amwriting – Page 3 – A. L. Lester

New year, new stories

I’m not usually the sort of person who celebrates New Year’s Eve and this year it was a bit peculiar anyway, because Mr AL spent it in a hotel near the airport so he could collect Talking Child from her Big American Adventure. I had an early night and woke up to find TC’s flight had landed and they were on their way home. It was the best New Year’s present I could have had, really.

This is the first morning I’ve got up to write in the office for a couple of weeks—I had a horrible cold in the week before Christmas and it knocked me completely off track. I have been having serious problems with the third Bradfield book that my editor and I finally tracked down to the fact I don’t actually like my main character; which is a bit of an issue. I have decided to put it on the backburner for a bit and try and reframe her in my mind whilst I write something else in the interim; but I’m still not sure what.

This year I have in my mind that I am not going to write any series. It’s going to be the year of the stand-alone story. And I want to write something new. I’ve been dealing with monsters and the border and all that for six years now and whilst I love my magical world it’s time to try something different, even if I come back to it in a while. That’s why I wanted to write Bradfield #3 early this year and be able to draw a line under it for a bit.

I want to write the companion novel to The Flowers of Time and expand the mm romance between Edie’s brother Hugh and his friend Carruthers. That involves immersing myself in the 1780s again and is something I’ve been looking forward to for a while. And I have another idea I’m calling Space Gays that I haven’t fleshed out yet…I thought it might be a trilogy though, so that’s a no-no for a while under my current rules!

In my half-started folder I have a post-pandemic dystopia I began well before covid hit. I really want to finish it; but since covid I haven’t been able to even look at it…too close to home. I thought I might try and finish it; but I have serious doubts about anyone wanting to read that sort of thing at the moment. Last week’s newsletter poll more or less confirmed that! And I want to write some more Celtic myths. I’m really enjoying them and people seem to like reading them. They’re very satisfying to write.

In among all these ideas, JMS Books has some interesting submission calls this year; particularly one for time-travel romances. I am now wondering about that…but time. I need a way to fold time.

So. That’s my vague writing plans for the new year. I also have more audiobooks on the backburner—I have a lovely person lined up for The Fog of War and I’d like Callum to voice The Quid Pro Quo for me if he’s available.

I do have a spreadsheet that I’m putting things in to so I don’t overwhelm myself; which is basically what happened toward the end of last year. I tend to fill my coping mechanism up to the top and then when something unexpected happens there’s no room and everything overflows. Leaving myself some headroom is definitely a better strategy.

Among all that we have been shielding Littlest again against Omicron. She’s had two jabs and hopefully clinically vulnerable children in the UK will be able to have a third soon, which will put my mind at rest.

I wish you all the very best for 2022. Let’s hope it’s a bit less stressful than the last couple of years.

British Accents now and then

One of the things I love about working with Callum Hale on my audiobooks is his ability to throw himself into pretty much any British accent and bring the character to life. To my British ear each of the people I’ve created sound exactly as I’ve envisaged them as he brings them off the page.

I asked him to make Rob, from Inheritance of Shadows ‘less ooh-arr’ and he toned the accent down so to me at least, Rob doesn’t sound so much like a heavy-handed son of the Somerset soil. And I wanted Will Grant in the 1920s London Trilogy to sound more like Lord Peter Wimsey. Callum obliged, perfectly. (These are my two favourite of all my characters, ever, incidentally).

The question I’m always asking myself about my writing though, is how right can I get it? I want the history in my books to be accurate, unless I’m deliberately twisting the universe out of true with magic. I think this is the same question historians have to ask themselves about looking at anything in the past. We are both looking at things through our own rose-tinted spectacles, coloured with our own experiences and social expectations. My characters in these books grew up in Victorian England. What did they really think about the Empire? What did they talk about in the pub? What did they really sound like? How did they really smell? We’re fudging it, the whole lot. Historians and archaeologists because of lack of data. And writers because of lack of data and because we don’t want our main characters to be unsympathetic to modern audiences.

