today,” Rob tells you, to explain why he’s at home and Matty’s gone by himself. “And I needed to get on with one or two things here. He’ll be back shortly though. Are you staying for dinner? He was going to the butcher. Sausages.” He grins and raises his eyebrows. He’s a big fan of sausages.
“That would be lovely, if you have enough,” you say. “Shall I help you peel the potatoes?” You gesture to the pile.
“No, no,” he says. “You sit down and pour us some tea and I’ll get on with this. There’s no rush. I just thought I’d get it done. Annie’s gone off to see her sister.”
So you sit and make small-talk. Nothing big. Nothing of moment. Who’s working where. Who’s walking out with who. Whether Flo the big plough horse is in foal or not. 
And when Matty comes home it’s more of the same, all through the meal and into the afternoon. 

That’s what I like about Webber’s and the stories I’ve set there. Both Inheritance and Taking Stock are about people finding a home. Inheritance has a paranormal element. But it’s still mostly about both Matty and Rob finding a way to be happy with themselves and exploring how they might fit together. I guess in these troubled times I need that security and if I can only get it by going back fifty or a hundred years then so be it!

Rob is the most reassuring of my characters I think. He’s so steady. You’re not going to get cordon-bleu cuisine or conversation about philosophy with your meal. But you’ll get nourishing, comforting food, insightful local gossip and some national political discussion. And maybe a bit of chat about what he’s been reading. He likes to read, but not a lot of fiction—biographies, that sort of thing.

Inheritance of Shadows audio cover

Callum has narrated Inheritance of Shadows for me. You can listen to the first (long) chapter for free at Bookfunnel and hear his interpretation of Rob and Matty. I love them both, he’s got them exactly as I pictured them—Rob’s depth and steadiness really come through.

I hope this answer’s Liz’s question! I’m really enjoying having these thrown at me and I hope you’re enjoying reading them. If you’d like the chance to ask me something yourself, please pop in to my Facebook Group or join my newsletter–I will be regularly asking for questions!

Thanks for reading!

Guest Post: Ofelia Grand drops in to talk about The Blood Witch

Hello, everyone! Thank you, Ally, for allowing me to swing by again 🥰 (You’re always welcome!-Ally)

A couple of days ago, The Blood Witch was released. It’s a story I wrote for National I am in Control Day. If you don’t know me, I write stories for all those silly days out there – today, for example, it’s National Black Forest Cake Day. Always nice with an excuse to eat cake, right?

National I am in Control Day is observed annually on March 30th. It was created because when, back in 1981, there was an assassin attempt on Ronald Reagan, the secretary of state told everyone at a press conference that he was in control. Chaos erupted since some folks thought he was trying to take over after Reagan when he had no right to do so.

Sometimes it doesn’t take much to create a holiday 😄

I seldom read stories where the characters are royalty – some, of course, but I’ve never gone looking for a story with a king or a queen, and I’ve most definitely never written one.

I’m Swedish, and Sweden is a monarchy. The royal family is mostly there as decoration and a waste of money. In case you didn’t catch it in my tone, I’m not a fan. I don’t dislike the king as such, the poor sod never had a choice, and I would never want to trade places with him, but…

So when I decided to write a king, I also decided there would be no fancy clothes, balls, princesses in expensive dresses, and the king would not be there as some kind of ornament.

Conri is a werewolf, and he rules over Northbridge, a small city. The world is divided into areas, most pretty small, and the supernatural population are ruled by a king or queen. The supes have fewer rights than humans – they’re not allowed to own businesses, they’re not allowed any higher education, the legal system doesn’t treat them fairly and so on.

To make sure no supernatural being is lying about their race, there are blood tests when applying for school and other things.

Nick is a blood witch, and as a blood witch, he can change blood. This makes him a great asset to a kingdom, but blood witches are often kept prisoner by their kings or queens so they can be forced to work for them. Nick managed to escape his former king, and he has no plans of going back to working for a king ever again.

He’s managed to hide in Northbridge for six years, but one day he outs himself, and now the king demands he come and pay his respects.