Anyway…during one or other of my late-night sessions randomly browsing the web, I came across this programme about Edwardian accents. A regional English language specialist in Germany during the First World War, a real-life Professor Higgins, suddenly realised he had a huge pool of untapped research material in the German army’s British prisoners of war. In this documentary you can actually listen to their voices.

I was very interested in how the modern specialists in the programme say the regional accents of the past are broader in the recordings than they are now. It’s as if the rising tide of London-speak has swept the broad vowels of the regional accents back from the centre of the country, into the more remote west of England. So although to me, Rob sounds about right, a farm labourer from Somerset who’s self-educated and likes to read, to his contemporaries he’d probably have sounded out of place. You can listen to Callum’s reading of him here, in the first chapter of Inheritance of Shadows.

I think, listening to those long-ago voices in the programme, it’s important to remember these men were prisoners. That’s one of the filters we mustn’t discard. Were they doing this work in the language lab out of the kindness of their hearts? Because they were bored and wanted an occupation? Because they were threatened in to it? Because they were offered extra rations or privileges? Are these their actual accents? Or are they performative, a joke on the professor? They’re immensely touching, whatever their origin and I hope you enjoy it.

You can buy the 1920s London audiobooks at Authors Direct.

Lost in Time, Shadows on the Border, The Hunted and the Hind by A. L. Lester. Narrated by Callum Hale.

Announcing The Quid Pro Quo

So, here’s some news! The Quid Pro Quo will be out on the 20th November and here’s the cover and an excerpt!

It’s the second in the Bradfield trilogy following The Fog of War and stars Walter, Sylvia’s nurse-friend; and Simon, a local detective who visits Bradfield to investigate a murder.

The Quid Pro Quo

Village nurse Walter Kennett is content with his makeshift found-family in tiny Bradfield. However one midsummer morning a body is found floating in the village duck pond, dead by magical means.
Detective Simon Frost arrives in Bradfield to investigate a inexplicable murder. The evidence seems to point to Lucille Hall-Bridges, who lives with doctor Sylvia Marks and nurse Walter Kennett at Courtfield House. Simon isn’t happy—he doesn’t believe Lucy is a murderer but he’s sure the three of them are hiding something. In the meantime, the draw he feels toward Walter takes him by surprise.

Walter is in a dilemma, concealing Sylvia and Lucy’s relationship and not knowing how much to tell Frost about the paranormal possibilities of the murder. He isn’t interested in going to bed with anyone—he’s got a complicated life and has to know someone really well before he falls between the sheets. He’s taken aback by his own attraction to Detective Frost and angry when Frost appears to twist the spark between them to something transactional in nature.

Will Walter be satisfied to stay on the periphery of Lucy and Sylvia’s love affair, a welcome friend but never quite included? Or is it time for him to strike out and embark on a relationship of his own?

The second in the Bradfield trilogy, set in the Border Magic universe. With a transm/m couple. Read The Fog of War first and/or add The Quid Pro Quo to Goodreads.

As Simon was replacing the device on the telephone table a pretty young woman put her head out of a door at toward the end of the hall. “Sylv!” she said, “Do you want tea? I’ve boiled the kettle.” and then when she realised he wasn’t who she thought he was, “Oh, I do beg your pardon! I thought you were Dr Marks!”.

“She’s still in the surgery,” Simon nodded across the hall.

The woman emerged into the hall. “Lucille Hall-Bridges,” she said, extending a hand. “I’m a friend of Sylvia’s. I help with the house.”

Simon took her hand in his. Her grip was sure and warm. “Detective Frost,” he replied. “Nice to meet you, Miss Hall-Bridges. She had a recent bruise running from her jaw to just below her eye, entering the black-and-purple stage.

“I’ve made a pot of tea,” she was saying. “I don’t know whether anyone will want any, but I do like to feel useful and tea is so…normal-making, isn’t it?”

He nodded, slightly bemused at her chatter. “Yes, indeed,” he said. “Very normal.”

She gave a perfunctory tap on the surgery door, opened it and disappeared inside without waiting for a response. “Sylv, Walter, I’ve made tea. Would you and your detective like to come into the drawing room?” Her voice faded, presumably as she joined them in the examination room.

There was a pause. Then, “Oh!” he heard her say. “Oh.” She sounded a little shocked. “What’s happened to her hands?” she asked.

“Scraped on the bottom on the pond I think,” Simon heard Dr Marks say. “She was face-down in the water.”

“Oh.” Miss Hall-Bridges’ voice was small. “Sylvia…there’s…she’s…I can feel…do you think…?” Her voice trailed off and Dr Marks spoke over her, clearly away they might be overhead.

“Let’s not worry about that now, shall we? The policeman is sending her down to Taunton to a postmortem. You go and take the tea-things into the drawing room. We’ll just cover her up.”

The Quid Pro Quo by A. L. Lester. Trans MC, historical, paranormal, 1920s England.

Killing your pretties

crop unrecognizable person with bright eye and rare eyelashes — Photo by lilartsy on Pexels.com

Content warning for this whole post: I’m talking about writing about death, bodies and the dead. There are no photos here, but there are disturbing photos in some of the articles I link to at the bottom of the post. I detail this after each link so you can exercise your own judgement.

The Fog of War by A. L. Lester, First in the Bradfield Trilogy, part of the Border Magic Universe

I’ve sent the manuscript of the sequel to The Fog of War this week…The Quid Pro Quo will be out on the 20th of November. So now it’s time to blog about all those interesting things I found out whilst I was writing it. And I’m starting with rigor mortis. Yay!

The book begins with the discovery of a body in the village duckpond and the characters need the time of death in order to work out people’s alibis. I’ve never written a body for which I’ve needed time of death before, so I went googling. The number of writers who do this must be extraordinary–presumably we’re all on some sort of watch-list somewhere.

When it came down to it, there’s only a page or two at most about it in the actual book, but I felt that I needed to know a lot more about the subject before I could move on with the story. This is standard for me. One of the things I find most frustrating about my own creative process is that I need to find out a lot more about subjects like this than I put in the book. To illustrate how easily I over-research, I always use the example from The Flowers of Time where I made my own butter, then clarified it to make a butter-lamp as a light source.

I didn’t go that far this time. I’m not so dedicated to my art that I’m prepared to create a corpse and observe the stages of decomposition in order to write about it properly. For both moral, practical and legal reasons. I did do a lot more reading that I probably needed to though, and squicked myself out thoroughly in the process.

Up until that point, my body, Charlotte Fortescue, had been a narrative tool–she gets offed very early in the book and she wasn’t a terribly nice person. We’re not really supposed to spend much time feeling sorry for her, she’s just the doorway for us to get into the actual plot. However, after I read all these truly gruesome accounts of what happens to a body after death, I began to feel very sorry for her indeed.

It was most uncomfortable. I didn’t want to feel pity for her…and I didn’t want reader not to feel for her, exactly, but I didn’t want people to feel they had to waste their emotions on her when she’s effectively a means to an end. I’m now stressing slightly whether I’ve struck the right balance, but it’s too late now, it’s gone off for edits and that’s that.

Here are the resources I found most helpful, whether you’re a writer looking for information, or just an interested bystander. I’ve given additional info about how distressing they are, so please do take heed. I felt wonky for a few days after reading the final one.

For an overall summary, I recommend the lovely Ofelia Grand’s blogpost, For when the poor sod needs to die. No gruesome pictures, respectful approach with a light touch, very helpful.
I then moved on to the Wiki article about rigor mortis (which has one photo of bodies in rigor, exercise care) and has a broad overview of technical stuff–also links to articles to all the other stages a body goes through after death. It’s very well-referenced.
For the forensics part of the story, I read Methods of estimation of time since death (no pictures) from this very in depth NCBI* article. Interesting, mentions maggots, don’t read at lunchtime.
However, I needed to know about bodies found in water. So I ended up at Decomposition changes in bodies recovered from water also at NCBI*. This comes with a very serious content warning, I’m not kidding people. There are photos of people who died in very unpleasant circumstances and I found it very upsetting.