I loved writing this one, and who knows, I might write more kings in the future LOL

Available now: The Blood Witch

Excerpt:

A blood witch—Conri had a blood witch in his kingdom, and it could earn him power and freedom beyond any king’s dreams. He wasn’t sure how it would work, but it was what he’d heard—a blood witch could strengthen a king’s power in ways no one else could.
Conri had promised no harm would come to the man who’d saved Cellica, but now the little shit refused to pay his respects, and Conri was running out of options.
People flocked around him. They came to Twilight, his nightclub, simply to be close to him. His bed never lacked lovers, and his schedule didn’t have any gaps unless he put them there—which he tried to do as often as possible. Everyone wanted to be close to the king, and when he summoned someone, they showed up. He did not beg for anyone’s attention. He didn’t have to. He was king. The fucking witch.
“I’m going to talk to him.” He grabbed his phone and called Urien, his second in command.
Most would frown at a werewolf having a vampire as his closest ally, but it worked great. Conri didn’t do packs, so he didn’t have a beta, and if he’d picked an alpha from another shifter group, all hell would break loose. Urien was a godsend.
As soon as the call connected, he spoke. “Will you be in soon?”
Urien slept through the day, so Conri couldn’t fault him for not being in earlier—it was the only downside with having a vampire as his second.
“I’m already in the building. There was some trouble by the stage. It’s sorted.”
Conri hummed. In one area of the bar, they had live performances during opening hours. If there was trouble, it often started there.
“I’m going out for a bit. You can reach me on my cell.”
He ushered Zephirah out of the office and locked the door.
“I’ll come with you.” Zephirah fluffed her hair.
“No, I’m going alone.”
She pouted. “But it could be dangerous.”
He gave her an impassive look until she snarled “Fine!” and stomped away. Conri feared she’d become a problem one day soon.
The closer he came to the house where the blood witch lived, the deeper his frown became. Blood witches were wealthy beyond belief, and yet this one lived in the worst part of the city.
Cellica lived here because the pack had shunned her. She’d broken a mating—no one ever did. The male she’d been mated to had been picked for her and wasn’t her true mate. He had personally made sure the mate wouldn’t come back. He could do nothing about how the pack treated her, not without becoming a member, and he wasn’t going to. He had tried to move her to a better area which she had refused, but she had allowed him to pay her rent a couple of times when things had been worse than usual.
He jogged up the stairs of the decrepit building where he’d been told the blood witch had his apartment and knocked on his door.
“Hello?”
Conri frowned at the door but didn’t reply. When the footsteps moved away, he knocked again.
“Yes?”
“Open the door.” Conri would not shout through a closed door.
“No.”
“Open the door or I’ll open it myself.”
“I’m calling the cops.”
Conri cursed. “I only want to talk to you.”
“Don’t patronize me.”
Conri frowned again. He wasn’t patronizing. “I wasn’t.”
“How naive do you think I am?”
According to Cellica, the man was short, slim, and young-looking. Conri had been thirty-one when he’d become king, and he’d ruled this city for eleven years. When Cellica had said young-looking, he’d assumed the witch was in his early twenties—a pup. Someone he could intimidate and control. The months leading up to this day had told him the witch wasn’t easily intimidated. “Open the door.”
“I think not. Calling the cops now.”
Conri growled. “I’m the king.”
“I don’t care.”
For a second, anger flared in his chest, then he pursed his lips. “You’re not human, which means you belong to me.”
“I’m human. Now go away.”
A second later, Conri heard the witch talk on the phone, informing someone—the police most likely—there was someone trying to break into his apartment.
Conri growled. “I’ll be back.” He gave the door a soft knock before slinking down the stairs and out on the street. He walked to the back of the building and counted the windows. The tiny balconies didn’t look sturdy enough to carry his weight, but it was worth a try.

Buy The Blood Witch: JMS Books :: Amazon :: books2read.com/TheBloodWitch

About The Blood Witch

The Blood Witch cover

Nick Adore has been in hiding for six years. He does his best to pass himself off as human and only wants to be left alone. But one day, he walks in on a robbery. Instead of quietly walking away, he reveals himself as a blood witch, and now the werewolf king demands to see him.

Conri Biast is king. He has been the king of Norbridge for eleven years, but someone is trying to take him down. For months, he’s known there’s a blood witch in his territory who refuses to pay his respects, and that puts him on the top of his list of suspects. But when he goes to confront the witch, things don’t turn out the way he’d planned. The witch is his mate.

 Nick doesn’t want to be anywhere near Conri. Being close to kings always ends with him getting hurt, but he finds himself sucked into the power struggle. Conri doesn’t know who he can trust, but he knows he needs Nick by his side. Together, they’re strong, but are they strong enough to keep the throne?

Gay Paranormal Romance: 43,009 words

Buy links: JMS Books :: Amazon :: books2read.com/TheBloodWitch

About Holly Day:

According to Holly Day, no day should go by uncelebrated and all of them deserve a story. If she’ll have the time to write them remains to be seen. She lives in rural Sweden with a husband, four children, more pets than most, and wouldn’t last a day without coffee.

Holly gets up at the crack of dawn most days of the week to write gay romance stories. She believes in equality in fiction and in real life. Diversity matters. Representation matters. Visibility matters. We can change the world one story at the time.

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