*National Center for Biotechnology Information

Next time I plot something out like this I’m going to try and avoid needing forensics as a time of death because I really don’t want to have to read all these again!

Skye Kilaen: Queer M/F Romance

Today, Skye Kilaen is visiting to talk about queer m/f romances! Please give her a warm welcome!

I’m so excited to be here today talking about one of my favorite topics, queer M/F romances!

As a queer reader, LGBTQIA+ romances have a special place in my heart. When I first started reading romance by checking out books from my local library, I could easily find books that paired two allo cis men, and somewhat less easily books that paired two allo cis women. I was delighted when I started to discover romances beyond those two categories. Trans characters! Ace and aro characters! And also books that reflected my own experience being a bi/pan woman who has often dated men: M/F romances where one or both characters are queer.

(I’ve tried hard to start mixing it up by sometimes calling this category queer F/M. After all, why should the M be first all the time? But unfortunately my brain sees “F/M” and immediately thinks “radio.”)

Without further ado, here are four of my favorite queer M/F romances, and four that are on my radar.

Something Like Love is a contemporary by Black romance powerhouse Christina C. Jones, who is one of the funniest romance writers around in my opinion. Both leads are bi and I love them so much.

“Eddie is arrogant, quite vain and slick at the mouth – or simply confident, discerning, and unafraid to speak his mind, if you ask him. Astrid is annoyingly perky, unpolished, and a little delusional about Eddie’s attraction to her – or, according to her, energetic, authentic, and absolutely spot on about the driving factor of a certain local tattoo artist’s ‘hatred’ of her.

Undeniable attraction.

They may think they’re opposite, but have more in common than they think.”

Jules Kelley’s Edge of the Woods is a contemporary paranormal with a strong romance subplot that this romance reader found extremely satisfying. Haley, the female MC, is bi.

“Haley Fern has been the alpha of her local werewolf pack for less than a year when their law enforcement liaison retires, and Leland Sommers, a man who knows nothing about werewolves or their world, is hired in his place. What could be an awkward situation turns complicated when the man shows up his first day on the job with an injured teenage boy he found on the road–a boy Haley knows has just been bitten.”

Disclosure: Kelley is an online friend, who became a friend because I loved their writing so much that I reached out to say hi.

Caroline’s Heart by Austin Chant is a historical paranormal/fantasy romance that pairs a grieving witch and a gentle cowboy. Both are trans and bi. The blurb for this book centers Cecily, but Roy’s the emotional heart (no pun intended) of the story, the one who coaxes Cecily alive and holds her up when she needs it. Love this book.

“Cecily lost her soulmate years ago, leaving her with nothing but the clockwork heart that once beat in Caroline’s chest. They say it’s impossible to bring back the dead, yet Cecily’s resurrection spell is nearly complete and grows more powerful by the day.

But when a cowboy she barely knows is fatally injured, the only way to save him is by sacrificing an essential piece of the resurrection spell—and all possibility of seeing her lover again.”

Help Wanted by J. Emery is a gender and sexuality questioning F/M romance. I love this little novella about students at a magical college.

“Em is confused about a lot of things: who she is, what she wants, how she’s going to pass Alchemy when she’s awful at it. The one thing she’s not confused about is how much she wants to buy her best friend (and college roommate) the best birthday present ever. Luckily the local magic supply shop is hiring.

Her plan to get a job there would be working perfectly if not for her coworker Phineas who is in turns aggravating and endearingly awkward. She’s not sure if she wants to date him or wants to be him. The more time they spend together the more she thinks it may be both.”

Disclosure: Emery is an online friend, who became a friend after I volunteered to beta read for them because I enjoyed their published work so much.

Erin Kinsella’s Heart and Seoul stars a demisexual, panromantic heroine paired with a bisexual hero. Tessa’s an author who flies to Seoul, South Korea where her book is being adapted to film. Eun Gi, a K-pop superstar, has been cast as the lead actor. So of course they end up in a marriage of convenience. What else could possibly happen? 🙂

I was lucky enough to beta read the second book in this series, which isn’t out yet, and I fell in love with the entire cast. So I’m excited to go back to this first book and find out more about how Tessa and Eun Gi got together.

Disclosure: Kinsella is an online friend, who became a friend because I had such a great time beta reading her work.

Penny Aimes has just released For The Love of April French, a contemporary BDSM romance. The title character is a trans woman. This is waiting for me on my e-reader once I get out from under this pile of library books, and I’m so excited!

“April French doesn’t do relationships and she never asks for more. A long-standing regular at kink club Frankie’s, she’s kind of seen it all. As a trans woman, she’s used to being the scenic rest stop for others on their way to a happily-ever-after. She knows how desire works, and she keeps hers carefully boxed up to take out on weekends only. After all, you can’t be let down if you never ask.

Then Dennis Martin walks into Frankie’s.”

May Peterson’s The Calyx Charm is the third in her series The Sacred Dark. From the sample I’ve read, I suspect it works as a standalone if you’re okay with jumping right in to the lush magical worldbuilding (which is her signature!) and hanging on for the ride.

“Violetta Benedetti knows how to hide things. She spent years concealing herself behind the persona her father expected of her. Now she hides in the dark corners of Vermagna’s underworld, lying low to keep her father from using her magic in his unending quest for power.

But her biggest secret is her love for her best friend, who only knew her as Mercurio Benedetti, not the woman she is today. Now he’s dead, and she’ll never be able to tell him the truth.”

Except that her best friend Tibario DID die… and then got better. So that creates some possibilities. 🙂

The cover for Rosalie Jardin’s Prescription for a Lonely Heart cracks me up in such a good way. His expression is “Heyyyyy!” and hers is so very “I’m not so sure about all this…” That’s because in high school, nerdy Kay and athlete Adrian made a pact that if they were both still single at thirty, they’d get married. Kay, who is demisexual, thought it was a joke.

But now they’re both twenty-eight and still single, and Adrian doesn’t see why they should wait.

Tell me Anything by Skye Kilaen

Content warnings

Isabel meets Derek at exactly the wrong time… or is it exactly right?

Can Isabel return this year for a refund? Because it sucks. Her editing business would be paying her bills just fine… if her ex-boyfriend wasn’t blackmailing her. Of course, if her conservative family wouldn’t disown her for being bisexual, her ex couldn’t blackmail her in the first place. Sadly, she hasn’t invented time travel to un-make the mistake that created this mess.

Derek has a good life. Mostly. He’s an out bisexual man with a successful business and a loving queer found family. But he’s almost forty, living alone is getting stale, and yet dating seems pointless since nobody’s ever found him exciting enough to build a life with. Given he’s now doing zero-creativity craft kits to pass the time, he suspects they’re right. Maybe he should get a dog.

Isabel isn’t holding auditions for a rescuer, and she wouldn’t have expected Derek, a gorgeous, gentle man with his own history of family rejection, to fill the role. But Derek’s “boring” life is the calm harbor Isabel needs, and her affection helps Derek see himself in a new light. Their tentative connection might become the happily ever after they both deserve—if they can hold onto it through the fallout from Isabel’s recent romantic disaster.

Meet Skye

Skye Kilaen writes queer romance, both contemporary and science fiction, that’s sometimes about polyamorous relationships. Even her contemporaries are usually at least a bit geeky. After all, she does some of her writing in her local comic book shop.

Skye started writing fiction in elementary school on a Smith Corona electric typewriter because that’s all people had back in the early 1980s. She didn’t realize she wanted to read and write romance until much later, when it finally dawned on her that she adored X-Men comics for the soap opera aspect as much as for the superpowers.

She’s bi/pan and she currently lives in Austin, Texas because of all the libraries and breakfast tacos.

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